Matching Items (692)
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This dissertation explores how rank-and-file political prisoners navigated life after release and how they translated their experiences in the Gulag and after into memoirs, letters, and art. I argue that these autobiographical narratives formed the basis of an alternate history of the Soviet Union. This alternate history informed

This dissertation explores how rank-and-file political prisoners navigated life after release and how they translated their experiences in the Gulag and after into memoirs, letters, and art. I argue that these autobiographical narratives formed the basis of an alternate history of the Soviet Union. This alternate history informed the cultural memory of the Gulag in the Komi Republic, which coalesced over the course of the late 1980s and 1990s into an infrastructure of memory. This alternate history was mobilized by the formation of the Soviet Union’s first civic organizations, such as the Memorial Society, that emerged in the late 1980s. However, Gulag returnees not only joined post-Soviet civil society, they also formed a nascent civil society after their release in the 1950s. The social networks and informal associations that Gulag returnees relied upon to reintegrate back into Soviet society after release, also played an essential role in the memory project of coming to terms with the Stalinist past after the collapse of the Soviet Union.

As one of the first and most populous epicenters of the Gulag archipelago located in the Far North, from 1929-1958 Komi saw hundreds of thousands of prisoners, in addition to hundreds of thousands more who were exiled to the region from all over the Soviet Union. While some left the region after they were released, many were not able to leave or chose not to when given the choice. Regardless of where they lived when the Soviet Union collapsed, many former prisoners sent their autobiographies to branches of the Memorial Society and local history museums in Komi. For many, this was the very first time they had shared their stories with anyone. While Komi is unique in many ways, it is emblematic of processes that unfolded throughout the Soviet Union and Eastern Europe at the end of the Twentieth Century. This project expands our understanding of how civil societies form under conditions of authoritarian rule and illuminates the ways in which survivors and societies come to terms with difficult pasts.
ContributorsKirk, Tyler Colby (Author) / Manchester, Laurie (Thesis advisor) / Von Hagen, Mark (Thesis advisor) / Holian, Anna (Committee member) / Barenberg, Alan (Committee member) / Arizona State University (Publisher)
Created2019
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The first official history of the Great Patriotic War appeared in the Soviet Union in 1960-1965. It evolved into a six-volume set that elicited both praise and criticism from the reading public. This dissertation examines the creation of the historiographical narrative of the Great Patriotic War in the

The first official history of the Great Patriotic War appeared in the Soviet Union in 1960-1965. It evolved into a six-volume set that elicited both praise and criticism from the reading public. This dissertation examines the creation of the historiographical narrative of the Great Patriotic War in the decade following de-Stalinization in 1956. The debates historians, Party and state representatives engaged in, including the responses they received from reviewers and readers, shed new light on the relationship between the government, those who wrote state-sponsored narratives, and the reading public.

The narrative examined here shows the importance and value placed on the war effort, and explores how aspects of the Stalinist period were retained during the Thaw. By focusing on previously unexplored archival material, which documents debates and editorial decisions, an examination of how officials sought to control the state’s explanation of events, motivations and consequences of the war can be examined in-depth. To date, the periodization, terminology and areas of concentration that define the course of the Great Patriotic War are fixated on topics that Stalin’s war narrative favored, assigning significance to events according to Stalinist preferences rather than objective analysis. My study of the war’s historiography shows how contentious its memory became at every level, making it difficult to clearly discern who represented and opposed the party line throughout Soviet society.

