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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
Description
This study explores the relationship between restrictive language policies and dropout influences for language minority students. It furthers understanding of factors related to school attachment and restrictive language policies through an analysis of student's attitudes towards their imposed curriculum. Few studies to date have addressed English language learners' (ELLs') attitudes toward school, especially when schools enforce highly restrictive language policies, and the implications of these student perceptions as related to students' level of attachment to school in general. This study addresses this gap. It investigated middle and high school ELLs' and reclassified (RC) students' attitudes toward school, their aspirations for the future, and the language program in which they are or were recently enrolled within the state of Arizona. Using Erickson's analytic induction method and employing descriptive statistics, t tests, and hierarchical multiple regression, 2,264 students were polled from urban school districts in Arizona. The 85-question survey was comprised of demographic questions and attitude items as measured on a 5-point Likert scale. Results indicate some students are not satisfied with the four-hour block and that many students are aware of the negative implications involvement in the four-hour block can incur. Findings also show that language minority students are not receiving an equal education in regards to their curriculum. More importantly, considering policies and practices of schools as a factor, especially those which are restrictive language policies, is important in better understanding ELL and RC students' attachment to school and the potential impact of these policies on the likelihood of language minority students dropping out of school in the future. Policy implications are discussed.
ContributorsLillie, Karen Elizabeth Capullo (Author) / Arias, M Beatriz (Thesis advisor) / Wiley, Terrence G. (Thesis advisor) / Ovando, Carlos J (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13
Description
This thesis study describes English Language Learner (ELL) participation practices in a summer English language development (ELD) middle school classroom in a public school district in Arizona. The purpose of the study was to document Mexican immigrant and Mexican American English learners' language experiences in a prescriptive ELD program in relation to the social, historical and cultural context. The study utilizes a sociocultural framework and critical language awareness concepts as well as qualitative interpretive inquiry to answer the following research questions: What is the nature of ELL participation during language lessons? That is, what are the common participation practices in the classroom? What social or cultural values or norms are evident in the classroom talk during language lessons? That is, in what ways do participants use language for social purposes? And, what is the cultural model of ELD evident in the classroom language practices? Data collection and analyses consisted of close examination of ELL participation within official language lessons as well as the social uses of language in the classroom. Analysis of classroom discourse practices revealed that ELL participation was heavily controlled within the common Initiation-Response-Evaluation pattern and that the students were limited to repetition and recitation responses. Further, analysis of discourse content demonstrated that classroom participants used language for social purposes in the classroom, most often using regulatory, decontextualized and resistance language. The findings revealed a cultural model of constrained ELD language practices that can be considered a pedagogy of subtractive assimilation.
ContributorsMartinez, Theresa (Author) / Powers, Jeanne M. (Thesis advisor) / Arias, Beatriz (Committee member) / Arzubiaga, Angela (Committee member) / Arizona State University (Publisher)
Created2010