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- Genre: Masters Thesis
Description
The Kootenai River landscape of southwestern British Columbia, northwestern Montana and the very northern tip of Idaho helped unify the indigenous Ktunaxa tribe and guided tribal lifestyles for centuries. However, the Ktunaxa bands' intimate connection with the river underwent a radical transformation during the nineteenth century. This study analyzes how the Ktunaxa relationship with the Kootenai River faced challenges presented by a new understanding of the meaning of landscape introduced by outside groups who began to ply the river's waters in the early 1800s. As the decades passed, the establishment of novel boundaries, including the new U.S.-Canadian border and reserve/reservation delineations, forever altered Ktunaxa interaction with the land. The very meaning of the river for the Ktunaxa as a source of subsistence, avenue of transportation and foundation of spiritual identity experienced similar modifications. In a matter of decades, authoritarian lines on foreign maps imposed a concept of landscape far removed from the tribe's relatively fluid and shifting understanding of boundary lines represented by the river at the heart of the Ktunaxa homeland. This thesis draws on early ethnographic work with the Ktunaxa tribe in addition to the journals of early traders and missionaries in the Kootenai region to describe how the Ktunaxa way of life transformed during the nineteenth century. The works of anthropologist Keith Basso and environmental philosopher David Abram are used to develop an understanding of the powerful implications of the separation of the Ktunaxa people from the landscape so essential to tribal identity and lifestyle. Two different understandings of boundaries and the human relationship with the natural world clashed along the Kootenai River in the 1800s, eventually leading to the separation of the valley's indigenous inhabitants from each other and from the land itself. What water had once connected, lines on maps now divided, redefining this extensive landscape and its meaning for the Ktunaxa people. However, throughout decades of dominance of the Western mapmakers' worldview and in spite of the overwhelming influence of this Euro-American approach to the environment, members of the Ktunaxa tribe have been able to maintain much of their traditional culture.
ContributorsColeman, Robert (Author) / Warren-Findley, Jannelle (Thesis advisor) / Szuter, Christine (Committee member) / Fixico, Donald (Committee member) / Arizona State University (Publisher)
Created2013
Description
Civic leadership in Phoenix, Arizona promoted the city's performing arts as part of a deliberate plan towards the larger growth agenda after World War II. From the 1940s through the late 1960s, the business and professional leaders who controlled city government served on boards for performing arts groups, built venues, offered financial support, and sometimes participated as artists in order to attract high-technology firms and highly skilled workers to the area. They believed one aspect of Phoenix's urban development included a need for quality, high-culture performing arts scene that signaled a high quality of life and drew more residents. After this era of boosterism ended and control shifted from business and professional leaders to city government, performing arts support fluctuated with leadership's attitudes and the local, state, and national economies. The early civic leaders were successful in their overall mission to expand the city - now the sixth largest in the nation - and many of the organizations and venues they patronized still serve the community; however, the commitment to developing a quality arts and culture scene waned. Today's public, private, and arts and culture leaders are using the same argument as Phoenix tries once again to become a high-technology center. The theory that arts and culture stimulate the economy directly and indirectly is true today as it was in the 1940s. Although the plan was effective, it needed fully committed supporters, strong infrastructure, and continued revising in order to move the vision into the twenty-first century.
ContributorsBickert, Michelle (Author) / Vandermeer, Phiip (Thesis advisor) / Dallett, Nancy (Committee member) / Warren-Findley, Jannelle (Committee member) / Arizona State University (Publisher)
Created2013
Description
This thesis examines the immediate post-World War II operational strategy of Valley National Bank of Arizona, a Phoenix-based institution in operation from 1899 until its 1992 acquisition by Ohio-based Banc One Corporation (now JPMorgan Chase). For the purposes of this study, the immediate post-war period is defined as 1944 to January 20, 1953, a span that opens with the bank's wartime planning efforts for the post-war period and ends with the 1953 retirement of bank president Walter Bimson. By the end of World War II, Valley National ranked as the largest financial institution in the eight-state Rocky Mountain region, as measured by total deposits. However, post-war regulatory issues, competitor expansion, and an inability to generate deposit volume sufficient to meet subject period loan demands challenged bank leaders seeking to maintain market share and grow company profitability and stock value. In response to these difficulties, the bank focused on a three-pronged operational strategy emphasizing advertising, market-appropriate deposit and loan product offerings, and an aggressive branching and acquisition campaign. This strategy did not result in unmitigated success as the bank did experience a decrease in average deposit account balances, lost mortgage market share, and undertook acquisition activity that later resulted in federal antitrust action. However, by the end of the subject period, the three-pronged strategy employed by the bank did result in an increase in deposit dollar market share, as measured by deposits controlled directly and indirectly by the institution, rising annual net profits, and substantial share price appreciation. The findings related to bank strategy and results presented in this thesis are based primarily upon information found in the 169-box Valley National Bank Collection housed at the Arizona Historical Society. Extensive newspaper research conducted using targeted date range and keyword searches and careful consideration of secondary source materials relating to the bank, the banking industry, and state, regional, and national politics, economics, and culture during the subject period provided additional information used in this study, and corroborated much of the material found in the Valley National Bank Collection files.
