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- Language: Spanish
- Creators: Foster, David W
- Creators: Barrett, The Honors College
Description
In 2006, the Chilean government began the implementation of a “program of integrated childhood protection” called Chile Crece Contigo. This program involves the cooperation of the public health, education, and legal systems of Chile in the support of the Rights of the Child ratified by the United Nations in 1989, and guarantees accessibility to the diverse historical and cultural communities of Chile. This study seeks to evaluate the cultural pertinence of Chile Crece Contigo as implemented in the public health system of the predominantly Aymaran community of Putre and recommend policy changes and further investigation for the improvement of its implementation in all Aymaran communities of Northern Chile. These objectives were pursued through three weeks of observation of program activities as well as interviews with key implementers of Chile Crece Contigo in Putre’s Rural Family Health Center, a practitioner of traditional Aymaran medicine and mothers whose children are enrolled or were enrolled in a variety of the services offered by the program. These results highlighted successful efforts by health practitioners in Putre to provide culturally relevant care through Chile Crece Contigo, but also policy failures and ongoing uncertainty considering best practices for cultural pertinence within the program. The conclusion was reached that several funding and logistical policies of Chile Crece Contigo need to be altered to better serve this rural, Aymaran community. Also, several in-depth longitudinal studies on traditional Aymaran upbringing and the common socioeconomic conditions of the Aymaran community in Chile should be carried out in order to determine further policy changes and best practices for Chile Crece Contigo.
ContributorsPickett, Annaliese (Author) / Tompkins, Cynthia (Thesis director) / Hurtado, Ana Magdalena (Committee member) / School of Human Evolution & Social Change (Contributor) / Economics Program in CLAS (Contributor) / Barrett, The Honors College (Contributor)
Created2020-12
Description
This work aims to deepen the construction of identity of the Korean-argentinian through the "koreanity" and "koreanism". Therefore, we will analyze the short story collection La peonia y su sombra (2002) in search of evidence that discover the difficult definition of the "koreanism", or the practice of Korean culture, in which the language is included. The "koreanity" is a feature based on physical traits, while the "koreanism" is defined by the use of the language and the culture. While the "koreanity" is an exogenous factor, and it is well defined, the "koreanism" is defined through cultural impressions that are more difficult to distinguish. To do this we will use the Argentine native vision to find the "koreanism" and, if necessary, will exhibit different forms of subsistence of the "koreanism" in Argentina.
ContributorsLee, Jaekeun (Author) / Foster, David W (Thesis advisor) / De Jesús Hernández-G., Manuel (Committee member) / Tompkins, Cynthia (Committee member) / Arizona State University (Publisher)
Created2013
Description
The indigenous communities of Chiapas, Mexico, have long manifested resistance to oppression and discrimination. This study centers on the analysis of Chiapas: el fin del silencio (1998) by Alberto Turok, connecting the work of the photographer to the problems faced by indigenous people in the region, such as inequality and marginalization. Race, class, gender, and globalization, in addition to the emergence of the Ejército Zapatista de Liberación Nacional (EZLN), are essential factors to the discourse of resistance. EZLN, an armed indigenous group in Chiapas, led by its famed leader, Subcomandante Marcos, clearly opposed the implementation of the North American Free Trade Agreement (NAFTA). In examining resistance, ritual, and performance, the photography of Turok serves as testimony of the struggles of indigenous people and the relevance it has for a diverse Mexican society.
ContributorsArizmendi, Aaron (Author) / Foster, David W (Thesis advisor) / Tompkins, Cynthia (Committee member) / Rosales, Jesus (Committee member) / Arizona State University (Publisher)
Created2012
Description
El presente estudio examina cuatro ensayistas periodistas latinoamericanas, Patricia Verdugo de Chile, Viviana Gorbato de la Argentina, Alma Guillermoprieto de México y Zoé Valdés de Cuba, para entender cómo cada autora transcribe sus investigaciones en el campo en forma narrativa. A través de un examen del uso del procedimiento de la entrevista, analizamos cómo todas estas periodistas de investigación utilizan el testimonio de sus personajes para crear historias que intentan, por un lado, reportar sobre temas culturales de manera objetiva, y por otra parte, captar las emociones de los que viven y que son testigos a los eventos de sus ensayos. Implementamos, por consiguiente, las estrategias discursivas del nuevo periodismo, las cuales proporcionan una manera de diseccionar la estructura de los textos. Al entender la forma de los ensayos en vinculación con probar la importancia del testimonio respecto al elemento emocional, se provoca una búsqueda de lo que significa cada obra. Debido al gran empleo del testimonio, se encuentra con una pluralidad de voces que en su conjunto tienen un mayor propósito: representar una comunidad con una causa pertinente. En el proceso de presentar su causa, se evidencia una posible conexión entre los textos y el género híbrido de la novela testimonial. Finalmente, al considerar el peligro de ser periodista en América Latina, hacemos hincapié en la importancia de esta labor literaria y la gran cantidad de mujeres de esta región mundial que corren tanto riesgo para facilitar a sus lectores esta diversidad de temas culturales.
