Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
Jacob D. Green's slave narrative breaks standards surrounding slave narratives and wrote a strong, unique story that allowed his audience to relate to his human characters. His narrative has unprecedented qualities that make his autobiography distinctive. An attempt to locate him in historical documents proved inconclusive and some of his…
Jacob D. Green's slave narrative breaks standards surrounding slave narratives and wrote a strong, unique story that allowed his audience to relate to his human characters. His narrative has unprecedented qualities that make his autobiography distinctive. An attempt to locate him in historical documents proved inconclusive and some of his stories elaborated, but his narrative is still a valuable piece of literature that gives historians a glimpse into slavery in the United States and the abolition movement in England.
The Confederate States of America folded as a political project in 1865, but ex-Confederates refused to surrender the ideological cornerstones of a culture of white supremacy. That Lost Cause was a Confederacy of ideas that seized the imaginations of those who claimed a stake in the failed republic. But a…
The Confederate States of America folded as a political project in 1865, but ex-Confederates refused to surrender the ideological cornerstones of a culture of white supremacy. That Lost Cause was a Confederacy of ideas that seized the imaginations of those who claimed a stake in the failed republic. But a curious thing happened to a backwards-looking mythos that idealized local democracy over distant tyranny, white over black, and agrarian manhood over industrial mechanization. Like the ex-Confederate leaders who fled the United States after defeat, the Lost Cause migrated from the vanquished South to South America, finding fertile soil in Brazil, a nation with a deep history of analogous conflicts over race, power, and the allure of an immaculate historical myth. From there, the confederados, as they would come to be called, challenged by a Brazilian society that defied their preconceived notions of race and slavery, would amalgamate their white heritage and local Brazilian culture into an identity that was both wholly unique yet still distinctly Confederate, an identity that manages to persist to this day. Confederados in Brazil today recover an imagined heritage that was portable: like the CSA in North America, Confederados romanticize and mythologize racial identity and a struggle against a distant federal tyranny threatening individual rights. Yet at the same time, an even more curious thing has happened: they have seemingly betrayed their white heritage in certain aspects and adopted distinctly un-Confederate attitudes towards race, the very same attitudes that they had struggled to. Through analyzing both this movement and the analogous Lost Cause movement in the United States, one can begin to understand the allure that such movements have for particular groups of people, as well as how these movements have persisted so long after their initial founding.