The author argues that the collective memory of the war, as propagated by the state, became so all-encompassing that it was often the preferred version, infiltrating individual memories and displacing or blending with personal recollections and factual documentation. Because the war touched the entire population of the Soviet Union, its story became the foundational myth of the USSR, replacing the October Revolution, and was used as a legitimizing tool by Nikita Khrushchev and Leonid Brezhnev. Most recently, it has experienced a revival in the post-Soviet period by Vladimir Putin as a way to unify Russia and build popular support for his administration. Viewing how the public interacted with representatives of the state over the creation of the official history of the war suggests that like no other event, war compels any state, even a totalitarian state, to reexamine its foundations, historical memory, foreign and domestic policies and views on censorship.
ContributorsMann, Yan (Author) / Von Hagen, Mark (Thesis advisor) / Manchester, Laurie (Thesis advisor) / Holian, Anna (Committee member) / Arizona State University (Publisher)
Created2016
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This dissertation describes the public sphere that coalesced in the Soviet jazz scene during Josef Stalin’s reign. Scholars debate the extent to which Soviet citizens, especially under Stalin, were coerced into cooperating with the regime through terror; willingly cooperated with the regime out of self-interest; or re-aligned their speech, behavior,

This dissertation describes the public sphere that coalesced in the Soviet jazz scene during Josef Stalin’s reign. Scholars debate the extent to which Soviet citizens, especially under Stalin, were coerced into cooperating with the regime through terror; willingly cooperated with the regime out of self-interest; or re-aligned their speech, behavior, and thoughts to conform to Bolshevik ideology and discourse. In all cases, citizens were generally unable to openly express their own opinions on what Soviet society should look like. In this dissertation, I attempt to bridge this gap by analyzing the diverse reactions to jazz music in Josef Stalin’s Soviet Union. I argue that audience engagement with jazz and discussions about the genre in the Soviet press and elsewhere were attempts to grapple with bigger questions of public concern about leisure, morality, ethnicity, cosmopolitanism and patriotism in a socialist society. This jazz public sphere was suppressed in the late 1940s and early 1950s because of Cold War paranoia and fears of foreign influences in Soviet life. In its place, a counterpublic sphere formed, in which jazz enthusiasts expressed views on socialism that were more open and contradictory to official norms. This counterpublic sphere foreshadowed aspects of post-Stalinist Soviet culture. To support my arguments, I employ archival documents such as fan mail and censorship records, periodicals, memoirs, and Stalin-era jazz recordings to determine the themes present in jazz music, how audiences reacted to them, and how these popular reactions overlapped with those of journalists, musicologists, bureaucrats, and composers. This project expands our understanding of when and where public spheres can form, challenges top-down interpretations of Soviet cultural policy, and illuminates the Soviet Union and Russia’s ambivalent relationship with the West and its culture.
ContributorsBeresford, Benjamin J. (Author) / Von Hagen, Mark (Thesis advisor) / Manchester, Laurie (Committee member) / Schmelz, Peter (Committee member) / Moore, Aaron (Committee member) / Arizona State University (Publisher)
Created2017
Description

Religion and gender are two contemporary, heavily influential social identity markers that the media engages with. In India, Bollywood simultaneously interacts with religious and gender identity by producing many movies on Hindu-Muslim inter-religious romantic relationships in the twenty-first century. Bollywood’s Hindu-Muslim romance movies are stories with a central focus on a romantic relationshi

Religion and gender are two contemporary, heavily influential social identity markers that the media engages with. In India, Bollywood simultaneously interacts with religious and gender identity by producing many movies on Hindu-Muslim inter-religious romantic relationships in the twenty-first century. Bollywood’s Hindu-Muslim romance movies are stories with a central focus on a romantic relationship in which one lover is Hindu and the second is Muslim. The masculinity and femininity of the Hindu and Muslim characters are not accidental; it is meticulously articulated in every movie. This thesis explores two sets of patterns in the movies: themes in love stories and gender identity across the protagonists. It is important to note that representation of religious identity in Bollywood is highly debated with a special emphasis on Muslim identity since they are a religious minority and the political "Other". This thesis acknowledges that the presence of Muslims in Bollywood is complicated and not black and white, but it focuses on the representation of Muslims that is connected romantically with Hindus.