ContributorsLouie, Kimberly (Author) / Foster, David W (Thesis advisor) / Volek, Emil (Committee member) / Acereda, Alberto (Committee member) / Arizona State University (Publisher)
Created2012
Description
Esta disertación analiza las maneras en que el sujeto (in)migratorio es representado en el cine español y argentino de los últimos años. El estudio investiga cómo el cine del (in)migrante ofrece convincentes narraciones (no)ficticias que son aportadas con temas de raza, género, lenguaje e identidad desde ambas perspectivas del sujeto migratorio y de aquellos ubicados dentro de las culturas "indígenas" de recepción. Al cuestionar la conceptualización de la nación-estado, este proyecto contribuye a una base teórica fundada en una ruptura de las nociones hegemónicas que han construido opiniones de diferencia y aceptación de una persona sobre otro. En términos de lenguaje, este estudio es relevante por su análisis del discurso y epítetos raciales que existen y persisten debido a parámetros y limitaciones en el lenguaje Castellano y su léxica inherente. Equipado con esto es la propuesta de que si nuestra lengua tiene un registro inadecuado para interactuar con el supuesto otro, entonces solo se puede concluir que nosotros también estamos limitados en nuestro entendimiento de otros sujetos globales. De allí, una mejora del lenguaje resultaría en una mejora de sensibilidades culturales y globales. Además, la representación del género y la raza son puntos importantes para una interpretación semiótica de estos textos y se observa las maneras en que los temas socio-lingüísticos son triangulados entre las películas, los países y las sociedades de tales producciones culturales. Por ejemplo, las mujeres están sujetas a puestos restringidos e inferiores del sector de servicio, como prostitutas y mucamas, mientras los hombres están atados a cuestionables formas de trabajo en la agricultura y servicios sociales de baja categoría. Al final de todo, un mayor empuje detrás de este género fílmico subversivo es romper con las erróneas, anticuadas y precipitadas nociones de identidades nacionales para incitar deseables sensibilidades culturales a través de la lente artística del cine.
ContributorsBlack, Kyle K (Author) / Foster, David W (Thesis advisor) / Tompkins, Cynthia (Committee member) / Urioste, Carmen (Committee member) / Arizona State University (Publisher)
Created2012
Description
The magical realism writing movement involved blurring the line between reality and fantasy. It takes reality and portrays its otherwise seemingly mundane elements as magical ones. This allows the writer the opportunity to faithfully represent reality itself as magical without creating a barrier between the reality and fantasy. In my thesis, I will implement these elements of magical realism, while also attempting to blur the line between the physical plane and the narrative. This will allow me, the writer, to center on the emotions I want to convey through my characters, while also allowing the reader to create a unique experience of their own.
ContributorsRodriguez Romero, Yused Valentina (Author) / Minardi, Enrico (Thesis director) / Fontinha de Alcantara, Christiane (Committee member) / Department of Finance (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
The nature of the link between a literary text and its film adaptation has been a point of contention within academic thought since the inception of cinema due to the fact that film adaptation forms part of film history since the early 20th century. For most of the past century, the main concern of critics has been the level of fidelity that adaptations exhibit in terms of their relationship with the text, which was viewed as "the original" that directors needed to use as a model. In the last 25 years, however, the discourse of fidelity has been challenged by a number of intellectuals as a result of poststructuralist thought, which rejects the notion of an "original" text and proclaims the existence of infinite meanings within each text that are constructed by the reader, not the writer. The present investigation will take into account this type of epistemology as its starting point in order to review and defy a number of theoretical approximations from the last several decades that deal with the relationship between literature and cinema towards its main goal of overcoming the limitations of fidelity discourse. This will be carried out through an in-depth analysis of Latin American texts that have been adapted to film. Thematically both the literary texts and the films contain elements that portray the reality of marginalized groups that build their existence in opposition to the model of patriarchal heteronormativity. In current epistemological thought such a modus vivendi falls within the realm of queer theory. Another common thread that unites all the cultural productions is the presence of violence that showcases the high level of intolerance towards any subject who somehow seems to be different, hence threatening the dominant configuration of patriarchy. Furthermore, the different texts and films expose a general fragmentation within Latin American society, a result of the constant struggles among its diverse social groups, between the ones who occupy the position of socioeconomic power and those who are left outside of it; such a fragmentation also stems from the multiple clashes that occur within the marginalized groups themselves.
