Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Throughout this project, we will examine the live music promotion industry's best administrative and financial practices, including planning, budgeting, and cost-cutting for music festivals. Additionally, we will look at the financial obligations of different sized music festivals, and how these obligations contribute value to both the customer and the community. Finally, we will examine how the COVID-19 pandemic has financially impacted the live music industry from a promoter perspective, in addition to examining the hardships faced by many communities as a result of pandemic-related music festival cancellations.
Throughout this project, we will examine the live music promotion industry's best administrative and financial practices, including planning, budgeting, and cost-cutting for music festivals. Additionally, we will look at the financial obligations of different sized music festivals, and how these obligations contribute value to both the customer and the community. Finally, we will examine how the COVID-19 pandemic has financially impacted the live music industry from a promoter perspective, in addition to examining the hardships faced by many communities as a result of pandemic-related music festival cancellations.