Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.

Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.

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Neoliberal feminism has gained significant popularity in fourth-wave feminist media. In this paper, I analyze the 2017 limited television series "Big Little Lies" to uncover the intricacies of neoliberal feminist theory in practice, particularly how it speaks to gender, race, and class relations.

ContributorsLuther, Molly E (Author) / Moran, Stacey (Thesis director) / Henderson-Singer, Sharon (Committee member) / Arts, Media and Engineering Sch T (Contributor) / School of Social Transformation (Contributor) / Computer Science and Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
ContributorsFederico, Amanda (Author) / Moran, Stacey (Thesis director) / Ellsworth, Angela (Committee member) / Barrett, The Honors College (Contributor)
Created2023-05
ContributorsFederico, Amanda (Author) / Moran, Stacey (Thesis director) / Ellsworth, Angela (Committee member) / Barrett, The Honors College (Contributor)
Created2023-05
Description

Amanda Federico’s Honors Thesis Creative Project, The Cyberfem Experience, is a 38-minute technofeminist satire comedy show comprised of ten original sketches told within a synthesized multimedia format. The show opens a conversation on modern feminist issues by imagining and staging possible situations affecting women and other marginalized groups that may

Amanda Federico’s Honors Thesis Creative Project, The Cyberfem Experience, is a 38-minute technofeminist satire comedy show comprised of ten original sketches told within a synthesized multimedia format. The show opens a conversation on modern feminist issues by imagining and staging possible situations affecting women and other marginalized groups that may arise in time from the current state of our technology, cyberspace, and political climate. The Cyberfem Experience wields the approachable avenue of comedy to explore and demonstrate how technology might be utilized–within the industry, online communities, or through the design of technology itself–to perpetuate biases, harmful sexual fantasies, dangerous subgroup ideologies, and enforce roles/conditions of women in a patriarchal society.

ContributorsFederico, Amanda (Author) / Moran, Stacey (Thesis director) / Ellsworth, Angela (Committee member) / Barrett, The Honors College (Contributor)
Created2023-05
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Description
Feminism has been the focus of many writers throughout the decades but has recently gained momentum in the eyes of the general public thanks to works like Margaret Atwood’s The Handmaid’s Tale. Feminist figure Hélène Cixous encourages women to empower themselves by applying feminist ideas to their writing, rather than

Feminism has been the focus of many writers throughout the decades but has recently gained momentum in the eyes of the general public thanks to works like Margaret Atwood’s The Handmaid’s Tale. Feminist figure Hélène Cixous encourages women to empower themselves by applying feminist ideas to their writing, rather than remaining complacent in an oppressive society. Avalon strives to portray some of these ideas through the lens of Arthurian Legend. A feminist story set in an epic fantasy world, Avalon shows the struggle of marginalized groups in a patriarchal, discriminatory, and dystopian society.

The main character, Princess Alexandria, must navigate a world where the all magic is controlled by a power-hungry ruler, King Mordred. After he decides to pursue the Ruins of Kronos in order to gain control over time itself, the princess decides to intervene. Alexandria escapes the palace with her childhood best friend James, to stop him, nearly dying in the process, and finds a group of fairies who have lost their wings. The fairies help her discover the true origins and capabilities of magic, making her realize that she must restore it to the realm in order to stop King Mordred. Alexandria disguises herself as a man and joins the King’s Knights, befriending a rebel in disguise named Keith along the way, as she discovers her brother Noah may be on the King’s side. Together, they work to liberate lands oppressed by King Mordred’s rule, and by the Black Plague that Morgana has set upon them, all while uncovering the corruption present in their society.
ContributorsMucino-Martinez, Gwendolyn (Author) / Moran, Stacey (Thesis director) / Sturges, Robert (Committee member) / Dean, The College of Liberal Arts and Sciences (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05