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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
Modern primate diet is well-studied because of its considerable influence on multiple aspects of morphology, including the shape of the facial skeleton and teeth. It is well-established that differences in craniofacial form influence feeding abilities by altering the nature of bite force production. Tooth morphology, likewise, has been shown to vary with diet across primates, particularly in the details of occlusal form. It has also been suggested that tooth form (e.g., tooth root size and shape and crown size) reflects, in part, the demands of resisting the stresses generated during feeding. However, while they are central to our efforts to infer diet in past species, the relationships between bite force production, craniofacial morphology and tooth form are not well-established. The current study is separated into two parts. In Part I, the hypothesis that crown size and root surface area are adapted to resist masticatory stress is evaluated by testing whether these features show correlated variation along the tooth row in a taxonomically diverse sample of primates. To further explore the adaptive nature of this correlation, pair-wise comparisons between primates with mechanically resistant diets and closely-related species consuming less resistant foods are performed. If crown size and root surface area covary along the tooth row, past research suggests they may be related to bite force. To test this hypothesis, Part II examines the variation of these dental characteristics in comparison to theoretically-derived bite force patterns along the tooth row. Results suggest that patterns of maximum bite force magnitude along the tooth row are variable both within and between species, underscoring the importance of individual craniofacial variation on masticatory force production. Furthermore, it is suggested that some adaptations traditionally associated with high bite force production (i.e., facial orthognathy) may increase anterior biting force at the expense of posterior biting force. Taken together, results from the current study reveal that both tooth root and crown size vary in conjunction with the mechanical properties of diet and with bite force patterns along the tooth row in anthropoids.
ContributorsLucas, Lynn (Author) / Spencer, Mark (Thesis advisor) / Schwartz, Gary (Committee member) / Kimbel, William (Committee member) / Arizona State University (Publisher)
Created2012
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13
ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11