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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
Description
The South African Middle Stone Age (MSA), spanning the Middle to Late Pleistocene (Marine Isotope Stages (MIS) 8-3) witnessed major climatic and environmental change and dramatic change in forager technological organization including lithic raw material selection. Homo sapiens emerged during the MSA and had to make decisions about how to organize technology to cope with environmental stressors, including lithic raw material selection, which can effect tool production and application, and mobility.
This project studied the role and importance of lithic raw materials in the technological organization of foragers by focusing on why lithic raw material selection sometimes changed when the behavioral and environmental context changed. The study used the Pinnacle Point (PP) MSA record (MIS6-3) in the Mossel Bay region, South Africa as the test case. In this region, quartzite and silcrete with dramatically different properties were the two most frequently exploited raw materials, and their relative abundances change significantly through time. Several explanations intertwined with major research questions over the origins of modern humans have been proposed for this change.
Two alternative lithic raw material procurement models were considered. The first, a computational model termed the Opportunistic Acquisition Model, posits that archaeological lithic raw material frequencies are due to opportunistic encounters during random walk. The second, an analytical model termed the Active-Choice Model drawn from the principles of Optimal Foraging Theory, posits that given a choice, individuals will choose the most cost effective means of producing durable cutting tools in their environment and will strategically select those raw materials.
An evaluation of the competing models found that lithic raw material selection was a strategic behavior in the PP record. In MIS6 and MIS5, the selection of quartzite was driven by travel and search cost, while during the MIS4, the joint selection of quartzite and silcrete was facilitated by a mobility strategy that focused on longer or more frequent stays at PP coupled with place provisioning. Further, the result suggests that specific raw materials and technology were relied on to obtain food resources and perform processing tasks suggesting knowledge about raw material properties and suitability for tasks.
This project studied the role and importance of lithic raw materials in the technological organization of foragers by focusing on why lithic raw material selection sometimes changed when the behavioral and environmental context changed. The study used the Pinnacle Point (PP) MSA record (MIS6-3) in the Mossel Bay region, South Africa as the test case. In this region, quartzite and silcrete with dramatically different properties were the two most frequently exploited raw materials, and their relative abundances change significantly through time. Several explanations intertwined with major research questions over the origins of modern humans have been proposed for this change.
Two alternative lithic raw material procurement models were considered. The first, a computational model termed the Opportunistic Acquisition Model, posits that archaeological lithic raw material frequencies are due to opportunistic encounters during random walk. The second, an analytical model termed the Active-Choice Model drawn from the principles of Optimal Foraging Theory, posits that given a choice, individuals will choose the most cost effective means of producing durable cutting tools in their environment and will strategically select those raw materials.
An evaluation of the competing models found that lithic raw material selection was a strategic behavior in the PP record. In MIS6 and MIS5, the selection of quartzite was driven by travel and search cost, while during the MIS4, the joint selection of quartzite and silcrete was facilitated by a mobility strategy that focused on longer or more frequent stays at PP coupled with place provisioning. Further, the result suggests that specific raw materials and technology were relied on to obtain food resources and perform processing tasks suggesting knowledge about raw material properties and suitability for tasks.
ContributorsOestmo, Simen (Author) / Marean, Curtis W (Thesis advisor) / Barton, Michael (Committee member) / Hill, Kim R (Committee member) / Janssen, Marcus A (Committee member) / Surovell, Todd A (Committee member) / Arizona State University (Publisher)
Created2017
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13
ContributorsKierum, Caitlin (Contributor) / Novak, Gail (Pianist) (Performer) / Liang, Jack (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-11