Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
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This paper argues that the Anglo-Saxons were runic-literate. Although there is scant runic evidence, conclusions are based largely upon an initial learning paradigm (although it is unclear what this paradigm might have been), and the subsequent transmission of runic knowledge orally. Runic evidence includes Cynewulf's poem, the Old English Rune Poem, the Falstone Text, the Coffin of St. Cuthbert, and the Franks Casket. Missionary work and the syncretic approach of the Church is also examined in order to shed light on runic literacy, as well as how a reformation of the futhorc (if it did occur) impacted runic literacy. The state of runic knowledge across the entire Anglo-Saxon period is also considered, since there was, by no means, an overwhelming runic literacy for the entire 500 years under examination. Nevertheless, there is evidence of a consistent knowledge of the runes, which precludes any possibility that runic knowledge was completely lost during this period. The Ruthwell Cross is examined, since it raises an argument against a widespread runic literacy. With all of this evidence in one place, and in no particular order, we can see that it was very probable that the Anglo-Saxons, lay and elite alike, were runic-literate.
ContributorsPeters, Elijah David (Author) / Bjork, Robert (Thesis director) / Sturges, Robert (Committee member) / Department of English (Contributor) / School of International Letters and Cultures (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
As a historical event and a much-loved subject of ancient literature, the Trojan War gave birth to many well-known stories, such as The Iliad, which continue to be enjoyed today. Among these is the lesser known work of Geoffrey Chaucer, titled Troilus and Criseyde. It follows the story of Prince Troilus, youngest son of King Priam and a character who is not seen in literature as often as his brothers Hector and Paris. In the 10th year of the Trojan War, Troilus meets the main protagonist, Criseyde, and falls madly in love. Criseyde herself is not in a position to love, but throughout the pages finds herself warming to the prince's favor. Through a beautifully crafted story, Chaucer evokes themes such as loyalty, selfishness, history, physical love versus spiritual love, and the role of women in society. Although it is a lesser known work of Chaucer's, in his day, Troilus and Criseyde was considered his masterpiece. My spring 2016 creative project is a novel retelling of this story entitled In Loving Criseyda. Following the plot of Chaucer's original, In Loving Criseyda is told from the perspective of an additional character: Criseyda's serving maid, Nadia. Nadia serves as the narrator and follows the plot points of the original story, offering her unique perspective on the events. Although Criseyda and Nadia come from opposite ends of society, the two find similarities in their situation and soon become friends. In befriending Criseyda, Nadia's world opens up as she begins to see the world in a new way. The novel becomes a coming of age story for Nadia in the time of the Trojan War, and her journey through love and loss.
ContributorsVecera, Emilie Marie (Author) / Blasingame, James (Thesis director) / Sturges, Robert (Committee member) / Department of English (Contributor) / School of International Letters and Cultures (Contributor) / Herberger Institute for Design and the Arts (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
Warriors, as all members of society in medieval Scandinavia, were bound by a course of rules that were imposed on them both culturally and by governing entities. In many cases, warriors were able to challenge these prescribed margins that held them in their place with limited success. Many warriors used their strength, wealth or powerful connections to exploit the judicial system and the inconsistent enforcement of legal proceedings. However, most of the warriors, who challenged these societal boundaries were checked either by a local ruler or by the people themselves who were often imposed upon or feuded with. This paper aims to look at what allowed warriors to push the margins in the Icelandic sagas, Hrólfs Saga Kraka ok Kappa Hans, Fóstbræðra Saga, and Egils Saga. It also looks at how this corresponds to the laws outlined in the Icelandic Grágás and the Norwegian Frostathing and Gulathing laws. While the law code postdates the settings in many of the sagas, they are more likely to apply.
This paper aims to give a greater understanding of how these warriors and overbearing men interact with the boundaries pressed upon them by medieval Scandinavian society and how these warriors made their place in a warrior culture. Especially in Iceland, where warriors increasingly fell out of place with Icelandic society, they struggled to fit themselves within the bounds of a society that did not have need of a standing army, but retained the warrior culture that is commonly seen in Norway, Sweden, and Denmark at this time.
This paper aims to give a greater understanding of how these warriors and overbearing men interact with the boundaries pressed upon them by medieval Scandinavian society and how these warriors made their place in a warrior culture. Especially in Iceland, where warriors increasingly fell out of place with Icelandic society, they struggled to fit themselves within the bounds of a society that did not have need of a standing army, but retained the warrior culture that is commonly seen in Norway, Sweden, and Denmark at this time.
ContributorsRebe, Tristan Jace (Author) / Bjork, Robert (Thesis director) / Sturges, Robert (Committee member) / School of Historical, Philosophical and Religious Studies (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2015-12