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ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
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Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and

Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility

Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsGoglia, Adrienne (Performer)
Created2018-03-02
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
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Description
Diophantine arithmetic is one of the oldest branches of mathematics, the search

for integer or rational solutions of algebraic equations. Pythagorean triangles are

an early instance. Diophantus of Alexandria wrote the first related treatise in the

fourth century; it was an area extensively studied by the great mathematicians of the seventeenth

Diophantine arithmetic is one of the oldest branches of mathematics, the search

for integer or rational solutions of algebraic equations. Pythagorean triangles are

an early instance. Diophantus of Alexandria wrote the first related treatise in the

fourth century; it was an area extensively studied by the great mathematicians of the seventeenth century, including Euler and Fermat.

The modern approach is to treat the equations as defining geometric objects, curves, surfaces, etc. The theory of elliptic curves (or curves of genus 1, which are much used in modern cryptography) was developed extensively in the twentieth century, and has had great application to Diophantine equations. This theory is used in application to the problems studied in this thesis. This thesis studies some curves of high genus, and possible solutions in both rationals and in algebraic number fields, generalizes some old results and gives answers to some open problems in the literature. The methods involve known techniques together with some ingenious tricks. For example, the equations $y^2=x^6+k$, $k=-39,\,-47$, the two previously unsolved cases for $|k|<50$, are solved using algebraic number theory and the ‘elliptic Chabauty’ method. The thesis also studies the genus three quartic curves $F(x^2,y^2,z^2)=0$ where F is a homogeneous quadratic form, and extend old results of Cassels, and Bremner. It is a very delicate matter to find such curves that have no rational points, yet which do have points in odd-degree extension fields of the rationals.

The principal results of the thesis are related to surfaces where the theory is much less well known. In particular, the thesis studies some specific families of surfaces, and give a negative answer to a question in the literature regarding representation of integers n in the form $n=(x+y+z+w)(1/x+1/y+1/z+1/w).$ Further, an example, the first such known, of a quartic surface $x^4+7y^4=14z^4+18w^4$ is given with remarkable properties: it is everywhere locally solvable, yet has no non-zero rational point, despite having a point in (non-trivial) odd-degree extension fields of the rationals. The ideas here involve manipulation of the Hilbert symbol, together with the theory of elliptic curves.
ContributorsNguyen, Xuan Tho (Author) / Bremner, Andrew (Thesis advisor) / Childress, Nancy (Committee member) / Jones, John (Committee member) / Quigg, John (Committee member) / Fishel, Susanna (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
ContributorsBan, Banlingyu (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-10