ContributorsKokalov, Assen (Author) / Foster, David W (Thesis advisor) / Mcelroy, Isis (Committee member) / Urioste-Azcorra, Carmen (Committee member) / Arizona State University (Publisher)
Created2011
Description
The identity of Latinx womxn is multidimensional and widely misrepresented in media. To address this problem, I plan on presenting the multifaceted nature of this intersection by documenting micro perspectives via photography. I articulate my individual perspectives of Latinx womxnhood by using lived experiences, testimonio, through a metanarrative, painting, poetry, and mixed-media art. My micro perspective/metanarrative, as well as the testimonio/art pieces, along with the photography will speak to the macro which is surrounding and engaging us. Testimonio and art are intertwined for me and this project is a proclamation of how these two flow into one another to the point where they are essentially the same. Nosotrxs is a project that focuses on reconciling the stereotypical, media representations of Latinx womxnhood with reality. How I approach this issue varies, I looked both inside and outside of myself to articulate what I see going on in the Latinx community. I photographed Latinx womxn of different nationalities, races, and gender expressions to humanize them to an audience. I painted two canvases, one with the phrase "What justifies a border between you and I?" and one with an impressionist/surrealist focus on Central America. My fourth piece is a sculptural minimalist desert with a video of U.S. border patrol agents destroying water jugs intended for migrants in the Sonoran desert along the U.S.-Mexico border. My fifth piece is a collection of poetry I wrote over the past year that reflect on my identity as a Latina woman based in Phoenix and born in California. All of these pieces together are a small representation of Latinx womxnhood in Phoenix, Arizona.
ContributorsMartinez, Claudia Belen (Author) / Fonseca, Vanessa (Thesis director) / Danielson, Marivel (Committee member) / Barrett, The Honors College (Contributor) / CISA - Interdisciplinary Humanities and Communication (Contributor) / School of Transborder Studies (Contributor)
Created2018-05
Description
En contexto del desarrollo urbano culturalmente acrítico, el cual con la gentrificación amenaza el bienestar del barrio y sus habitantes, esta disertación interpreta la dialéctica barrioización y barriología como atmósfera dramática en la dramaturgia chicana. Como tropo de supervivencia social y ontológica en la producción cultural chicana, la recurrencia literaria del barrio también queda reflejada en la temática y las formas de numerosas obras de teatro chicano. De tal modo, el análisis de la conciencia espacial chicana en Bernabé (1971) y Heroes and Saints (1994) revela la significancia de un sentido de lugar colectivo y sitúa esta interpretación dramática del barrio en torno al matiz ideológico de la evolución de la conciencia espacial chicana. Manifestada como una dialéctica entre muerte y vida social y ontológica, la representación y representatividad del barrio en La trampa sin salida (1973), Water and Power (2009) y A Drunkard’s Tale of Melted Wings and Memories (2016) ilustra el efecto dramático de la dialéctica entre barrioización y barriología. Mientras algunos estudios precedentes a este han explorado la espacialidad chicana y el significado sociocultural del barrio, esta disertación es la primera en demonstrar concomitantemente la función temática y semiótica del barrio en la configuración de la atmósfera dramática en el teatro chicano. Más aún, la intersección entre barrio, espacio social y teatro no solo revelan la significancia semiótica de la atmósfera dramática, si no que también sostienen la urgencia de fomentar la (re)producción socioespacial urbana históricamente informada y culturalmente crítica.
ContributorsGómez-Becerra, José Juan (Author) / Rosales, Jesus (Thesis advisor) / Foster, David W (Committee member) / Urioste-Azcorra, Carmen (Committee member) / Arizona State University (Publisher)
Created2018
Description
Globalization has brought a renewed interest in the discourses of the past and national/ethnic identities that has been reflected in the cultural production and the social sciences around the globe. Historical novel (and their sequel telenovelas), a literary field closely linked to historiography, reflects, and has contributed to (re)shape the discourses of the past and identity in Latin America. Since the first decades of the 19th century until nowadays, Colombian novelists have explored Colombian identity through historical novels. Their plots and characters are highly influenced by new historiographical trends. During the19th and the first half of the 20th century, Romantic and Realist novels were generally constructed over historicist assumption of the past: the belief that it is possible to acquire a completely “objective” knowledge of the past. However, some outstanding Colombian historical novels, such as La Marquesa de Yolombó (1928), challenged this notion of the past. Since the last decades of the 20th century, Colombian historical novels share an attitude toward the past that Linda Hutcheon has defined as Historiographical Metafiction. This approach to history challenges the idea of an objective total history, and emphasizes the importance of the personal experiences, the subjectivity, of their characters and of the narrative voices. Donde no te Conozcan (2007), Trí¬ptico de la Infamia (2016), and Mancha de la Tierra (2014) are three Colombian historical novels written in the 21st century that share this attitude towards history. They question the nineteenth-century interpretations of Colombian history, especially those related to the role of Jews, Moors, Indigenous, Africans, and mestizos in the colonial social dynamics, and, therefore, in Colombian culture.
ContributorsRuiz-Olaya, Andrés F (Author) / Foster, David W (Thesis advisor) / Tompkins, Cynthia (Committee member) / Sarreal, Jualia (Committee member) / Fredrick, Sharonah (Committee member) / Arizona State University (Publisher)
Created2018