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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
One of the most economical and viable methods of soil improvement is dynamic compaction. It is a simple process that uses the potential energy of a weight (8 tonne to 36 tonne) dropped from a height of about 1 m to 30 m, depending on the project requirement, on to the soil to be compacted hence densifying it. However, dynamic compaction can only be applied on soil deposits where the degree of saturation is low and the permeability of the soil mass is high to allow for good drainage. Using dynamic compaction on saturated soil is unsuitable because upon application of the energy, a part of the energy is transferred to the pore water. The technique also does not work very well on soils having a large content of fines because of the absence of good drainage. The current research aims to develop a new technology using biogenic gas production to desaturate saturated soils and extend the use of dynamic compaction as a ground improvement technique to saturated soils with higher fines content. To evaluate the feasibility of this technology an experimental program has been performed. Soil columns with varying soil types have been saturated with substrate solution, resulting in the formation of nitrogen gas and the change in soils volume and saturation have been recorded. Cyclic triaxial tests have been performed to evaluate the change in volume and saturation under elevated pressure conditions and evaluate the response of the desaturated soil specimens to dynamic loading. The experimental results showed that soil specimens treated with MIDP under low confinement conditions undergo substantial volume expansion. The amount of expansion is seen to be a factor of their pore size, which is directly related to their grain size. The smaller the grain size, smaller is the pore size and hence greater the volume expansion. Under higher confining pressure conditions, the expansion during gas formation is suppressed. However, no conclusive result about the effect of the desaturation of the soil using biogenic gas on its compactibility could be obtained from the cyclic triaxial tests.
ContributorsBorah, Devajani (Author) / van Paassen, Leon A. (Thesis advisor) / Kavazanjian, Edward (Committee member) / Zapata, Claudia E. (Committee member) / Arizona State University (Publisher)
Created2018
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13
ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11