Phoebus: A Journal of Art History
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- Creators: Leone, Maria
- Creators: McGreevey, Susan Brown
- Creators: Peterson, Jeanette Favrot
Phoebus 7: A Journal of Art History - Table of Contents
“Preface” by Emily Umberger and Tom Cummins, p. 9-13.
“Synthesis and Survival: The Native Presence in Sixteenth-century Murals of New Spain” by Jeanette Favrot Peterson, p. 14-35.
“Adaptation and Accommodation: The Transformation of the Pictorial Text in Sahagun's Manuscripts” by Ellen T. Baird, p. 36-51.
“The Madonna and the Horse: Becoming Colonial in New Spain and Peru” by Tom Cummins, p. 52-83.
“Colonial Visions: Drama, Art, and Legitimation in Peru and Ecuador” by Carlos Espinoza, p. 84-106.
“Who's Naughty and Nice: Childish Behavior in the Paintings of Cuzco's Corpus Christi Procession” by Carolyn S. Dean, p. 107-126.
Phoebus 5: A Journal of Art History - Table of Contents
“Editor’s Note” by Anthony Gully, p. 5-6.
“Preface” by Lucinda H. Gedeon, p. 9-12.
“Hiram Power’s Bust of George Washington: The President as an Icon” by Vivien Green Fryd, p. 14-28.
“A Sky After El Greco, An Early Homage by Demuth” by Marie Timberlake, p. 29-44.
“Ben Shahn’s ‘Mine Building: A Symbol of Disaster’” by Carolyn Robbins, p. 45-60.
“Georgia O’Keeffe’s ‘Horse’s Skull on Blue’: A Dedicatory Essay” by Barbara Spies, p. 61-65.
“Eastman Johnson's Cranberry Pickers” by Joseph Lamb, p. 66-74.
“Dull Knife’s Defiance” by Maria Leone, p. 75-79.
“A Designer of Dreams: Arthur B. Davies’ ‘Dawn, Mother of Night’” by Anne Gully, p. 80-87.
“Death and Mystical Liberation in John B. Flannagan’s ‘Beginning’” by Timothy Norris, p. 88-92.
“Architecture that Speaks: Edward Hopper's Cottage, Cape Cod” by William Laubach, p. 93-95.
“Behind the Mask: Walt Kuhn’s ‘Young Clown’” by Richard Raymond, p. 96-101.
“George Elbert Burr: A Sometimes Master” by Thomas van der Meulen, p. 102-109.
“‘Parade’ in Review, an Interview with Philip C. Curtis” by Dawne Walczak, p. 110-124.
“Notes” p. 125-143.
Phoebus 4: A Journal of Art History - Table of Contents
“Contributors” p. 2.
“Preface” by Lee Anne Wilson, p. 7.
“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.
“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31.
“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.
“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53.
“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.
“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.
“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.
“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.
“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.
“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.
“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.
“Notes” p. 117-128