Created2021-05
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From 2019, a severe acute respiratory coronavirus 2, SARS-CoV-2, began to be a global pandemic. Many high income countries developed different strategies in response. This analysis intends to highlight how the COVID-19 became a global pandemic and the strategies that account for successes and failures. In identifying key policy differences,

From 2019, a severe acute respiratory coronavirus 2, SARS-CoV-2, began to be a global pandemic. Many high income countries developed different strategies in response. This analysis intends to highlight how the COVID-19 became a global pandemic and the strategies that account for successes and failures. In identifying key policy differences, the high income countries of the United States, New Zealand and France were examined. The analysis found that New Zealand had proactive elimination strategies that proved highly effective, whereas the United States and France both struggled with mitigation factors that resulted in disproportionately higher confirmed cases and mortality rates. The analysis highlights how the airborne virus became a pandemic and then followed public policies’ effectiveness in terms of existing political institutions,and then their ability to be successful in preventing the spread of the virus.

ContributorsNavas, Natalia (Author) / Wilson, Natalia (Thesis director) / Niebuhr, Robert (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor) / School of Politics and Global Studies (Contributor)
Created2022-05
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As China is using its Belt and Road Initiative to solidify strategic partnerships, which China is consciously forming with the intention of engineering shifts in the regional balance of power, it strengthens its hegemony and therefore raises the significance of the BRI and CPEC as an instrument to position itself

As China is using its Belt and Road Initiative to solidify strategic partnerships, which China is consciously forming with the intention of engineering shifts in the regional balance of power, it strengthens its hegemony and therefore raises the significance of the BRI and CPEC as an instrument to position itself as an emerging global power. I will explore this thesis statement by using the China-Pakistan Economic Corridor as a case study.

ContributorsKhwaja, Aaliyah (Author) / Iheduru, Okechukwu (Thesis director) / Haines, Chad (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2022-05
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Threats to critical infrastructure are increasing, especially within the water industry. The purpose of this study was to evaluate the history of water attacks within the United States, determine the vulnerabilities, examine current and future methods of attack, and identify potential trends. Risk assessments of the water supply systems were

Threats to critical infrastructure are increasing, especially within the water industry. The purpose of this study was to evaluate the history of water attacks within the United States, determine the vulnerabilities, examine current and future methods of attack, and identify potential trends. Risk assessments of the water supply systems were evaluated based on threats, vulnerabilities, and consequences according to the 4 attack methods: physical, cyber, biological, and chemical. Each attack method was given a comprehensive background in the context of historical evidence, vulnerabilities, prevention, and response to a potential attack. In analyzing the risk assessment of water supply systems, it was determined that a majority of the vulnerabilities are due to outdated equipment or structure failure. Additionally, the increase in cyber-attacks worldwide signals a threat the U.S. is unprepared for. Therefore, physical, cyber, biological, and chemical attacks can be best mitigated through prevention and detection. Some prevention methods include establishing emergency protocols, training employees in risk management, and running emergency simulations.
ContributorsBove, Madison (Author) / Boyer, Treavor (Thesis director) / Richard, Rain (Committee member) / Barrett, The Honors College (Contributor) / School of Molecular Sciences (Contributor) / School of Politics and Global Studies (Contributor)
Created2022-05
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This thesis aims to gain a broader understanding of the perceptions of Jewish identity amongst Jewish adults of three generations. In doing so, I aim to contribute to research and previous scholarly works that have examined how the views and perspectives of those the three different aging ‘tiers’ contribute to

This thesis aims to gain a broader understanding of the perceptions of Jewish identity amongst Jewish adults of three generations. In doing so, I aim to contribute to research and previous scholarly works that have examined how the views and perspectives of those the three different aging ‘tiers’ contribute to furthering cultural perceptions, stereotypes, theories, and ideologies of identity in Judaism. People of different ages possess varying views and understandings of aging and the aging process. Society, too, says different things about aging and how aging plays a role in relationships amongst people. People have certain and often strong views as to what is considered “old” and “aging”. There are societal benchmarks establishing that people of the age of 60, 62, or 65 are considered “seniors” and therefore put in a special box relegated to those of that age. In addition, there are many perceptions of aging and Jewish identity, varying among those with different backgrounds and cultures, experiences, familial relationships, and more. These views and understandings are not singularly applicable. Cultures may have their own unique customs and beliefs, and at the same time many cultures are also influenced by the larger American understanding - these perceptions contribute to many subgroups, including Judaism, and are evidenced in Jewish culture. In this study, I endeavored to survey members of the Jewish community to find out their experiences and perspectives relating to Jewish identity and what it means to them, both in the personal and Jewish cultural context.

