Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.

Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.

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The Irish Potato Famine, sometimes known as the Great Famine, is arguably one of the most infamous famines to occur in documented history. Between the years of 1845-1849, more than 1 million Irish people either died of starvation or were forced to flee the country because of this catastrophe. To

The Irish Potato Famine, sometimes known as the Great Famine, is arguably one of the most infamous famines to occur in documented history. Between the years of 1845-1849, more than 1 million Irish people either died of starvation or were forced to flee the country because of this catastrophe. To truly understand how such a devastating event occurred, it is important to understand the political climate of the time period – particularly in regard to Ireland’s relationship with England. Although the famine was caused, in part, by the failure of Ireland’s potato crop due to a disease dubbed the “blight,” the death rate was exacerbated by the lack of English aid – as Ireland was, at the time, an English colony. The mass death and immigration from Ireland within such a short time period were largely caused by negligence and mismanagement of the crisis by the English rulers.
ContributorsTobin, Delaney Ann (Author) / Langille, Timothy (Thesis director) / O'Donnell, Catherine (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
Historians periodize the ancient past in order to better facilitate its study. From period to period, the ideas, figures and discussions that define as distinct become trapped within the walls that historians have artificially imposed. However, history is not nearly so clean, and that which we have selected to define

Historians periodize the ancient past in order to better facilitate its study. From period to period, the ideas, figures and discussions that define as distinct become trapped within the walls that historians have artificially imposed. However, history is not nearly so clean, and that which we have selected to define each period may be carried forward beyond their period or retrojected into a past period. This thesis will explore how ideas and concepts travel backward and forward in time, through construction of memory and through cultural hybridity and intertextuality, by casting the royal ideology of the Hasmoneans as seen in I and II Maccabees in light of the legacy and memory of the Achaemenid Persian Dynasty. The first two chapters discuss the development of Achaemenid Royal Ideology, beginning with the conquest of Babylon by Cyrus II and his adoption of the ancient Near Eastern “Restorer of Order” literary paradigm to restructure the past for political legitimacy, and continues to the rise to power of Darius I, who in many ways built off of the Restorer of Order paradigm but innovated in establishing a new, more equal relationship between the divine and the royal receiver of the divine mandate to rule. The second two chapters begin with a discussion of II Maccabees and its use of the Restorer of Order paradigm, but goes more into detail on how it constructs an “idyllic past” that not only connects the Maccabees to mythic biblical figures but also reconstructs the Persian past of the Jewish people that mirrors and legitimizes Hasmonean royal ideology in sacred time, and ends with a discussion of how the innovations of Darius might have shaped the eventual conflict between the Hasmonean dynasty and their opponents over the correct responsibilities of the High Priest in Jerusalem.
ContributorsDanesh, Hal Tzvi (Author) / Langille, Timothy (Thesis director) / Mirguet, Francoise (Committee member) / Historical, Philosophical & Religious Studies (Contributor, Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description

Public Art bears an important role in the perpetuation of public narratives in a community. In the wake of the recent anti-racist, decolonization movements, public memorials and monuments are rightly being reconsidered. Historians, artists, politicians, and activists alike are now bringing to light the social and cultural issues that come

Public Art bears an important role in the perpetuation of public narratives in a community. In the wake of the recent anti-racist, decolonization movements, public memorials and monuments are rightly being reconsidered. Historians, artists, politicians, and activists alike are now bringing to light the social and cultural issues that come with commemorating colonizers and white supremacists in controversial public artworks. In my thesis, I will investigate and analyze three different monuments that have been, or currently, are controversial in the eyes of the community. The three monuments that I have chosen to research and analyze are the Captain Cook “Discovery” Statue in Hyde Park in Sydney, Australia, the Cecil Rhodes statue that was central to the Rhodes Must Fall movement in South Africa, and the statue of Winston Churchill in Parliament Park, which was vandalized last year in the wake of the Black Lives Matter movement. Each of these monuments plays an impactful role in the communities they inhabit but has or currently is facing a wave of controversy. I will analyze the varying reactions by the public and the controversies surrounding these three individual monuments. My aim is to find that there is a common theme between reactions to colonizer monuments across the world. If there is a common thread between how people everywhere think colonizer monuments should be dealt with, this may lead to more being taken down.

ContributorsArneson, Aundria (Author) / Langille, Timothy (Thesis director) / O'Donnell, Catherine (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor) / School of Human Evolution & Social Change (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2022-05