Phoebus: A Journal of Art History
Phoebus: A Journal of Art History is an occasional journal published by art history faculty members in the Arizona State University's School of Art, Herberger Institute for Design and the Arts.
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- Creators: Leone, Maria
- Creators: Wills, J. Robert
- Creators: Wu, Marshall P. S.
Phoebus 6, Number 2: A Journal of Art History - Table of Contents
“Preface” p. 207.
“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.
“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.
“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.
“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.
“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.
“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327.
“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.
“Notes” p. 351-379.
“Glossary” p. 381-391.
“Index” p. 393-418
Phoebus 9: A Journal of Art History - Table of Contents
“Preface” by J. Robert Wills, p. 9-10.
“Collecting Chinese Art” by Roy and Marilyn Papp, p. 13.
“Catalog of the Inaugural Gift from the Roy and Marilyn Papp Collection to Phoenix Art Museum” p. 15-43.
“Exhibitions From the Roy and Marilyn Papp Collection” p. 44-45.
“Additional Publications” p. 47.
“Romanization Note” p. 48.
“The Daoist Symbolism of Immortality in Shen Zhou’s ‘Watching the Mid-Autumn Moon at Bamboo Villa’” by Chun-yi Lee, p. 49-78.
“Wu Shi'en's ‘Liang Hong and Meng Guang’: A Misreading” by Xiaoping Lin, p. 79-99.
“From the Profound to the Mundane: Depictions of Lohans in Late Ming China” by Janet Baker, p. 101-116.
“Glimpses of the Duanwu Festival by Fang Xun (1736-1799): Commemorative Painting or Private Souvenir?” by Anne Kerlan-Stephens, p. 117-141.
“Pleasure and Pain” by Marion S. Lee, p. 143-165.
“From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu” by Chen Liu, p. 167-182.
“Glossary of Chinese Names and Terms” p. 185-195
Phoebus 5: A Journal of Art History - Table of Contents
“Editor’s Note” by Anthony Gully, p. 5-6.
“Preface” by Lucinda H. Gedeon, p. 9-12.
“Hiram Power’s Bust of George Washington: The President as an Icon” by Vivien Green Fryd, p. 14-28.
“A Sky After El Greco, An Early Homage by Demuth” by Marie Timberlake, p. 29-44.
“Ben Shahn’s ‘Mine Building: A Symbol of Disaster’” by Carolyn Robbins, p. 45-60.
“Georgia O’Keeffe’s ‘Horse’s Skull on Blue’: A Dedicatory Essay” by Barbara Spies, p. 61-65.
“Eastman Johnson's Cranberry Pickers” by Joseph Lamb, p. 66-74.
“Dull Knife’s Defiance” by Maria Leone, p. 75-79.
“A Designer of Dreams: Arthur B. Davies’ ‘Dawn, Mother of Night’” by Anne Gully, p. 80-87.
“Death and Mystical Liberation in John B. Flannagan’s ‘Beginning’” by Timothy Norris, p. 88-92.
“Architecture that Speaks: Edward Hopper's Cottage, Cape Cod” by William Laubach, p. 93-95.
“Behind the Mask: Walt Kuhn’s ‘Young Clown’” by Richard Raymond, p. 96-101.
“George Elbert Burr: A Sometimes Master” by Thomas van der Meulen, p. 102-109.
“‘Parade’ in Review, an Interview with Philip C. Curtis” by Dawne Walczak, p. 110-124.
“Notes” p. 125-143.
