Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.

Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.

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This thesis details the impact of sustainable practices, or lack thereof, among IKEA and Chanel. It takes these principles and analyzes the effectiveness of them and works to implement them across industries and companies of different sizes and organizational structures.

ContributorsL'Heureux, Kendall James (Author) / Foote, Nicola (Thesis director) / Alcantara, Christiane (Committee member) / Department of Marketing (Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
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Description
Speculative fiction creates possibility in the imaginary through its ability to induce futuristic thinking. In Silvia Moreno-Garcia’s 2020 novel Mexican Gothic and Lizzie Borden’s 1983 film Born in Flames, the deployment of speculative fiction enables the authors’ feminist protagonists to resist and then defy systems of oppression. While Mexican Gothic’s

Speculative fiction creates possibility in the imaginary through its ability to induce futuristic thinking. In Silvia Moreno-Garcia’s 2020 novel Mexican Gothic and Lizzie Borden’s 1983 film Born in Flames, the deployment of speculative fiction enables the authors’ feminist protagonists to resist and then defy systems of oppression. While Mexican Gothic’s heroine, Noemí, must navigate typical Gothic tropes to discover the true horror of colonial subjugation, Born in Flames demonstrates resistance against corrupt governmental powers in a dystopic society through feminist organization. This thesis argues that Gloria Anzaldúa’s mestiza consciousness – a framework by which to understand conflicting ideologies at identity crossroads – and Kimberlé Crenshaw’s intersectionality – a theory that accounts for the unique discrimination an individual faces depending on the combination of their race, gender, sexuality, etc. – can be used in tandem to recognize destructive internal and external cultural, societal, political, and economic influences. The inclusion of Anzaldúa’s Borderlands/La Frontera amplifies the importance of recognizing colonial, racist, and patriarchal histories and the subsequent ability to rewrite these narratives. I contend that the application of these theories, used in conjunction with the teachings within Borderlands/La Frontera, yield an optic from which women of color in these speculative pieces may find liberation for themselves and others from unjust systems of power.
ContributorsTelles, Isabella (Author) / Van Engen, Dagmar (Thesis director) / Alcantara, Christiane (Committee member) / Barrett, The Honors College (Contributor) / Department of Finance (Contributor) / Dean, W.P. Carey School of Business (Contributor)
Created2022-05
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Description

The cosmetic industry has a significant lack of data on sustainability practices. The global market for cosmetics is expected to grow from $288 billion in 2021 to $415 billion in 2028 as more people populate the globe (Cosmetics Market Size, Share, & COVID-19 Impact Analysis, 2022). This research paper analyzes

The cosmetic industry has a significant lack of data on sustainability practices. The global market for cosmetics is expected to grow from $288 billion in 2021 to $415 billion in 2028 as more people populate the globe (Cosmetics Market Size, Share, & COVID-19 Impact Analysis, 2022). This research paper analyzes sustainability within the cosmetic industry. Specifically, comparing the practices between The Body Shop and Bath & Body Works. To test the hypothesis that The Body Shop is more sustainable than Bath & Body Works, a case study analysis was conducted to measure the companies’ performance in the environmental, economic, and social sectors. Comparable metrics were selected, and a pairwise comparison was completed to weigh the different metrics. To analyze the results, the Analytic Hierarchy Process (AHP) was used to ensure consistency in metric weights, and a Mann-Whitney U test was used to analyze the sector's final weights. The results verified the hypothesis that The Body Shop was more sustainable than Bath & Body Works. In all, the results support the idea that the cosmetic industry needs stronger regulations and oversight of cosmetic companies’ sustainability impact. One of the most prevalent limitations of this study is the lack of transparency and information from cosmetic companies. Moving forward, it is recommended to use data from multiple years with key performance indicators (KPIs) to assess sustainability performance more accurately.

ContributorsAbraham, Bridget (Author) / Koster, Auriane (Thesis director) / Alcantara, Christiane (Committee member) / Barrett, The Honors College (Contributor) / School of Sustainability (Contributor) / Watts College of Public Service & Community Solut (Contributor) / Dean, W.P. Carey School of Business (Contributor)
Created2022-05