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- Creators: Novak, Gail (Pianist)
ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11
ContributorsLougheed, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Bayer, Elizabeth Kennedy (Performer) / Clifton-Armenta, Tyler (Performer) / Park, Julie (Performer) / Javier de Alba, Francisco (Performer) / Vientos Dulces (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
ContributorsCoffey, Brennan (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-26
ContributorsHolly, Sean (Performer) / Wright, Aaron (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
Description
This research focused on the extent to which Syria's Muslim Brotherhood and Syrian Islamic Front have managed to acquire political legitimacy within a society that has historically remained under the control of either a foreign occupier or an oppressive regime. In addition, the added instability caused by the various ethnic/religious allegiances, external forces and a long-standing tradition of inhibiting a civil society have caused their legitimacy within the society to fluctuate dramatically. As a result the Islamic opposition parties in Syria have undergone a variety of ideological and organizational changes in an attempt to acquire a firm support base from Syria's varied population. Therefore, this thesis looked at each Islamic party's ability to obtain support from a wide spectrum of the Syrian populace, starting from their introduction into the political theatre, up until the onset of the Syrian Civil War.
ContributorsDeLintt, Jesus Gabriel (Author) / Lattouf, Mirna (Thesis director) / Ali, Souad (Committee member) / Gallab, Abdullahi (Committee member) / Barrett, The Honors College (Contributor) / School of International Letters and Cultures (Contributor)
Created2014-05
ContributorsBreeden, Katherine (Performer) / German, Lindsey (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010
ContributorsBroome-Robinson, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Glick, Philip (Performer) / Lynch, Paul (Performer) / Ryall, Blake (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-19
Description
Evangelicals (particularly American evangelicals) have largely been seen historically as a monolithic group with similar viewpoints and actions across the board. The group has been tied to historically conservative values and is often held most responsible for the election of President Donald J. Trump. Additionally, American evangelicals have, as a whole, supported the modern State of Israel (both financially through individual donations and/or lobbying efforts and spiritually through prayer). Preliminary research suggested, however, that not all evangelicals have adopted this pro-Israel stance. After conducting 10 interviews (with subjects in the United States, Israel and the Palestinian territories) and researching the history of evangelicalism in these areas, it becomes apparent that evangelicals who are from or are currently living in the United States are much more likely to support the State of Israel than those who are from Israel or the Palestinian territories - though it should be emphasized that they claim their support is not unconditional, as several polls and general attitudes toward evangelicals may imply. Above all else, this essay seeks to prove that evangelicals are not a monolithic entity wherein all of its members harbor the same beliefs and attitudes. As the remainder of this essay will show, there is a wide spectrum of perspectives as it pertains to the Israeli-Palestinian conflict, which suggests that this conflict is not as polarizing within the evangelical community as one might think. Polls with numbers indicating that a majority of evangelicals support Israel might imply that there must then be conflict between those evangelicals and people who do not support Israel. Such polls neglect to highlight the nuance among members of the evangelical community, a fact that this essay will attempt to rectify.
ContributorsFrank, BrieAnna Joy (Author) / Bruner, Jason (Thesis director) / Lattouf, Mirna (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / Walter Cronkite School of Journalism & Mass Comm (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
ContributorsCrimminger, Jordan (Performer) / Novak, Gail (Pianist) (Performer) / Hong, Dylan (Performer) / Larson, Ben (Performer) / Russell, Liam (Performer) / Raschko, Hannah (Performer) / ASU Library. Music Library (Publisher)
Created2017-10-22