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My dissertation project, Mormons at the World's Fair: A Study of Religious and Cultural Agency and Transformation looks at a pivotal period of transition within the American religious and political national culture (1880-1907). Using Mormonism as an important focal point of national controversy and cultural change, this dissertation looks at

My dissertation project, Mormons at the World's Fair: A Study of Religious and Cultural Agency and Transformation looks at a pivotal period of transition within the American religious and political national culture (1880-1907). Using Mormonism as an important focal point of national controversy and cultural change, this dissertation looks at the interconnections between Mormon transitions and the larger national transformations then under way in what historians call the "progressive" era. Prominent scholars have recognized the 1893 World's Fair as an important moment that helped initiate the "dawning" of religious pluralism in America. This national response to American religious diversity, however, is limited to a nineteenth-century historiographical framework, which made real religious pluralism in the next century more difficult. Bringing together into one narrative the story of the anti-polygamy crusades of the 1880s, the ambivalent presence (and non presence) of Mormonism at the World's Fair of 1893, and the drawn-out US Senate Hearings and ultimate victory of Mormon apostle and Senator Reed Smoot in 1907, this dissertation offers new insights into the meaning and limitations of American religious liberty, the dynamics of minority agency, as well as a deeper understanding of America's developing national identity.
ContributorsSmith, Konden Rich (Author) / Moore, Moses N (Thesis advisor) / Cady, Linell (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2012
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This dissertation illuminates overlaps in Mormonism and the New Spirituality in North America, showing their shared history and epistemologies. As example of these connections, it introduces ethnographic data from women who are members of the Church of Jesus Christ of Latter-day Saints in order to show (a) how living LDS

This dissertation illuminates overlaps in Mormonism and the New Spirituality in North America, showing their shared history and epistemologies. As example of these connections, it introduces ethnographic data from women who are members of the Church of Jesus Christ of Latter-day Saints in order to show (a) how living LDS women adapt and integrate elements from the New Spirituality with Mormon ideas about the nature of reality into hybrid spiritualities; and (b) how they negotiate their blended religious identities both in relation to the current American New Spirituality milieu and the highly centralized, hierarchical, and patriarchal Church of Jesus Christ of Latter-day Saints. The study focuses on religious hybridity with an emphasis on gender and the negotiation of power deriving from patriarchal religious authority, highlighting the dance between institutional power structures and individual authority. It illuminates processes and discourses of religious adaptation and synthesis through which these LDS women creatively and provocatively challenge LDS Church formal power structures.
ContributorsDaughtrey, Doe (Author) / Cady, Linell (Thesis advisor) / McDannell, Colleen (Committee member) / Wenger, Tisa (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2012
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This dissertation examines the history of multiracial alliances among internationalist radical activists in the San Francisco Bay Area from the late 1960s through the 1970s. Using the approaches of social movement history and intellectual history, I critically assess the ideological motivations radicals held for building alliances and the difficulties they

This dissertation examines the history of multiracial alliances among internationalist radical activists in the San Francisco Bay Area from the late 1960s through the 1970s. Using the approaches of social movement history and intellectual history, I critically assess the ideological motivations radicals held for building alliances and the difficulties they encountered with their subsequent coalitional work in four areas of coalescence—the antiwar movement, political prisoner solidarity, higher education, and electoral politics. Radical activists sought to dismantle the systemic racism (as well as economic exploitation, patriarchy, and the intersections of these oppressions) that structured U.S. society, through the creation of broad-based movements with likeminded organizations. The activists in this study also held an orientation toward internationalist solidarity, linking the structural oppressions against which they struggled in the United States to the Vietnam War and other U.S. militaristic interventions overseas and viewing these entanglements as interconnected forces that exploited the masses around the world.

Scholarly and popular interpretations of Sixties radical movements have traditionally characterized them as narrowly-focused and divisive. In contrast, my research highlights the persistent desire among Bay Area radicals to form alliances across these decades, which I argue demonstrates the importance of collaborative organizing within these activist networks. Scholarship on coalitional politics also tends to emphasize “unlikely alliances” between “strange bedfellows.” In contrast, this project illuminates how sharing similar ideological principles predisposed these radical organizations to creating alliances with others. Coalitions remain integral to contemporary social and political movements, and excavating the possibilities but also problems within previous broad-based organizing efforts provides a usable history for understanding and confronting societal issues in the present day. At the same time, the multifarious manifestations of racism and other systems of inequality demonstrate the need to first understand how these oppressions affect minority groups uniquely, before we can understand how they affect groups in comparison to each other.
ContributorsBae, Aaron Byungjoo (Author) / Garcia, Matthew (Thesis advisor) / Leong, Karen J. (Committee member) / Delmont, Matthew (Committee member) / Arizona State University (Publisher)
Created2016
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Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially

Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially charge the new normative practices of the security state and its historically haunted symbolic order. As individuals with complex subjectivities, the prisoners and guards are, of course, not reducible to the standardizing imprimatur of the state or its narratives. Despite the circulation of these ‘afterimages’ as fixed currency, the prisoners and guards produce their own metanarratives, through their para-ethnographic accounts of containment and of self. From within the panopticon of the prison, they seek sight lines, and gaze back at the state. This dissertation is thus a meditation on US militarism, violence, torture, race, and carceral practices, revealed thematically through metaphors of hungry ghosts, nature, journey and death, liminality, time, space, community, and salvage. Based on a multi-sited, empirical and imaginary ethnography, as well as textual and discourse analysis, I draw on the writing and testimony of prisoners, and military and intelligence personnel, whom I consider insightful para-ethnographers of the haunting valence of this fetishized historical event.
ContributorsColeman, Diana (Diana Murtaugh) (Author) / Talebi, Shahla (Thesis advisor) / Matustik, Martin (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2018