ContributorsSouthard, John (Author) / Warren-Findley, Jannelle (Thesis advisor) / Vandermeer, Philip (Committee member) / Gammage, Jr., Grady (Committee member) / Arizona State University (Publisher)
Created2011
Description
This thesis analyzes how several well-known biographies of popular nineteenth-century British literary figures overturned and upset the usual heroic literary biographies that typified the genre during the Victorian era. Popular public opinion in the nineteenth century was that literary biographies existed as moral guideposts--designed to instruct and edify readers. Richard D. Altick's theory of biographical conventions of reticence--which contends that ultimately literary biographies were committed to establishing or preserving an idealized image of the author--is utilized to explore the nuances of how certain radical biographies in which the biographer is forthright about the subject's private life displeased and disturbed the public. In order to illustrate this study's central argument, several literary biographies that were considered among the most radical of the late Victorian period--John Forster's Life of Charles Dickens, James Anthony Froude's Life of Carlyle, Mathilde Blind's George Eliot, and John Cordy Jeaffreson's The Real Shelley--are analyzed as case studies. These biographies of writers' lives made heroic figures appear human, vulnerable, petty, et cetera by exposing private life matters in a public biography--something that was not done in an age that called for discreet biographies of its literary icons. Victorian periodicals such as magazines and newspapers assist in ascertaining just how the British public reacted to these biographies, and the ramifications they possessed for worshipping literary idols. Additionally explored are the implications that candid literary biographies had for Victorian author-worship and the role of literature, authors, and biography in British society. This study concludes with a discussion of the implications that these candid literary biographies had into the early twentieth century with the publication of Lytton Strachey's "deflated" biography, Eminent Victorians, published in 1918, and summarizes overall findings and conclusions.
ContributorsLeTourneur-Johnson, Jessica Ann (Author) / Warren-Findley, Jannelle (Thesis advisor) / Codell, Julie F. (Committee member) / Szuter, Christine (Committee member) / Arizona State University (Publisher)
Created2011
Description
This thesis explores the implications that the outcome of a certain U.S. lawsuit involving antiquities could have on practices and programs in the United States, related to cultural heritage and history. This paper examines the Rubin et al case, which sought to attach a collection of ancient Persian artifacts (known as The Persepolis Tablets) as a source of legal compensation. Presented as a case study, and using primary and secondary research sources, this paper analyzes the Rubin et al lawsuit and the factors that led to its initiation, and seeks to determine how and why adverse consequences could result from its final ruling. This thesis demonstrates that the final decision in the lawsuit could leave a negative impact on a number of practices related to cultural heritage in the United States, especially with regards to cultural and academic institutions such as museums and universities.
