Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Displaying 1 - 4 of 4
Description
This thesis project was a response to the NFL's struggles with domestic violence in the recent past. To contextualize the issue, this paper examines key domestic violence statistics and rates in the United States. Also discussed are the issues that United States law enforcement has with domestic violence cases, namely a problem with under-reporting and inconsistent arrest policies from state to state. Controversy surrounding NFL players and domestic violence was sparked by Ray Rice's arrest in 2014 and exacerbated by the league's light discipline of Rice. This paper attempts to uncover the root causes of the NFL's domestic violence problem and identifies issues the league has in terms of its inconsistent punishment history for domestic violence offenses, recent arrest trends for NFL players and the efforts the league and its members have made to combat the issue. Also considered are the ways the NFL has attempted to resolve the issue of domestic violence. The paper examines the policies set forth in the NFL's personal conduct policy as well as partnerships the league has made with nationwide organizations dedicated to education and prevention of domestic violence, including NO MORE and the National Domestic Violence Hotline. This thesis also compares the NFL's policies regarding domestic violence to that of its peers, Major League Baseball and the National Basketball Association. Lastly, the thesis offers several recommendations to the NFL for how it can rectify its prior shortcomings. These recommendations include revamped education programs for players, heightened disciplinary standards and more open communication with fans and outsiders.
ContributorsBeck, Ian Christopher (Author) / DeCarolis, Claudine (Thesis director) / Brumfield, Kenya (Committee member) / School of Criminology and Criminal Justice (Contributor) / W. P. Carey School of Business (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
Most research on domestic violence has been regularly generalized, on the issue and the people involved, who are most commonly but not necessarily, only women. Previous studies have focused mainly on women in the United States facing a domestic violence situation and the criminal justice response to them, however studies on the immigrant populations are limited. In this qualitative research we attempt to answer the question of how do domestic violence circumstances during childhood and young formative years, 12 - 18 years old, affect people from diverse cultures, as they become adults in the U.S. This study looks at the perceptions of women from Cambodia, Mexico, Russia and Vietnam as well as the United States, involving Native American women and their dependent children who have emigrated to or lived in the U.S. and experienced violence from their intimate partner and their experiences with the law, culture, Child Protective Services and other programs. Through previous interviews with women of these cultures we gain an understanding of their struggles and thoughts about their experiences and understandings and look into what changes can be implemented in order to help the various cultured victims of domestic violence in the law, community and criminal justice system and programs.
ContributorsBenado Smasch, Alisys Antanaychene (Author) / DeCarolis, Claudine (Thesis director) / Fox, Kate (Committee member) / School of Criminology and Criminal Justice (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
Popular culture has a longstanding tendency for being affected by, and reversely affecting, politics. Films, in particular, can exist as either purse “escapism” or heady pathways for political commentary. During the Second World War, governments in both the United States and Great Britain used film as a vessel for their own messages, but after the war ended, the two nations allowed their respective film industries more free expression in commenting on wartime and post-war politics. Film also provided particularly vivid political commentary during, and in the years immediately following, the Cold War. Though film has a longstanding history of being a force for political commentary, the medium’s specific engagement with the Cold War holds particular significance because works produced by the two nations’ film industries paralleled the social trend toward political activism at the time. While films produced in the UK and the United States in the 1960s addressed a wide range of contentious political issues, a huge body of work was spurred on by one of the most pressing political tensions of the time: namely, the Cold War.
The United States and Great Britain were major, allied forces during the Cold War. Despite their allied positions, they had unique politico-social perspectives that greatly reflected their immediate involvement in the conflict, in addition to their respective political histories and engagement in previous wars. As the Cold War threat was a large and, in many ways, incomprehensible one, each country took certain elements of the Cold War situation and used those elements to reflect their varied political social positions to a more popular audience and the culture it consumed.
In turn, filmmakers in both countries used their mediums to make overarching political commentaries on the Cold War situation. This analysis looks at five films from those countries during the 1960s, and explores how each representation offered different, often conflicting, perspectives on how to “manage” Cold War tensions, while simultaneously reflecting their conflicted culture and political decisions. The films analyzed reveal that each country focused on contrasting perceptions about the source of the threat posed by Soviet forces, thus becoming tools to further promote their distinct political stances. While the specifics of that commentary changed with each filmmaker, they generally paralleled each country’s perspective on the overall Cold War atmosphere. The British message represented the Cold War as a very internal battle—one that involved the threat within UK borders via the infiltration of spies the tools of espionage. In contrast, the American films suggest that the Cold War threat was largely an internal one, a struggle best combatted by increasing weaponry that would help control the threat before it reached American borders.
The United States and Great Britain were major, allied forces during the Cold War. Despite their allied positions, they had unique politico-social perspectives that greatly reflected their immediate involvement in the conflict, in addition to their respective political histories and engagement in previous wars. As the Cold War threat was a large and, in many ways, incomprehensible one, each country took certain elements of the Cold War situation and used those elements to reflect their varied political social positions to a more popular audience and the culture it consumed.
In turn, filmmakers in both countries used their mediums to make overarching political commentaries on the Cold War situation. This analysis looks at five films from those countries during the 1960s, and explores how each representation offered different, often conflicting, perspectives on how to “manage” Cold War tensions, while simultaneously reflecting their conflicted culture and political decisions. The films analyzed reveal that each country focused on contrasting perceptions about the source of the threat posed by Soviet forces, thus becoming tools to further promote their distinct political stances. While the specifics of that commentary changed with each filmmaker, they generally paralleled each country’s perspective on the overall Cold War atmosphere. The British message represented the Cold War as a very internal battle—one that involved the threat within UK borders via the infiltration of spies the tools of espionage. In contrast, the American films suggest that the Cold War threat was largely an internal one, a struggle best combatted by increasing weaponry that would help control the threat before it reached American borders.
ContributorsNelson, Taylor Lynn (Author) / Miller, April (Thesis director) / O'Flaherty, Katherine (Committee member) / Walter Cronkite School of Journalism and Mass Communication (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
The purpose of this study was to compare and contrast gun legislation and gun violence in the United States against two international countries. The countries that were chosen were the United Kingdom and Switzerland. The goal was to use the existing gun control models from the two international countries to develop an opinion of what can be done differently in the United States to reduce gun-related crime rates on the home front. Analysis of crime rates between the three countries proved that the United States is the country with the highest gun crime incidence. Specifically, the United States has, on average, 35 times the number of gun-related deaths per 100,000 people per year as the United Kingdom, and 2 times more gun-related deaths per 100,000 people per year than Switzerland. It has been determined that both legislative and cultural related changes need to be implemented in the United States in order for violent crime rates related to guns to ever be reduced.
ContributorsMontoya, Emily Rae (Author) / Johnston, Coy (Thesis director) / DeCarolis, Claudine (Committee member) / Technological Entrepreneurship and Management (Contributor) / Engineering Programs (Contributor) / School of Criminology and Criminal Justice (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05