Phoebus: A Journal of Art History
Filtering by
- Creators: Kampen, Michael
- Creators: Murck, Alfreda
- Creators: Lin, Xiaoping
Phoebus 6, Number 2: A Journal of Art History - Table of Contents
“Preface” p. 207.
“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.
“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.
“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.
“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.
“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.
“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327.
“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.
“Notes” p. 351-379.
“Glossary” p. 381-391.
“Index” p. 393-418
Phoebus 9: A Journal of Art History - Table of Contents
“Preface” by J. Robert Wills, p. 9-10.
“Collecting Chinese Art” by Roy and Marilyn Papp, p. 13.
“Catalog of the Inaugural Gift from the Roy and Marilyn Papp Collection to Phoenix Art Museum” p. 15-43.
“Exhibitions From the Roy and Marilyn Papp Collection” p. 44-45.
“Additional Publications” p. 47.
“Romanization Note” p. 48.
“The Daoist Symbolism of Immortality in Shen Zhou’s ‘Watching the Mid-Autumn Moon at Bamboo Villa’” by Chun-yi Lee, p. 49-78.
“Wu Shi'en's ‘Liang Hong and Meng Guang’: A Misreading” by Xiaoping Lin, p. 79-99.
“From the Profound to the Mundane: Depictions of Lohans in Late Ming China” by Janet Baker, p. 101-116.
“Glimpses of the Duanwu Festival by Fang Xun (1736-1799): Commemorative Painting or Private Souvenir?” by Anne Kerlan-Stephens, p. 117-141.
“Pleasure and Pain” by Marion S. Lee, p. 143-165.
“From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu” by Chen Liu, p. 167-182.
“Glossary of Chinese Names and Terms” p. 185-195
Phoebus 1: A Journal of Art History - Table of Contents
“Preface” by Ju-hsi Chou, p. 4-6.
“Dedication” by Harry Wood, p. 7-8.
“Style and Symbolism in the Awatobi Kiva Mural Paintings” by Marvin Cohodas, p. 9-21.
“Mr. B and the Cherubim: A Critical Examination of William Blake's 'A Descriptive Catalogue' of 1809” by Anthony Gully, p. 23-46.
“Arizona Portfolio” p. 47-64.
“La Muse de Guillaume Apollinaire (The Muse of Guillaume Apollinaire)” by Anthony
Gully, p. 48-51.
“Wild Geese, Flowering Plants, and Tall Reeds” by Ju-hsi Chou, p. 52-55.
“Ting” by Ju-hsi Chou, p. 56-59.
“Homage to Watteau” by Robin Dowden, p. 60-64.
“A Note on a Letter from Roger Hilton to Terry Frost” by Jack Breckenridge, p. 65-74.
“Ming Idealism and Landscape Painting” by Ju-hsi Chou, p. 75-92.
“Classic Maya Elements in the Iconography of Rulership at El Tajin, Veracruz, Mexico” by Michael Kampen, p. 93-104.
“Anne de Coursey Clapp, Wen Cheng-ming, ‘The Ming Artist and Antiquity’” by Anne de Coursey Clapp and Wen Cheng-ming, p. 105-108.
“‘7+5 Sculptors in the 1950s’: An Exhibition in the Phoenix Art Museum” 108-113.
“List of Contributors” by 114-116.