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ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
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Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and

Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility

Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsGoglia, Adrienne (Performer)
Created2018-03-02
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
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Description
The flexibility in power system networks is not fully modeled in existing real-time contingency analysis (RTCA) and real-time security-constrained economic dispatch (RT SCED) applications. Thus, corrective transmission switching (CTS) is proposed in this dissertation to enable RTCA and RT SCED to take advantage of the flexibility in the transmission system

The flexibility in power system networks is not fully modeled in existing real-time contingency analysis (RTCA) and real-time security-constrained economic dispatch (RT SCED) applications. Thus, corrective transmission switching (CTS) is proposed in this dissertation to enable RTCA and RT SCED to take advantage of the flexibility in the transmission system in a practical way.

RTCA is first conducted to identify critical contingencies that may cause violations. Then, for each critical contingency, CTS is performed to determine the beneficial switching actions that can reduce post-contingency violations. To reduce computational burden, fast heuristic algorithms are proposed to generate candidate switching lists. Numerical simulations performed on three large-scale realistic power systems (TVA, ERCOT, and PJM) demonstrate that CTS can significantly reduce post-contingency violations. Parallel computing can further reduce the solution time.

RT SCED is to eliminate the actual overloads and potential post-contingency overloads identified by RTCA. Procedure-A, which is consistent with existing industry practices, is proposed to connect RTCA and RT SCED. As CTS can reduce post-contingency violations, higher branch limits, referred to as pseudo limits, may be available for some contingency-case network constraints. Thus, Procedure-B is proposed to take advantage of the reliability benefits provided by CTS. With the proposed Procedure-B, CTS can be modeled in RT SCED implicitly through the proposed pseudo limits for contingency-case network constraints, which requires no change to existing RT SCED tools. Numerical simulations demonstrate that the proposed Procedure-A can effectively eliminate the flow violations reported by RTCA and that the proposed Procedure-B can reduce most of the congestion cost with consideration of CTS.

The system status may be inaccurately estimated due to false data injection (FDI) cyber-attacks, which may mislead operators to adjust the system improperly and cause network violations. Thus, a two-stage FDI detection (FDID) approach, along with several metrics and an alert system, is proposed in this dissertation to detect FDI attacks. The first stage is to determine whether the system is under attack and the second stage would identify the target branch. Numerical simulations demonstrate the effectiveness of the proposed two-stage FDID approach.
ContributorsLi, Xingpeng (Author) / Hedman, Kory (Thesis advisor) / Heydt, Gerald (Committee member) / Vittal, Vijay (Committee member) / Qin, Jiangchao (Committee member) / Arizona State University (Publisher)
Created2017
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
ContributorsBan, Banlingyu (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-10