Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Background: Impulsivity is a strong, consistent risk factor for heavier drinking and internalizing symptoms. However, it is unclear whether certain facets of impulsivity (e.g., lack of premeditation and negative urgency) are differentially related to drinking quantity versus internalizing and whether drinking quantity and internalizing serve as mechanisms through which impulsive traits confer risk for negative alcohol consequences. Method: Data are from a longitudinal study of contextual influences on alcohol response in emerging adults (N = 448, Mage = 22.27, 43.5% female). Longitudinal path models in Mplus tested whether UPPS-P impulsivity facets at T1 were prospectively associated with drinking quantity and internalizing symptoms (T2), and whether T2 drinking and internalizing symptoms mediated effects of T1 impulsivity on T3 negative alcohol consequences. Separate models were tested for positive and negative urgency and sex and age were included as model covariates. Results: Consistent with study hypotheses, T1 lack of premeditation indirectly predicted T3 negative alcohol consequences through heavier T2 drinking, whereas T1 negative urgency indirectly predicted T3 negative alcohol consequences through higher T2 stress and depressive symptoms. Contrary to hypotheses, lack of perseverance was not related to drinking quantity and alcohol use was not prospectively related to alcohol consequences. Conclusions: The current study found that distinct impulsive traits were associated with drinking quantity and internalizing symptoms, both of which conferred risk for negative alcohol consequences. Findings underscore the importance of targeting drinking behavior as well as internalizing symptomology based on the presence of specific impulsive personality traits. Such personality-centered interventions have shown promise in prior research.
Releasing music 20 years ago looks a lot different than releasing music today, and it is still ever-changing. Artists can make music in their bedrooms and release it independently by simply uploading it online. These artists can use social media to market their music themselves. But with it being so easy for new and small artists to put out a song it begs the question: in this customer era of marketing, how can new and small artists use co-creational marketing strategies, such as themes of nostalgia and hidden messages, to differentiate themselves? This project seeks to answer that question. In this partial creative project and partial research project, I tasked myself with writing and producing a song myself, then using that work to test these different marketing strategies. I distributed a survey where participants would listen to the song and then decide which of two visuals they preferred for a cover, merchandise item, and social media feed. Each set of visuals had one with a nostalgic theme and one that utilized hidden messages. This project discusses the importance of social media in an independent artist’s career and marketing efforts, as well as discusses customer-centric marketing and co-creation marketing strategies through nostalgia and hidden messages. I found success in a nostalgic strategy and interest in hidden messages. This research sets the stage for testing similar strategies by collaborating with other artists and their work in the hopes of creating guidance for independent artists when marketing their releases.