Matching Items (656)
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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
Galaxies with strong Lyman-alpha (Lya) emission line (also called Lya galaxies or emitters) offer an unique probe of the epoch of reionization - one of the important phases when most of the neutral hydrogen in the universe was ionized. In addition, Lya galaxies at high redshifts are a powerful tool to study low-mass galaxy formation. Since current observations suggest that the reionization is complete by redshift z~ 6, it is therefore necessary to discover galaxies at z > 6, to use their luminosity function (LF) as a probe of reionization. I found five z = 7.7 candidate Lya galaxies with line fluxes > 7x10-18 erg/s/cm/2 , from three different deep near-infrared (IR) narrowband (NB) imaging surveys in a volume > 4x104Mpc3. From the spectroscopic followup of four candidate galaxies, and with the current spectroscopic sensitivity, the detection of only the brightest candidate galaxy can be ruled out at 5 sigma level. Moreover, these observations successfully demonstrate that the sensitivity necessary for both, the NB imaging as well as the spectroscopic followup of z~ 8 Lya galaxies can be reached with the current instrumentation. While future, more sensitive spectroscopic observations are necessary, the observed Lya LF at z = 7.7 is consistent with z = 6.6 LF, suggesting that the intergalactic medium (IGM) is relatively ionized even at z = 7.7, with neutral fraction xHI≤ 30%. On the theoretical front, while several models of Lya emitters have been developed, the physical nature of Lya emitters is not yet completely known. Moreover, multi-parameter models and their complexities necessitates a simpler model. I have developed a simple, single-parameter model to populate dark mater halos with Lya emitters. The central tenet of this model, different from many of the earlier models, is that the star-formation rate (SFR), and hence the Lya luminosity, is proportional to the mass accretion rate rather than the total halo mass. This simple model is successful in reproducing many observable including LFs, stellar masses, SFRs, and clustering of Lya emitters from z~ 3 to z~ 7. Finally, using this model, I find that the mass accretion, and hence the star-formation in > 30% of Lya emitters at z~ 3 occur through major mergers, and this fraction increases to ~ 50% at z~7.
ContributorsShet Tilvi, Vithal (Author) / Malhotra, Sangeeta (Thesis advisor) / Rhoads, James (Committee member) / Scannapieco, Evan (Committee member) / Young, Patrick (Committee member) / Jansen, Rolf (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
Description
The Universe transitioned from a state of neutral hydrogen (HI) shortly after recombination to its present day ionized state, but this transition, the Epoch of Reionization (EoR), has been poorly constrained by observational data. Estimates place the EoR between redshifts 6 < z <13 (330-770 Myr).
The interaction of the 21 cm hyperfine ground state emission/absorption-line of HI with the cosmic microwave background (CMB) and the radiation from the first luminous sources in the universe can be used to extract cosmological information about the EoR. Theorists have created global redshifted 21 cm EoR models of this interaction that predict the temperature perturbations to the CMB in the form of a sky-averaged difference temperature, Tb. The difficulty in measuring Tb is that it is
predicted to be on the order of 20 to 100 mK, while the sky foreground is dominated
by synchrotron radiation that is 105 times brighter. The challenge is to subtract the much brighter foreground radiation without subtracting the Tb signal and can only be done when the data has small error levels.
The Experiment to Detect the Global EoR Signature (EDGES) is an effort to measure Tb with a single wide field-of-view well-calibrated antenna. This dissertation focuses on reducing systematic errors by quantifying the impact of the chromatic nature of the antenna’s beam directivity and by measuring the variability of the spectral index of the radio sky foreground. The chromatic beam study quantified the superior qualities of the rectangular blade-shaped antenna and led to its adoption over the previously used fourpoint-shaped antenna and determined that a 5 term polynomial was optimum for removing the foreground. The spectral index, β, of the sky was measured, using 211 nights of data, to be −2.60 > β > −2.62 in lower LST regions, increasing to −2.50 near the Galactic plane. This matched simulated results using the Guzm´an et al. (2011) sky map (∆β < 0.05) and demonstrated the exceptional stability of the EDGES instrument. Lastly, an EoR model by Kaurov & Gnedin (2016) was shown to be inconsistent with measured EDGES data at a significance level of 1.9.
The interaction of the 21 cm hyperfine ground state emission/absorption-line of HI with the cosmic microwave background (CMB) and the radiation from the first luminous sources in the universe can be used to extract cosmological information about the EoR. Theorists have created global redshifted 21 cm EoR models of this interaction that predict the temperature perturbations to the CMB in the form of a sky-averaged difference temperature, Tb. The difficulty in measuring Tb is that it is
predicted to be on the order of 20 to 100 mK, while the sky foreground is dominated
by synchrotron radiation that is 105 times brighter. The challenge is to subtract the much brighter foreground radiation without subtracting the Tb signal and can only be done when the data has small error levels.
The Experiment to Detect the Global EoR Signature (EDGES) is an effort to measure Tb with a single wide field-of-view well-calibrated antenna. This dissertation focuses on reducing systematic errors by quantifying the impact of the chromatic nature of the antenna’s beam directivity and by measuring the variability of the spectral index of the radio sky foreground. The chromatic beam study quantified the superior qualities of the rectangular blade-shaped antenna and led to its adoption over the previously used fourpoint-shaped antenna and determined that a 5 term polynomial was optimum for removing the foreground. The spectral index, β, of the sky was measured, using 211 nights of data, to be −2.60 > β > −2.62 in lower LST regions, increasing to −2.50 near the Galactic plane. This matched simulated results using the Guzm´an et al. (2011) sky map (∆β < 0.05) and demonstrated the exceptional stability of the EDGES instrument. Lastly, an EoR model by Kaurov & Gnedin (2016) was shown to be inconsistent with measured EDGES data at a significance level of 1.9.
ContributorsMozdzen, Thomas J (Author) / Bowman, Judd D (Thesis advisor) / Scowen, Paul A (Committee member) / Groppi, Christopher E (Committee member) / Scannapieco, Evan (Committee member) / Windhorst, Rogier A (Committee member) / Arizona State University (Publisher)
Created2017