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ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11
ContributorsLougheed, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Bayer, Elizabeth Kennedy (Performer) / Clifton-Armenta, Tyler (Performer) / Park, Julie (Performer) / Javier de Alba, Francisco (Performer) / Vientos Dulces (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
ContributorsCoffey, Brennan (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-26
ContributorsHolly, Sean (Performer) / Wright, Aaron (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsBreeden, Katherine (Performer) / German, Lindsey (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
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Description
The modeling and simulation of airflow dynamics in buildings has many applications including indoor air quality and ventilation analysis, contaminant dispersion prediction, and the calculation of personal occupant exposure. Multi-zone airflow model software programs provide such capabilities in a manner that is practical for whole building analysis. This research addresses

The modeling and simulation of airflow dynamics in buildings has many applications including indoor air quality and ventilation analysis, contaminant dispersion prediction, and the calculation of personal occupant exposure. Multi-zone airflow model software programs provide such capabilities in a manner that is practical for whole building analysis. This research addresses the need for calibration methodologies to improve the prediction accuracy of multi-zone software programs. Of particular interest is accurate modeling of airflow dynamics in response to extraordinary events, i.e. chemical and biological attacks. This research developed and explored a candidate calibration methodology which utilizes tracer gas (e.g., CO2) data. A key concept behind this research was that calibration of airflow models is a highly over-parameterized problem and that some form of model reduction is imperative. Model reduction was achieved by proposing the concept of macro-zones, i.e. groups of rooms that can be combined into one zone for the purposes of predicting or studying dynamic airflow behavior under different types of stimuli. The proposed calibration methodology consists of five steps: (i) develop a "somewhat" realistic or partially calibrated multi-zone model of a building so that the subsequent steps yield meaningful results, (ii) perform an airflow-based sensitivity analysis to determine influential system drivers, (iii) perform a tracer gas-based sensitivity analysis to identify macro-zones for model reduction, (iv) release CO2 in the building and measure tracer gas concentrations in at least one room within each macro-zone (some replication in other rooms is highly desirable) and use these measurements to further calibrate aggregate flow parameters of macro-zone flow elements so as to improve the model fit, and (v) evaluate model adequacy of the updated model based on some metric. The proposed methodology was first evaluated with a synthetic building and subsequently refined using actual measured airflows and CO2 concentrations for a real building. The airflow dynamics of the buildings analyzed were found to be dominated by the HVAC system. In such buildings, rectifying differences between measured and predicted tracer gas behavior should focus on factors impacting room air change rates first and flow parameter assumptions between zones second.
ContributorsSnyder, Steven Christopher (Author) / Reddy, T. Agami (Thesis advisor) / Addison, Marlin S. (Committee member) / Bryan, Harvey J. (Committee member) / Arizona State University (Publisher)
Created2011
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work

ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010
ContributorsBroome-Robinson, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Glick, Philip (Performer) / Lynch, Paul (Performer) / Ryall, Blake (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-19
ContributorsCrimminger, Jordan (Performer) / Novak, Gail (Pianist) (Performer) / Hong, Dylan (Performer) / Larson, Ben (Performer) / Russell, Liam (Performer) / Raschko, Hannah (Performer) / ASU Library. Music Library (Publisher)
Created2017-10-22
ContributorsStrickland, Kiefer (Performer) / Novak, Gail (Pianist) (Performer) / McKinch, Riley (Performer) / Hoeckley, Stephanie (Performer) / Bates-Kennard, Sarah (Performer) / Moonitz, Olivia (Performer) / Lovelady, Alexis (Performer) / ASU Library. Music Library (Publisher)
Created2017-10-31