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ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11
ContributorsLougheed, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Bayer, Elizabeth Kennedy (Performer) / Clifton-Armenta, Tyler (Performer) / Park, Julie (Performer) / Javier de Alba, Francisco (Performer) / Vientos Dulces (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
ContributorsCoffey, Brennan (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-26
ContributorsHolly, Sean (Performer) / Wright, Aaron (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsBreeden, Katherine (Performer) / German, Lindsey (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work

ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010
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Description
Neuroscientific research has verified that humans have specialized brain areas used in the production and perception of language. It is speculated that these brain areas may also be involved in the perception and expression of emotions. A recent study supports the idea of an auditory equivalent to visually recognizable emotions,

Neuroscientific research has verified that humans have specialized brain areas used in the production and perception of language. It is speculated that these brain areas may also be involved in the perception and expression of emotions. A recent study supports the idea of an auditory equivalent to visually recognizable emotions, finding that the words containing the phoneme /i:/ as in “beat” were rated more positively and those with the phoneme /^/ as in “but” were rated more negatively. It was theorized that these results support that the same facial musculature used in producing visually recognizable expressions also favors specific phonemic sounds. The present study replicates this prior research using a new methodology in which participants matched verbalized monosyllabic nonsense pseudo-words to positive or negative cartoon pictures. We hypothesized that pseudo-words containing the sounds /i:/ would be matched with pictures that are more emotionally positive and ones containing the sounds /^/ would be matched with pictures that are more negative. Data collected from 119 undergraduate student volunteers from a Southwestern public university confirmed our hypotheses and exhibit the same pattern found in previous research supporting that specific vowel phonemes are matched with emotional valence. Our findings are the first to confirm this phoneme-emotion relationship with verbalized sounds and pictures. The results support the idea that the musculature associated with positive and negative facial expressions also favors production of specific phonemic sounds that listeners recognize and associate with specific emotions.
ContributorsBarnes, Heather Lee (Author) / Benitez, Viridiana (Thesis director) / Corbin, William (Thesis director) / McBeath, Michael K. (Thesis director) / Yu, Christine S.P. (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12
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Description
Cross-situational word learning (CSWL) is a method of learning new words where an individual
is exposed to the word’s meaning in an ambiguous fashion throughout different contexts. Many
studies have been conducted using CSWL tasks on both children and adults. Most of these
studies look at single-label pairings, which is when one object

Cross-situational word learning (CSWL) is a method of learning new words where an individual
is exposed to the word’s meaning in an ambiguous fashion throughout different contexts. Many
studies have been conducted using CSWL tasks on both children and adults. Most of these
studies look at single-label pairings, which is when one object is paired with one word. More
recently, research has also started to look at double-label pairings. Double-label pairings consist
of one object being paired with two words. No study to date has compared adult and children’s
performance in a double-label design. This study’s aim was to better understand how adults and
children compare in these tasks. The current study conducted two experiments to compare adult
and children’s performance in a CSWL task in either a single-label and double-label design.
Results showed that adults were successful in both conditions but performed better in the
single-label condition than the double-label condition. Children on the other hand were
unsuccessful in both conditions and did not demonstrate learning. Several reasons for these
findings are discussed. These results highlight the need for further research that directly
compares age groups in CSWL tasks and for further research into the area of multiple-label
pairings.
ContributorsCorbin, Elaina Danielle (Author) / Benitez, Viridiana (Thesis director) / Goldinger, Stephen (Committee member) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Description
The goal of this study was to examine whether there is any effect of phonotactic probability during the early phases of novel word recognition. In order to determine this, I performed two experiments. In Experiment 1, 33 adult monolingual English speakers learned 24 novel word-object pairings, half of which were

The goal of this study was to examine whether there is any effect of phonotactic probability during the early phases of novel word recognition. In order to determine this, I performed two experiments. In Experiment 1, 33 adult monolingual English speakers learned 24 novel word-object pairings, half of which were high English phonotactic probability words and the other half were low English phonotactic probability words. I additionally included three conditions that varied the amount of exposures to each novel word-object pairing (i.e. One Exposure Condition, Two Exposures Conditions, and Five Exposures Condition). Experiment 2 was designed to clarify results found in Experiment 1, with improved randomization and fewer conditions (i.e. One Exposure Condition and Five Exposures Condition). The findings from both experiments were statistically significant in accuracy for Training condition, but not statistically significant for phonotactic probability nor for an interaction between phonotactic probability and Training condition. Although participants demonstrated learning across conditions there is no indication of a relationship between high and low phonotactic probability and novel word recognition. Collectively, these findings suggest that future studies will be necessary to determine if there is indeed an effect of phonotactic probability on early novel word recognition.
ContributorsQuinones, Sara Cristina (Co-author) / Quiñones, Sara (Co-author) / Benitez, Viridiana (Thesis director) / Tecedor Cabrero, Marta (Committee member) / Davis, Mary (Committee member) / Department of Psychology (Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
ContributorsBroome-Robinson, Julia (Performer) / Novak, Gail (Pianist) (Performer) / Glick, Philip (Performer) / Lynch, Paul (Performer) / Ryall, Blake (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-19