Matching Items (3)
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- All Subjects: Latin American Studies
- All Subjects: Intercultural competence
- Creators: García-Fernández, Carlos Javier
Description
Technology (i.e. the WhatsApp mobile application) can play a positive role in a student’s language and culture learning when it is used in collaboration with a language curriculum that uses a modular framework. When technology tools are used in an intensive language learning environment, those mobile devices will allow students certain affordances (like modifying, authoring, and reviewing content) as well as opportunities to work independently (e.g., create their own content to demonstrate cultural understanding) and/or to reflect upon cross-cultural issues that impact their intercultural sensitivity (Lee, 2011). Barker (2016) adds that cultural discussions performed during a student’s language learning process can lead to intercultural sensitivity development and learning if done communicatively and in engaging environments. In this study, participants intensely interacted in a three week immersion experience where they used WhatsApp to communicate with each other, with their instructors, and with their host families by completing tasks in three modules that were a part of an Advanced Spanish Conversation and Culture Course.
The argument in this study is that if WhatsApp is well integrated into the course activities and curriculum of an upper level Spanish university course while abroad, the students will use more innovative ways to communicate, thus, allowing for more intercultural sensitivity growth. In this study, the author analyzed the intercultural sensitivity development and Spanish language use of twelve university level students as they learned Spanish in a 13 week study abroad program abroad in Segovia, Spain. The goal of the study was to gauge how effectively the students communicated with one another while simultaneously measuring their intercultural sensitivity growth to see if the integration of the mobile app, WhatsApp, had any effect on their intercultural learning capabilities. The author analyzed data from twelve learners’ interactions while they studied abroad in a country that they were mostly unfamiliar with. As a result of WhatsApp’s various modalities and capabilities, the findings showed that all of the 12 students showed modest intercultural sensitivity growth along the Developmental Model of Intercultural Sensitivity Scale (Bennett, 1993) to assist them in more effectively communicating in the target language about the host culture.
The argument in this study is that if WhatsApp is well integrated into the course activities and curriculum of an upper level Spanish university course while abroad, the students will use more innovative ways to communicate, thus, allowing for more intercultural sensitivity growth. In this study, the author analyzed the intercultural sensitivity development and Spanish language use of twelve university level students as they learned Spanish in a 13 week study abroad program abroad in Segovia, Spain. The goal of the study was to gauge how effectively the students communicated with one another while simultaneously measuring their intercultural sensitivity growth to see if the integration of the mobile app, WhatsApp, had any effect on their intercultural learning capabilities. The author analyzed data from twelve learners’ interactions while they studied abroad in a country that they were mostly unfamiliar with. As a result of WhatsApp’s various modalities and capabilities, the findings showed that all of the 12 students showed modest intercultural sensitivity growth along the Developmental Model of Intercultural Sensitivity Scale (Bennett, 1993) to assist them in more effectively communicating in the target language about the host culture.
ContributorsAshe Jr, Timothy (Author) / Beaudrie, Sara (Thesis advisor) / Smith, Bryan (Thesis advisor) / Prior, Matthew (Committee member) / García-Fernández, Carlos Javier (Committee member) / Arizona State University (Publisher)
Created2020
Description
La autobiografía, como medio de expresión y reivindicación del yo, ofrece a las autoras/artistas femeninas la oportunidad de definirse a sí mismas. El género autobiográfico tiene orígenes muy antiguos y resulta fundamental en el proceso de construcción de la identidad por parte de mujeres pertenecientes a grupos étnicos minoritarios. El discurso autobiográfico permite a la mujer ser al mismo tiempo escultura y escultor, creador y creación. El objetivo de este trabajo es ofrecer una nueva aproximación al universo femenino de la autorepresentación visual. La autonarración debería estar en el centro de la atención feminista, siendo uno de los métodos más efectivos que las mujeres pueden aplicar para hablar sobre sus experiencias y condiciones. Esta investigación intenta reunir voces multiétnicas y promueve un recurso interdisciplinario que interesa no solo a la literatura y la cultural, sino también a otros campos de las humanidades, como la historia, la sociología y los estudios de género y de la discapacidad. Una de las principales intenciones es desmantelar las formas tradicionales de identidad y destruir las fronteras sociales, adoptando la diferencia y la alteridad como un componente único de cada individuo.