ContributorsAhouraiyan, Taraneh (Author) / Warren-Findley, Jannelle (Thesis advisor) / Warrren-Findley, Jannelle (Committee member) / Thompson, Victoria (Committee member) / Smith, Louis (Committee member) / Arizona State University (Publisher)
Created2011
Description
The Victorian era was the age of museum development in the United States. In the wake of these institutions, another important figure of the nineteenth century emerged--the flâneur. The flâneur represents the city, and provided new mechanisms of seeing to the public. The flâneur taught citizens how to gaze with a panoptic eye. The increasing importance of cultural institutions contributed to a new means of presenting power and interacting with the viewing public. Tony Bennett's exhibitionary complex theory, argues that nineteenth-century museums were institutions of power that educated, civilized, and through surveillance, encourage self-regulation of crowds. The flâneur's presence in the nineteenth century informed the public about modes of seeing and self-regulation--which in turn helped establish Bennett's theory inside the museum. The popular writing and literature of the time provides an opportunity to examine the extent of the exhibitionary complex and the flâneur. One of the most prominent nineteenth-century authors, Henry James, not only utilizes museums in his work, but he often uses them in just the manner Bennett puts forth in his theory. This is significant because the ideas about museums in James's work shaped the minds of an expanding literary public in the United States, and further educated, civilized, and regulated readers. James also represents the flâneur in his writing, which speaks to broader cultural implications of the both exhibitionary complex on the outside world, and the effects of broader cultural influences on the museum. Beyond the impact of James's work, in the late nineteenth century American culture increasingly became centered around the printed word. The central position of books in American culture at the end of the nineteenth century allowed books and libraries to appropriate the exhibitionary complex and become tools of power in their own right. The book and the library relate to the museum as part of a larger cultural environment, which emerged as a result of modernity and a response to the ever-changing nineteenth-century world.
ContributorsHarrison, Leah Gibbons (Author) / Szuter, Christine (Thesis advisor) / Warren-Findley, Jannelle (Committee member) / Toon, Richard (Committee member) / Arizona State University (Publisher)
Created2011
Description
Since the initial impetus to collect, preserve, and interpret history with the intent of safeguarding American heritage for posterity, historical societies have made substantial contributions to the preservation of historical records. Historical societies have tended to originate in socially exclusive groups and found history museums, celebratory in nature. In contemporary society, this exclusivity raises issues and concerns for contemporary institutions seeking to "serve the public." Tempe History Museum, Chandler Museum, and Scottsdale Historical Museum are examples of local history museums, initially formed by historical societies, which are currently at different stages of developing exhibits and collections more representative of their diverse communities. The three museums have different approaches to not only defining their local community but also to what it means to serve and represent their city by being the local history museum. In recent years, the Tempe History Museum has undergone a renovation of its facility and exhibits, the Chandler Museum is in the midst of transferring its collection to the City of Chandler and planning for a new facility, and the Scottsdale Historical Museum has remained largely the same since the early 1990s. The decisions made by the historical societies that found these museums have shaped and directed the museums' paths to becoming, or failing to become, relevant to their local communities. The Tempe, Chandler, and Scottsdale historical societies came from the Anglo-community within each city, so did the collections they acquired and the objects they displayed. At a time of rising social history, the historical societies presented socially exclusive museums. Becoming incorporated within the city government, would prove to be the point of change, the tipping point when the history museums moved from particularism to pluralism. The change, however, did not come overnight. It was change over time. The city governments had an obligation to equally represent its taxpayers and constituency, meaning that the newly incorporated museums had to eventually follow the same mission. In the case of Tempe, Chandler, and Scottsdale museums, incorporation within city governments has led to a stable funding source, professional staff, and a move towards representation of diverse communities within museum exhibits and programming.
ContributorsMilinic, Adriana (Author) / Warren-Findley, Jannelle (Thesis advisor) / Toon, Richard (Committee member) / Vandermeer, Philip (Committee member) / Arizona State University (Publisher)
Created2012
Description
This thesis explores the story behind the long effort to achieve Native American suffrage in Arizona. It focuses on two Arizona Supreme Court cases, in which American Indians attempted, and were denied the right to register to vote. The first trial occurred in 1928, four years after the Indian Citizenship Act granted citizenship to all Native Americans born or naturalized in the United States. The Arizona Supreme Court rejected the Native American plaintiff's appeal to register for the electorate, and subsequently disenfranchised Native Americans residing on reservations for the next twenty years. In 1948, a new generation of Arizona Supreme Court Justices overturned the court's previous ruling and finally awarded voting rights to all qualified Native Americans in the state. However, voting rights during the Civil Rights era did not necessarily mean equal voting rights. Therefore, this thesis also investigates how the Voting Rights Act of 1965 greatly reduced the detrimental effects of voter discrimination. This study examines how national events, like world war and the Great Depression influenced the two trials. In particular, this thesis focuses on the construction of political and social power in Arizona as it related to Native American voting rights. In addition, it discusses the evolution of native citizenship in the United States at large and for the most part within Arizona. The thesis also considers how the goal of native assimilation into American society affected American Indian citizenship, and how a paternalistic and conservative American Indian policy of the 1920s greatly influenced the outcome of the first trial. Another thread of this story is the development of mainstream white views of Native Americans. Lastly, this thesis identifies the major players of this story, especially the American Indian activists and their supporters whose courage and perseverance led to an outcome that positively changed the legal rights of generations of Native Americans in Arizona for years to come.
