Phoebus: A Journal of Art History
Phoebus: A Journal of Art History is an occasional journal published by art history faculty members in the Arizona State University's School of Art, Herberger Institute for Design and the Arts.
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- Creators: McGreevey, Susan Brown
- Creators: Wills, J. Robert
Phoebus 9: A Journal of Art History - Table of Contents
“Preface” by J. Robert Wills, p. 9-10.
“Collecting Chinese Art” by Roy and Marilyn Papp, p. 13.
“Catalog of the Inaugural Gift from the Roy and Marilyn Papp Collection to Phoenix Art Museum” p. 15-43.
“Exhibitions From the Roy and Marilyn Papp Collection” p. 44-45.
“Additional Publications” p. 47.
“Romanization Note” p. 48.
“The Daoist Symbolism of Immortality in Shen Zhou’s ‘Watching the Mid-Autumn Moon at Bamboo Villa’” by Chun-yi Lee, p. 49-78.
“Wu Shi'en's ‘Liang Hong and Meng Guang’: A Misreading” by Xiaoping Lin, p. 79-99.
“From the Profound to the Mundane: Depictions of Lohans in Late Ming China” by Janet Baker, p. 101-116.
“Glimpses of the Duanwu Festival by Fang Xun (1736-1799): Commemorative Painting or Private Souvenir?” by Anne Kerlan-Stephens, p. 117-141.
“Pleasure and Pain” by Marion S. Lee, p. 143-165.
“From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu” by Chen Liu, p. 167-182.
“Glossary of Chinese Names and Terms” p. 185-195
Phoebus 4: A Journal of Art History - Table of Contents
“Contributors” p. 2.
“Preface” by Lee Anne Wilson, p. 7.
“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.
“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31.
“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.
“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53.
“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.
“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.
“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.
“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.
“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.
“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.
“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.
“Notes” p. 117-128
