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ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
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Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The

Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
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Description
The flexibility in power system networks is not fully modeled in existing real-time contingency analysis (RTCA) and real-time security-constrained economic dispatch (RT SCED) applications. Thus, corrective transmission switching (CTS) is proposed in this dissertation to enable RTCA and RT SCED to take advantage of the flexibility in the transmission system

The flexibility in power system networks is not fully modeled in existing real-time contingency analysis (RTCA) and real-time security-constrained economic dispatch (RT SCED) applications. Thus, corrective transmission switching (CTS) is proposed in this dissertation to enable RTCA and RT SCED to take advantage of the flexibility in the transmission system in a practical way.

RTCA is first conducted to identify critical contingencies that may cause violations. Then, for each critical contingency, CTS is performed to determine the beneficial switching actions that can reduce post-contingency violations. To reduce computational burden, fast heuristic algorithms are proposed to generate candidate switching lists. Numerical simulations performed on three large-scale realistic power systems (TVA, ERCOT, and PJM) demonstrate that CTS can significantly reduce post-contingency violations. Parallel computing can further reduce the solution time.

RT SCED is to eliminate the actual overloads and potential post-contingency overloads identified by RTCA. Procedure-A, which is consistent with existing industry practices, is proposed to connect RTCA and RT SCED. As CTS can reduce post-contingency violations, higher branch limits, referred to as pseudo limits, may be available for some contingency-case network constraints. Thus, Procedure-B is proposed to take advantage of the reliability benefits provided by CTS. With the proposed Procedure-B, CTS can be modeled in RT SCED implicitly through the proposed pseudo limits for contingency-case network constraints, which requires no change to existing RT SCED tools. Numerical simulations demonstrate that the proposed Procedure-A can effectively eliminate the flow violations reported by RTCA and that the proposed Procedure-B can reduce most of the congestion cost with consideration of CTS.

The system status may be inaccurately estimated due to false data injection (FDI) cyber-attacks, which may mislead operators to adjust the system improperly and cause network violations. Thus, a two-stage FDI detection (FDID) approach, along with several metrics and an alert system, is proposed in this dissertation to detect FDI attacks. The first stage is to determine whether the system is under attack and the second stage would identify the target branch. Numerical simulations demonstrate the effectiveness of the proposed two-stage FDID approach.
ContributorsLi, Xingpeng (Author) / Hedman, Kory (Thesis advisor) / Heydt, Gerald (Committee member) / Vittal, Vijay (Committee member) / Qin, Jiangchao (Committee member) / Arizona State University (Publisher)
Created2017
ContributorsASU Library. Music Library (Publisher)
Created2018-02-23
ContributorsWhite, Aaron (Performer) / Kim, Olga (Performer) / Hammond, Marinne (Performer) / Shaner, Hayden (Performer) / Yoo, Katie (Performer) / Shoemake, Crista (Performer) / Gebe, Vladimir, 1987- (Performer) / Wills, Grace (Performer) / McKinch, Riley (Performer) / Freshmen Four (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-27
ContributorsRosenfeld, Albor (Performer) / Pagano, Caio, 1940- (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-03
ContributorsASU Library. Music Library (Publisher)
Created2018-10-04
ContributorsCao, Yuchen (Performer) / Chen, Sicong (Performer) / Soberano, Chino (Performer) / Nam, Michelle (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Liu, Jingting (Performer) / Chen, Neilson (Performer) / Zhang, Aihua (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-25
ContributorsMcLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / McLin/Campbell Duo (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-23
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Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his

Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.

Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.

In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.

This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016