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Caitlin Kierum, clarinet

ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)

Created2018-04-11

In remembrance: A graduate recital exploring musical nostalgia

ContributorsLougheed, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Bayer, Elizabeth Kennedy (Performer) / Clifton-Armenta, Tyler (Performer) / Park, Julie (Performer) / Javier de Alba, Francisco (Performer) / Vientos Dulces (Performer) / ASU Library. Music Library (Publisher)

Created2018-04-07

Making the desert bloom: Mexicans and Whites in the agricultural development of the Salt River Valley, 1867-1930

Description

The Phoenix area had no sizable Mexican presence before the U.S. took over the territory. Some assumed that the region was founded completely by whites from the outset. Whites and Mexicans actually held nearly equal populations throughout the first two decades of settlement. Though they did not hold equal status,…

The Phoenix area had no sizable Mexican presence before the U.S. took over the territory. Some assumed that the region was founded completely by whites from the outset. Whites and Mexicans actually held nearly equal populations throughout the first two decades of settlement. Though they did not hold equal status, their cohabitation was largely characterized by mutual interdependence and respect. Transforming the Salt River Valley's desert terrain into a regional agricultural hub depended on the Sonorans' preindustrial skills. As the town modernized, a new class of resident sought large scale projects to integrate Phoenix into the U.S. economy. Two pivotal projects achieved this. First, railroad spur lines made Phoenix accessible for migrants, as well as allowing farmers to supply commercial markets profitably. Second, the massive Roosevelt Dam secured a stable water supply for valley farmers. While these projects provided the foundation for development, it was cotton that brought commercial success. Throughout World War I, valley cotton growers capitalized on the booming cotton market by expanding their average acreage from 400 acres in 1912 to 130,000 acres in 1920. This rapid escalation to meet wartime demands depended upon a massive seasonal labor force from Mexico. While this boom brought prosperity to valley farmers, it solidified the Mexican's role in the Salt River Valley as little more than a laborer. Valley cotton growers impressively managed all labor issues through a well-organized collective association. Over-recruitment and wage setting kept workers from collective bargaining for better wages. The cotton growers' hegemony crashed along with cotton prices in 1921. Though the industry recovered fairly quickly, the cotton growers faced a new challenge in the rising national clamor to restrict Mexican immigration to the U.S. Though growers fought restrictions in Congressional hearings throughout the decade, the economic crash of 1929 finally ended widespread Mexican immigration. By the time of the crash, most Mexicans who remained lived in the agricultural peripheries or scattered urban barrios.

ContributorsWalker, Scott (Author) / Rosales, Francisco A (Thesis advisor) / Vandermeer, Phil (Committee member) / Stoner, Lynn (Committee member) / Arizona State University (Publisher)

Created2012

Brennan Coffey, clarinet

ContributorsCoffey, Brennan (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)

Created2021-04-26

Sean Holly, trombone

ContributorsHolly, Sean (Performer) / Wright, Aaron (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)

Created2021-04-29

Katherine Breeden & Lindsey German, clarinets

ContributorsBreeden, Katherine (Performer) / German, Lindsey (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)

Created2018-04-13

A compact disc recording of three flute works by Daniel Dorff: April whirlwind, Nocturne caprice, and 9 walks down 7th avenue

Description

ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work…

ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.

ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)

Created2010

ContributorsStrickland, Kiefer (Performer) / Novak, Gail (Pianist) (Performer) / McKinch, Riley (Performer) / Hoeckley, Stephanie (Performer) / Bates-Kennard, Sarah (Performer) / Moonitz, Olivia (Performer) / Lovelady, Alexis (Performer) / ASU Library. Music Library (Publisher)

Created2017-10-31

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