Phoebus: A Journal of Art History is an occasional journal published by art history faculty members in the Arizona State University's School of Art, Herberger Institute for Design and the Arts.

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Phoebus 6, Number 2: A Journal of Art History - Table of Contents

“Preface” p. 207.

“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.

“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.

“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü,

Phoebus 6, Number 2: A Journal of Art History - Table of Contents

“Preface” p. 207.

“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.

“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.

“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.

“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.

“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.

“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327. 

“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.

“Notes” p. 351-379.

“Glossary” p. 381-391.

“Index” p. 393-418

ContributorsVinograd, Richard (Author) / Murck, Alfreda (Author) / Hsu, Ginger Cheng-chi (Author) / Wu, Marshall P. S. (Author) / Chu, Christina (Author) / Li, Chu-tsing (Author) / Chou, Ju-hsi (Author)
Created1991
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Phoebus 4: A Journal of Art History - Table of Contents

“Contributors” p. 2.

“Preface” by Lee Anne Wilson, p. 7.

“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.

“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31. 

“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis

Phoebus 4: A Journal of Art History - Table of Contents

“Contributors” p. 2.

“Preface” by Lee Anne Wilson, p. 7.

“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.

“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31. 

“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.

“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53. 

“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.

“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.

“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.

The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.

Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.

“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.

“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.

“Notes” p. 117-128

ContributorsWilson, Lee Anne (Author) / O'Connor, Mallory McCane (Author) / Hieb, Louis A. (Author) / Berlo, Janet Catherine (Author) / McGreevey, Susan Brown (Author) / Trevelyan, Amy (Author) / Bol, Marsha Clift (Author) / Kenagy, Susan G. (Author) / Moulard, Barbara L. (Author) / Cohodas, Marvin (Author) / DeMott, Barbara (Author) / Younger, Erin (Author)
Created1985