Matching Items (4)
Description
In this work we review certain biographical and historical data concerning Sor Juana and María Luisa, Condesa de Paredes. In addition, we have chosen Ovillejos 214, Romance 61, Redondillas 90 and 91 as poems that provides important insight into their relationship of patronage and friendship. In order to delineate theoretically both aspects of this relationship --the public and the personal-- we make use of the concept of ekphrasis proposed by Frederick de Armas. This concept is applied to the analysis of Romance 61, which is in the tradition of the lyrical Petrarchan portrait. Redondillas 90 and 91 are examined from the theoretical perspective of Cicero's amicitia, which serves to define an alternative model of feminine amicitia. In constructing this model, we review the written criticism surrounding María de Zayas' comedy, La traición en la amistad (1635). This criticism insists on a certain configuration of feminine friendship necessary for understanding the relationship between the two women. As is demonstrated in the analysis of the poems, the two women developed a mutual and permanent affection for one another until the death of Sor Juana in 1695. The Condesa de Paredes also provided practical support to Sor Juana for the publication of her first book, Inundación castálida (1689), which launched her to literary fame. To date there have been no critical studies that apply the concepts of ekphrasis and feminine friendship to the study of anecdotal clues found in the poems of Sor Juana for analyzing the nature of her relationship with the Condesa. This is the contribution of the present work.
ContributorsZaragoza-Huerta, Susana (Author) / Volek, Emil (Thesis advisor) / Gil-Osle, Juan Pablo (Committee member) / Urioste-Azcorra, Carmen (Committee member) / Arizona State University (Publisher)
Created2014
Description
This thesis explores the ways two contemporary artists engage the archive to challenge ideas calcified through visual culture. Steven Yazzie and Lorna Simpson respond to constructions of history through art making strategies and practices. Yazzie's photogravure Tsosido Sweep Dancer (2009) presents a carefully constructed image of a ceremony drawing on symbols of Indianness to provoke a critical dialogue that questions the role of the American Indian stereotype in the United States imaginary. Simpson's Counting (1991) is a multilayered work that juxtaposes text and image to address the capriciousness of memory, power and other issues found at the intersection of race and gender. These photography-based works draw on the histories of ethnographic and criminal photography to deconstruct the same knowledge that photography helped to construct. Throughout the thesis I examine the relationship of the photographic archive to colonial histories by considering whose history is represented through photography. These thoughtful and challenging artworks contribute to a growing body of work that proposes new narratives drawing on embodied knowledge and experience to create a counter-archive.
ContributorsWaitoller, Lekha Hileman (Author) / Malagamba-Ansótegui, Amelia (Thesis advisor) / Lineberry, Heather S (Committee member) / Mesch, Ulrike C (Committee member) / Arizona State University (Publisher)
Created2011
Description
An anomaly among Britain’s North American colonies, Pennsylvania initially lacked an organized militia in its engagement with Native Americans or with other imperial powers, focusing its energies instead on diplomacy and trade with such groups in the early decades of its colonial existence. During the period known as The Long Peace, extending from the 1680s through the 1740s, Pennsylvania established friendly relations with local Indian tribes that enabled the colony to expand territorially and to prosper economically. The Quakers who founded the colony and dominated its politics deemed a militia not only immoral but also impractical to Pennsylvania’s fortunes. Virtually defenseless, frontier communities in Pennsylvania suffered an onslaught when the colony’s former long-time Indian allies and trade partners joined the French in their war against Britain, in what became the French and Indian War (1754-63). Desperate to protect the frontier, the Pennsylvania assembly passed a militia act in 1755. Though the act proved futile as a tool for military defense (it forbade militia service lasting longer than three days), the militia allowed frontier communities to organize for the first time, frontiersmen took an increasingly active role in maintaining and advancing their own social and political interests. The desire to defend themselves during the French and Indian War and subsequent Pontiac's Rebellion (1763-65) fashioned Pennsylvania's diverse frontier population into a coherent frontier culture. Frontiersmen deployed the organizational power of the colonial militia to defend their own interests against, first, the Pennsylvania assembly, and shortly after against the British on the eve of the American Revolution.
ContributorsLanders, Andrew Dale (Author) / Barth, Jonathan (Thesis advisor) / O'Donnell, Catherine (Committee member) / Van Cleave, Peter (Committee member) / Arizona State University (Publisher)
Created2022
Description
I propose a new approach for the analysis of social transformations within the context of colonialism. Drawing on concepts used by historical sociologists, combined with insights from historians and archaeologists, I forge a synthesis of relational mechanisms that concatenated into processes of categorical change. Within the social sciences, mechanisms are formally defined as specific classes of events or social interactions that are causally linked and tend to repeat under specific conditions, potentially resulting in widespread social transformations. Examples of mechanisms include formal inscription through spatial segregation and adjustments in individual position through socioeconomic mobility.
For New Spain, historians have identified at least three macroscale shifts in the social structure of the viceroyalty. I examine the mechanisms that led to these changes in two distinct contexts. The Port of Veracruz (Mexico), located along the main axis of colonial exchange, offers a shifting baseline for comparison of the long-term trajectory of colonial interaction and categorical change. I undertake a finer grain study at the borderland presidios of Northwest Florida, where three presidios were sequentially occupied (AD 1698-1763) and historically linked to Veracruz through formal recruitment and governmental supply.
My analysis draws on two independent lines of evidence. Historically, I examine census records, maps, and other colonial documents. Archaeologically, I assess change in interaction mainly through technological style analysis, compositional characterization, and the distribution of low visibility plain and lead-glazed utilitarian wares. I document the active expression of social categories through changing consumption of highly visible serving vessels.
This study demonstrates that colonial transformations were driven locally from the bottom up and through the top-down responses of local and imperial elites who attempted to maintain control over labor and resources. Social changes in Florida and Veracruz were distinct based upon initial conditions and historical contingencies, yet simultaneously were influenced by and contributed to broad trajectories of macroscale colonial transformations.
For New Spain, historians have identified at least three macroscale shifts in the social structure of the viceroyalty. I examine the mechanisms that led to these changes in two distinct contexts. The Port of Veracruz (Mexico), located along the main axis of colonial exchange, offers a shifting baseline for comparison of the long-term trajectory of colonial interaction and categorical change. I undertake a finer grain study at the borderland presidios of Northwest Florida, where three presidios were sequentially occupied (AD 1698-1763) and historically linked to Veracruz through formal recruitment and governmental supply.
My analysis draws on two independent lines of evidence. Historically, I examine census records, maps, and other colonial documents. Archaeologically, I assess change in interaction mainly through technological style analysis, compositional characterization, and the distribution of low visibility plain and lead-glazed utilitarian wares. I document the active expression of social categories through changing consumption of highly visible serving vessels.
This study demonstrates that colonial transformations were driven locally from the bottom up and through the top-down responses of local and imperial elites who attempted to maintain control over labor and resources. Social changes in Florida and Veracruz were distinct based upon initial conditions and historical contingencies, yet simultaneously were influenced by and contributed to broad trajectories of macroscale colonial transformations.
ContributorsEschbach, Krista (Author) / Stark, Barbara L. (Thesis advisor) / Smith, Michael E. (Thesis advisor) / Alexander, Rani T (Committee member) / Worth, John E. (Committee member) / Bearat, Hamdallah (Committee member) / Peeples, Matthew A. (Committee member) / Arizona State University (Publisher)
Created2019