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- All Subjects: Violin and piano music
ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsWhite, Aaron (Performer) / Kim, Olga (Performer) / Hammond, Marinne (Performer) / Shaner, Hayden (Performer) / Yoo, Katie (Performer) / Shoemake, Crista (Performer) / Gebe, Vladimir, 1987- (Performer) / Wills, Grace (Performer) / McKinch, Riley (Performer) / Freshmen Four (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-27
ContributorsRosenfeld, Albor (Performer) / Pagano, Caio, 1940- (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-03
ContributorsCao, Yuchen (Performer) / Chen, Sicong (Performer) / Soberano, Chino (Performer) / Nam, Michelle (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Liu, Jingting (Performer) / Chen, Neilson (Performer) / Zhang, Aihua (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-25
ContributorsMcLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / McLin/Campbell Duo (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-23
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016
Description
The South African Middle Stone Age (MSA), spanning the Middle to Late Pleistocene (Marine Isotope Stages (MIS) 8-3) witnessed major climatic and environmental change and dramatic change in forager technological organization including lithic raw material selection. Homo sapiens emerged during the MSA and had to make decisions about how to organize technology to cope with environmental stressors, including lithic raw material selection, which can effect tool production and application, and mobility.
This project studied the role and importance of lithic raw materials in the technological organization of foragers by focusing on why lithic raw material selection sometimes changed when the behavioral and environmental context changed. The study used the Pinnacle Point (PP) MSA record (MIS6-3) in the Mossel Bay region, South Africa as the test case. In this region, quartzite and silcrete with dramatically different properties were the two most frequently exploited raw materials, and their relative abundances change significantly through time. Several explanations intertwined with major research questions over the origins of modern humans have been proposed for this change.
Two alternative lithic raw material procurement models were considered. The first, a computational model termed the Opportunistic Acquisition Model, posits that archaeological lithic raw material frequencies are due to opportunistic encounters during random walk. The second, an analytical model termed the Active-Choice Model drawn from the principles of Optimal Foraging Theory, posits that given a choice, individuals will choose the most cost effective means of producing durable cutting tools in their environment and will strategically select those raw materials.
An evaluation of the competing models found that lithic raw material selection was a strategic behavior in the PP record. In MIS6 and MIS5, the selection of quartzite was driven by travel and search cost, while during the MIS4, the joint selection of quartzite and silcrete was facilitated by a mobility strategy that focused on longer or more frequent stays at PP coupled with place provisioning. Further, the result suggests that specific raw materials and technology were relied on to obtain food resources and perform processing tasks suggesting knowledge about raw material properties and suitability for tasks.
This project studied the role and importance of lithic raw materials in the technological organization of foragers by focusing on why lithic raw material selection sometimes changed when the behavioral and environmental context changed. The study used the Pinnacle Point (PP) MSA record (MIS6-3) in the Mossel Bay region, South Africa as the test case. In this region, quartzite and silcrete with dramatically different properties were the two most frequently exploited raw materials, and their relative abundances change significantly through time. Several explanations intertwined with major research questions over the origins of modern humans have been proposed for this change.
Two alternative lithic raw material procurement models were considered. The first, a computational model termed the Opportunistic Acquisition Model, posits that archaeological lithic raw material frequencies are due to opportunistic encounters during random walk. The second, an analytical model termed the Active-Choice Model drawn from the principles of Optimal Foraging Theory, posits that given a choice, individuals will choose the most cost effective means of producing durable cutting tools in their environment and will strategically select those raw materials.
An evaluation of the competing models found that lithic raw material selection was a strategic behavior in the PP record. In MIS6 and MIS5, the selection of quartzite was driven by travel and search cost, while during the MIS4, the joint selection of quartzite and silcrete was facilitated by a mobility strategy that focused on longer or more frequent stays at PP coupled with place provisioning. Further, the result suggests that specific raw materials and technology were relied on to obtain food resources and perform processing tasks suggesting knowledge about raw material properties and suitability for tasks.
ContributorsOestmo, Simen (Author) / Marean, Curtis W (Thesis advisor) / Barton, Michael (Committee member) / Hill, Kim R (Committee member) / Janssen, Marcus A (Committee member) / Surovell, Todd A (Committee member) / Arizona State University (Publisher)
Created2017