Barrett, The Honors College Thesis/Creative Project Collection
Barrett, The Honors College at Arizona State University proudly showcases the work of undergraduate honors students by sharing this collection exclusively with the ASU community.
Barrett accepts high performing, academically engaged undergraduate students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project which is an opportunity to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is supervised and defended in front of a faculty committee. Students are able to engage with professors who are nationally recognized in their fields and committed to working with honors students. Completing a Barrett thesis or creative project is an opportunity for undergraduate honors students to contribute to the ASU academic community in a meaningful way.
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- All Subjects: community
- Creators: Walter Cronkite School of Journalism and Mass Communication
DescriptionAn analysis and informal ethnography of the participatory culture in Phoenix, Arizona that identifies itself as "geeky" or "nerdy." Conducted through numerous interviews and academic research, the project looks at this active community under the scope of personal choice and togetherness.
ContributorsHuskinson, Harmony (Author) / Facinelli, Diane (Thesis director) / Scott, Suzanne (Committee member) / Barrett, The Honors College (Contributor) / Walter Cronkite School of Journalism and Mass Communication (Contributor)
Created2014-05
Description
Aboriginal Voices Testimonials Reflecting Indigenous Experience in Australia "Aboriginal Voices: Testimonials Reflecting Indigenous Experience in Australia," is a collection of four audio portraits of Aboriginal artists interviewed between January and May of 2016. It enabled me to cover an underserved population, consistent with journalistic and human rights standards. The testimonials are paired with visuals, such as portraits and graphics. The artists who participated each discussed different aspects of life, although key and overlapping themes surfaced with each. Nicole Phillips, a highly educated animator and teacher, discussed systemic poverty and the generational trauma of mistreatment. She emphasizes, however, that Aboriginal Australians are still fighting back. Gordon Syron talks about his family's land and how it was taken from them. Syron killed the man responsible and spent time in prison, where he began his art career. He focuses on justice issues and fair representation. Peta-Joy Williams is fair-skinned and brings up issues of inclusion and identity. Additionally, Williams is fluent in Pitjara, one of 120 remaining Aboriginal languages. She teaches this to youth and Elders, passing on and restoring culture. Finally, Jeffrey Samuels reveals his experience in a boys home and getting fostered by a white family. He was denied his culture and worked very hard at a young age. Samuels is part of the Stolen Generation, a large population of Aboriginal Australians taken from their families as part of government policies. The paper discusses outreach techniques, summarizes the interview experience with each artists, technical requirements and reflections on the subjects that came up most prominently. The website, serving as the visual element of the project, can be found at aboriginalvoices.wordpress.com
ContributorsSandler, Gabriel Ross (Author) / Chadha, Monica (Thesis director) / O'Flaherty, Katherine (Committee member) / Walter Cronkite School of Journalism and Mass Communication (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
Southern Arizona was once described as a "sea of grass" extending across the four major valleys, the Sulphur Spring Valley, the San Pedro Valley, the San Simon Valley and the San Bernardino Valley. But today the majority of that land is covered with desert shrubs like mesquite, leaving little to none of the natural grasses that once dominated these valleys. By the late 1800s Americans were flocking to southern Arizona to take advantage of some of the lushest grasslands the United States had to offer. Yet today we can find very little of these grasslands remaining, and so the image of this once productive land has been long forgotten. This thesis/creative project takes an in-depth look at what the land in Cochise County, Arizona once was, what it has become, and what happened to cause these drastic changes. It looks at the four major theories as to what caused these changes. The first of which is the overgrazing of cattle through the cattle boom of the late 1800s. The second is the effect of climactic events like drought and an increase in aridity over time. The third is the encroachment of what was thought to be non-native mesquite, which choked out the natural grasses. And the fourth and final theory is that the overarching suppression of fire by settlers allowed desert shrubs to expand their ranges into the grasslands. Through historical records like newspaper articles, photo archives, land surveys, military travel journals, census data, weather records as well as prior research works and interviews with researchers, conservationists and ranchers, a history of these lands is presented to show the major turning points in the lands' use and determine what led to their deterioration.
ContributorsAmes, Amanda Gail (Author) / Minteer, Ben (Thesis director) / Klett, Mark (Committee member) / Rowe, Helen (Committee member) / Walter Cronkite School of Journalism and Mass Communication (Contributor) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2015-12