Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
The Garden is a series of seven looks which represent specific flowers. These representations are seen not only in their color ways, but also in their use of textured fabrics, bold silhouettes, and detailed embellishment techniques such as beading and covered buttons. My goal was to embody flowers, not to simply create garments with flowers on them. Instead, these garments ARE flowers. These forms are meant to call back to classic feminine shapes while giving them a modern twist in their asymmetry, fearless lines, and suggestiveness. They are a celebration of women and their connection with the delicate and powerful aspects of nature and their interactions with the human form.
The design of a series of parks along Swan Creek in Toledo, Ohio that connect visitors to the environment, history, and communities around them. They will provide spaces for people to walk, bike, kayak, play, and relax while enjoying the creek.
The impact traditional East Asian design has had on modern-day East Asian design has not been extensively researched. This paper examines the relationship traditional East Asian architectural design has with more modern styles of design in order to determine and compare the extent to which Western-style influences have had an impact in Eastern societies. This research specifically focuses on the country of South Korea and explores various case studies and articles dating from the Joseon dynasty (1392-1910) till present day. By comparing factors related to South Korean culture, the environment, religious philosophies, etc., to architectural trends within the country, we are able to explore the distinct and changing architectural values the society has prioritised over the centuries. This research aims to provide a clearer and more solidified timeline of Korean architectural history which in the past has lacked to address the question revolving around the impact tradition has had on ongoing design trends. I then compare South Korean culture and architecture to other case studies on both East Asian and Western societies in order to determine similarities between past and present architectural styles. The introduction of Western-style architecture in East Asian societies occurred at different critical periods of time and has pushed architectural modernisation to evolve at various speeds and in different directions. By comparing case studies on Japan, China and Korea/South Korea, we are able to explore the various interpretations and the extent to which Western-style design has had influence in this countries. While certain symbolic elements in traditional East Asian architecture have been lost during the modernisation phase of design, there continues to be a link between past and present styles through the emergence of new and improved modern features that have acted as replacements for previous ones. Currently trending in South Korean society is the want to revive and reincorporate traditional architectural features in the city landscape. Perhaps a new vision will emerge where past will become the new modern, and this will encourage an even greater extent of traditional influences on modern architecture in East Asia.