ContributorsBassett, Jenna (Author) / Fixico, Donald (Thesis advisor) / Osburn, Katherine (Committee member) / Sturgeon, Melanie (Committee member) / Warren-Findley, Jannelle (Committee member) / Arizona State University (Publisher)
Created2011
Description
During the 1850s, Indian policy objectives pursued by the civil and military branches of government in New Mexico would have a lasting impact on future relations between the two cultures. Many later policies originated in this antebellum period, but often receive only a summary analysis by scholars who focus on the more popular post-Civil War period. Debates over proper policies and enforcement would proliferate in the 1850s as military and civil officials vied with one another over their own perceived authority. Many officials pursued viable policies, but did not remain in office long enough to ensure their implementation. Additionally, personal egos and stubbornness often undermined interagency cooperation. An overall cultural misunderstanding regarding Apache tribal structure and the inability to distinguish between subgroups exacerbated the conflict. Anti-Indian sentiments prevailed in the military, which often contradicted the more humanitarian approach advocated by the Indian Department. As a result, a contention for power and prestige emerged on three separate fronts: civil government leaders, military leaders, and within the Apache tribe. This thesis offers a contextualization of events that transpired during the 1870s and 1880s by demonstrating how these three entities contended amongst each other for power, undermining policy objectives in the antebellum era. Americans sought to conquer and control--to exert authority and power--over all components of the western landscape in order that they might realize its full economic potential. The Apaches formed a part of this landscape much the same as lofty mountain ranges, raging rivers, and parched deserts. All of these required conquering before that nineteenth century American dream could be fully imbued in the Southwest, and over the several decades following Kearny's arrival countless individuals streamed westward in torrents intent on accomplishing just that. The Apaches, like all western tribes, thus fell into an unstoppable cycle of conquest driven by an insatiable Anglo-American obsession with exerting control. Just as swarthy lawyers challenged claims to gain legal dominion over western tracts of land; just as engineers constructed dams and sought ways to manipulate streams and rivers; just as the plow tilled millions of acres of raw lands; just as the miner's pick slowly chipped away at formidable peaks; so too did the United States Army subdue the Apaches, all of these being a means towards a common end for the American West.
ContributorsKiser, William S., 1986- (Author) / Fixico, Donald L. (Thesis advisor) / Warren-Findley, Jannelle (Committee member) / Szuter, Christine (Committee member) / Arizona State University (Publisher)
Created2011
Description
In the preface to his 1852 Dictionary of Domestic Medicine and Household Surgery, Spencer Thompson wrote: "But health will fail, either in old or young, and accidents will happen, in spite of the most careful precaution." With this concise statement, Thompson summarized the universal human desire to combat illness, injury, and hurt with action and knowledge. The more efficient ability to spread ideas and technology in nineteenth-century Britain led to increased production and use of home remedy books. Although women traditionally represented the agents of remedy and care within the domestic sphere (centuries prior to the nineteenth century), a struggle between the supposed inherent nurturing capabilities of womanhood and the professional medical realm occurred within the rhetoric of the home remedy genre during this period. Cultural mores allowed and pushed women to take up duties of nursing in the home, regardless of advice given by male physicians like Thomas John Graham, W.B. Kesteven, and Ralph Gooding. Despite remedy book physician-authors' attempts to dictate appropriate medical care in the home through the writing of home remedy books, British women read, interpreted, and used home remedy books in ways that undermined medical control.
ContributorsJacobson, Emily (Author) / Green, Monica (Thesis advisor) / Szuter, Christine (Thesis advisor) / Warren-Findley, Jannelle (Committee member) / Arizona State University (Publisher)
Created2011