ContributorsSokoler, Elianna (Author) / Guest, M. Aaron (Thesis director) / Mirvis, Stanley (Committee member) / Barrett, The Honors College (Contributor) / Hugh Downs School of Human Communication (Contributor) / School of Politics and Global Studies (Contributor)
Created2022-05
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A successful asylum case is extremely rare in the United States legal system, particularly for Black migrants entering from Haiti who are subject to multiple layers of racism throughout each step of the process. Recent policies, such as Title 42 and Migrant Protection Protocols (MPP), have further restricted migrants from

A successful asylum case is extremely rare in the United States legal system, particularly for Black migrants entering from Haiti who are subject to multiple layers of racism throughout each step of the process. Recent policies, such as Title 42 and Migrant Protection Protocols (MPP), have further restricted migrants from initiating this process by blocking their entry and expediting their removals. Title 42, a public health code issued to mitigate the spread of COVID-19, has accelerated the deportation of Haitian migrants, while MPP has forced many migrants to stay in Mexico during their asylum proceedings. Both of these policies have had a punitive effect on migrants attempting to enter the country through “legal manners,” yet they are ineffective ways of stopping migration. Instead, migrants are now crossing through a weaponized southern border due to Border Patrol’s strategy of Prevention through Deterrence. Though there is extensive research on the racism that non-Black migrants face when interacting with enforcement agencies in the Borderlands, there is no research centering the experiences of Black migrants. In this paper, I argue that in spite of this dangerous route, migrants find ways to survive through community-based strategies, including transnational networks. Additionally, I examine local efforts in Mexicali, B.C. to provide support to migrants. This case-study is critical for the understanding of the borderlands as it highlights the detrimental consequences of colonial occupation, racism, and late-stage capitalism. Key words: Black migration, immigration, border enforcement, asylum process

ContributorsSolorio, Diane (Author) / Wheatley, Abby (Thesis director) / Soto, Gabriella (Committee member) / Aviña, Alexander (Committee member) / Barrett, The Honors College (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Politics and Global Studies (Contributor) / Sandra Day O'Connor College of Law (Contributor) / School of Transborder Studies (Contributor)
Created2022-05
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How much do we know about Cinderella? How much does Cinderella know about it? Cinderella is a woman who had bully by her stepmother for a long time and met a prince and fell in love with him and got married. This story of Cinderella was charmingly introducing to the

How much do we know about Cinderella? How much does Cinderella know about it? Cinderella is a woman who had bully by her stepmother for a long time and met a prince and fell in love with him and got married. This story of Cinderella was charmingly introducing to the world. We can watch many movies, novels, and dramas about Cinderella worldwide for many years. As a result, Cinderella created a social phenomenon called the 'Cinderella phenomenon.' We call it the modern version of Cinderella when a pretty, but poor woman meets a rich man and marries him. In other words, Cinderella in the present Cinderella is describing as a gorgeous but unhappy woman who eventually escapes reality through the prince. However, what if all these things we misunderstand about Cinderella? If everything was done under Cinderella's plan, and the prince's choice of Cinderella as a princess was not all about love, can we still call it Cinderella when a beautiful but poor woman marries a rich man?

ContributorsPark, Byeol (Author) / Suk, Mina (Thesis director) / Foote, Nicola (Committee member) / Barrett, The Honors College (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Politics and Global Studies (Contributor)
Created2022-05