Matching Items (2)
Filtering by
- All Subjects: History, Modern
- Creators: Grüring, Jaimee Kristin
- Status: Published
Description
In nineteenth-century France, in rural areas, women washed laundry in the nearest streams or in the sea and hung the linens where they could, on lavender bushes, rocks and grass fields, where it had a quaint, if not artistic quality. In villages, laundresses washed linens in fountains, or other water sources, which were often found at or near the center of town. In either case, laundresses operated in public spaces without problem. I argue that, in Paris, changing ideas about the functioning of city space, the management of public hygiene and decisions about the use of public space, made laundresses and laundry operations matter out of place in the city. This study will demonstrate the changes laundering and laundresses underwent during the nineteenth century in Paris, making them out of place. City administrators and public health officials changed the occupation and places where laundry could be done as they sought to render laundry and laundresses invisible within Paris. In the early nineteenth century the Préfet de la Seine forbade women from using the river banks. In the mid-nineteenth century complaints about the disgraceful aspect of women laundering on the river prompted the Préfet to try to eliminate bateaux-lavoirs. In the late nineteenth century the discovery of microbes focused attention on laundry and laundresses and their potential to transmit diseases prompting another wave of hygiene regulations and questions about closing bateaux-lavoirs and lavoirs. The Préfet and Conseil d'Hygiène's struggle to make them invisible by moving them into approved facilities continued until the end of the nineteenth century. Studying laundresses and laundry sheds light on how the shifts in politics, changes in acceptable uses of public space and public hygiene affected working women. It illustrates the manner in which public hygiene- the Conseil de Salubrité and later the Conseil d'Hygiène, functioned and to what degree they could demand changes to the city in the name of hygiene. Through identifying subtle policy shifts, historians may learn how laundry demonstrates policies on the use of urban space, public hygiene or issues about work.
ContributorsGrüring, Jaimee Kristin (Author) / Fuchs, Rachel G (Thesis advisor) / Thompson, Victoria E (Committee member) / Wright, Johnson K (Committee member) / Arizona State University (Publisher)
Created2011
Description
Hollywood's portrayal of African American men was replete with negative stereotypes before Shelton Jackson Lee, commonly known as Spike Lee, emerged as one of the most creative and provocative filmmakers of our time. Lee has used his films to perform a corrective history of images of black men, by referencing African American male icons in his narrative works. This strategy was evident in his third feature film, Do the Right Thing (1989). Baseball great Jackie Robinson, and freedom fighters, Martin Luther King, Jr. and Malcolm X, were the black male icons featured prominently in the film. The Brooklyn-raised filmmaker's film journals, published interviews, and companion books, have provided insight into his thoughts, motivations, and inspirations, as he detailed the impact of the black male historical figures he profiles in Do the Right Thing (1989), on his life and art. Lee deployed his corrective history strategy, during the 1980s, to reintroduce African American heroes to black youth in an effort to correct media portrayals of black men as criminal and delinquent. He challenged the dominant narrative in mainstream Hollywood films, such as Cry Freedom (1987) and Mississippi Burning (1989), in which white heroes overshadowed black male icons. Lee's work parallels recent scholarship on the history of African American males, as called for by Darlene Clarke Hine and Ernestine Jenkins. The prolific director's efforts to radically change stereotypical depictions of black men through film, has not gone without criticisms. He has been accused of propagating essentialist notions of black male identity, through his use of African American male icons in his films. Despite these alleged shortcomings, Lee's reintroduction of iconic figures such as Jackie Robinson, Martin Luther King, Jr. and Malcolm X, in Do the Right Thing (1989), marked the beginning of a wave of commemorative efforts, that included the retiring of Robinson's number forty-two by Major League Baseball, the popularization of the Martin Luther King National Holiday, and the rise of Malcolm X as a icon embraced by Hip Hop during the 1990's.
ContributorsHotep, Lasana (Author) / Whitaker, Matthew C. (Thesis advisor) / Davis, Thomas J. (Committee member) / Simpson, Brooks (Committee member) / Arizona State University (Publisher)
Created2012