Mi proyecto de disertación analiza textos autobiográficos femeninos en sus diferentes formas visuales poniendo especial énfasis en los países de Argentina, México y Estados Unidos. A través de narrativas personales, fotografías, películas, pinturas, murales y producciones digitales, estas obras femeninas examinan temas como la homofobia, la identidad política, la soberanía nativa, la maternidad, la identidad lesbiana y diferentes identidades culturales minoritarias. Algunas de las autoras seleccionadas viven al margen de la supremacía blanca por el hecho de pertenecer a grupos étnicos y sociales minoritarios. Otras voces viven al margen del sistema heteronormativo dominante para reconocerse a sí mismas como lesbianas o bisexuales. Más allá de estos contextos, todas las autoras se encuentran discriminadas por ser mujeres en un contexto patriarcal. Los marcos teóricos que se emplean incluyen en sí definiciones autobiográficas interdisciplinarias teorizadas exclusivamente por mujeres. Podrían mencionarse, por ejemplo, los conceptos de HERstory (Ashby y Gore 1995), Autohistoria (Anzaldúa 1999) Pathography (Hawkins 1999), Feminography (Abrams 2017) y Autobiografilm (Paola Lagos Labbé 2011). Las diferentes historias visuales exploran los diferentes matices de la identidad racial y/o lesbiana de las mujeres que a menudo se perciben como forasteras dentro de su propio país. Todas las artistas objetos de mi análisis se enfrentan a diferentes formas de represiones y están motivadas por un deseo de reconocimiento social. Estos grupos marginados invitan a los lectores a desarrollar nuevas formas de diálogos, prácticas y alianzas transculturales.
Mi proyecto de disertación analiza textos autobiográficos femeninos en sus diferentes formas visuales poniendo especial énfasis en los países de Argentina, México y Estados Unidos. A través de narrativas personales, fotografías, películas, pinturas, murales y producciones digitales, estas obras femeninas examinan temas como la homofobia, la identidad política, la soberanía nativa, la maternidad, la identidad lesbiana y diferentes identidades culturales minoritarias. Algunas de las autoras seleccionadas viven al margen de la supremacía blanca por el hecho de pertenecer a grupos étnicos y sociales minoritarios. Otras voces viven al margen del sistema heteronormativo dominante para reconocerse a sí mismas como lesbianas o bisexuales. Más allá de estos contextos, todas las autoras se encuentran discriminadas por ser mujeres en un contexto patriarcal. Los marcos teóricos que se emplean incluyen en sí definiciones autobiográficas interdisciplinarias teorizadas exclusivamente por mujeres. Podrían mencionarse, por ejemplo, los conceptos de HERstory (Ashby y Gore 1995), Autohistoria (Anzaldúa 1999) Pathography (Hawkins 1999), Feminography (Abrams 2017) y Autobiografilm (Paola Lagos Labbé 2011). Las diferentes historias visuales exploran los diferentes matices de la identidad racial y/o lesbiana de las mujeres que a menudo se perciben como forasteras dentro de su propio país. Todas las artistas objetos de mi análisis se enfrentan a diferentes formas de represiones y están motivadas por un deseo de reconocimiento social. Estos grupos marginados invitan a los lectores a desarrollar nuevas formas de diálogos, prácticas y alianzas transculturales.
ContributorsScerbo, Rosita (Author) / Foster, David W (Thesis advisor) / Rosales, Jesus (Committee member) / García-Fernández, Carlos Javier (Committee member) / Arizona State University (Publisher)
Created2020
Description
This dissertation explores contemporary Chicanx/Latinx art and cultural production in Phoenix, Arizona and its role in shaping and asserting a cultural identity and experience that is unique to this area of the southwestern United States. I examine the work of three female creatives spanning three generations who have used their art to represent, mitigate, and embody their experiences as Chicanx/Latinx subjects living in the Borderlands: Stella Pope Duarte (b. 1948), Lucinda Y Hinojos (La Morena) (b. 1981), and Annie Lopez (b. 1958). Through an examination of their artistic production traversing various media, including literature, urban art, and photography, I seek to show how they embrace the aesthetic activism and ideals of the Chicano Art Movement set within a contemporary context, while dialoguing with the local and global discourses that inform their realities. The theoretical framework I employ is grounded in principles surrounding body-space-place, specifically the notions of Somaesthetics (Shusterman 1996), Barriology-Barrioization (Villa 2000), and Thirdspace (Soja 1996). These theories are contextualized within the framework of borderland theory and Chicanx feminism, utilizing borderland spaces as a trope to combat traditional power structures and dichotomies while exploring the complexity and fluidity of transborder identities. I maintain that their work has contributed to Phoenix’s social and material landscapes through the articulation of a space/place-specific, hybrid Borderland identity grounded in the social, ecological, and physical realities of life in the “Valley of the Sun.” This dissertation seeks to demonstrate that their artistic expressions contribute to uniting and empowering the Chicanx/Latinx community through the definition of a Latinx space that is both physical and imaginary, allowing for self-representation, cultural affirmation, and collective healing. Overall, this dissertation contributes to an urgent gap in academic research surrounding Chicanx/Latinx cultural and artistic production in Phoenix. I hope to honor the presence and contributions of a long-established community and stimulate further investigation on this topic, proving that there is something worth talking about here in Phoenix.
ContributorsBondi, Concetta (Author) / Rosales, Jesus (Thesis advisor) / García-Fernández, Carlos Javier (Committee member) / Aviles-Santiago, Manuel (Committee member) / William Foster, David (Committee member) / Arizona State University (Publisher)
Created2020