Phoebus: A Journal of Art History

Phoebus 7: A Journal of Art History - Table of Contents

“Preface” by Emily Umberger and Tom Cummins, p. 9-13. 

“Synthesis and Survival: The Native Presence in Sixteenth-century Murals of New Spain” by Jeanette Favrot Peterson, p. 14-35.

“Adaptation and Accommodation: The Transformation of the Pictorial Text in Sahagun's Manuscripts” by Ellen T. Baird, p. 36-51.

“The Madonna and the Horse: Becoming Colonial in New Spain and Peru” by Tom Cummins, p. 52-83.

“Colonial Visions: Drama, Art, and Legitimation in Peru and Ecuador” by Carlos Espinoza, p. 84-106. 

“Who's Naughty and Nice: Childish Behavior in the Paintings of Cuzco's Corpus Christi Procession” by Carolyn S. Dean, p. 107-126.

Phoebus 4: A Journal of Art History - Table of Contents

“Contributors” p. 2.

“Preface” by Lee Anne Wilson, p. 7.

“Grave Goods of the Florida Elite” by Mallory McCane-O’Connor, p. 9-21.

“Visual Imagery and Social Change” by Lee Anne Wilson, p. 24-31. 

“The Language of Dance: Communicative Dimensions of Hopi Katsina Dances” by Louis A. Heib, p. 32-41.

“WoHaw, a Kiowa Artist at Fort Marion, Florida” by Janet Catherine Berlo, p. 43-53. 

“The Other Weavers: Navajo Basket Makers” by Susan Brown McGreevey, p. 54-61.

“Powhatan Copper and the Prehistoric Ceremonial Complexes of the Eastern United States” by Amy Trevelyan, p. 62-70.

“Lakota Beaded Costumes of the Early Reservation Era” by Marsha Clift Bol, p. 71-77.

“The Emergence of Crenellated Ritual Pueblo Ceramics During the Late Prehistoric Period” by Susan G. Kenagy, p. 78-85.

“Form, Function and Interpretation of Mimbres Ceramic Hemispheric Vessels” by Barbara L. Moulard, p. 86-98.

“Meaning in Women's Arts in North America” by Marvin Cohodas and Barbara DeMott, p. 99-106.

“Native American Photography: Diversity and Achievement in the Southwest” by Erin Younger, p. 107-115.

“Notes” p. 117-128