Matching Items (3)
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Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility

Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and

Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Among electrical properties of living tissues, the differentiation of tissues or organs provided by electrical conductivity is superior. The pathological condition of living tissues is inferred from the spatial distribution of conductivity. Magnetic Resonance Electrical Impedance Tomography (MREIT) is a relatively new non-invasive conductivity imaging technique. The majority of

Among electrical properties of living tissues, the differentiation of tissues or organs provided by electrical conductivity is superior. The pathological condition of living tissues is inferred from the spatial distribution of conductivity. Magnetic Resonance Electrical Impedance Tomography (MREIT) is a relatively new non-invasive conductivity imaging technique. The majority of conductivity reconstruction algorithms are suitable for isotropic conductivity distributions. However, tissues such as cardiac muscle and white matter in the brain are highly anisotropic. Until recently, the conductivity distributions of anisotropic samples were solved using isotropic conductivity reconstruction algorithms. First and second spatial derivatives of conductivity (∇σ and ∇2σ ) are integrated to obtain the conductivity distribution. Existing algorithms estimate a scalar conductivity instead of a tensor in anisotropic samples.

Accurate determination of the spatial distribution of a conductivity tensor in an anisotropic sample necessitates the development of anisotropic conductivity tensor image reconstruction techniques. Therefore, experimental studies investigating the effect of ∇2σ on degree of anisotropy is necessary. The purpose of the thesis is to compare the influence of ∇2σ on the degree of anisotropy under two different orthogonal current injection pairs.

The anisotropic property of tissues such as white matter is investigated by constructing stable TX-151 gel layer phantoms with varying degrees of anisotropy. MREIT and Diffusion Magnetic Resonance Imaging (DWI) experiments were conducted to probe the conductivity and diffusion properties of phantoms. MREIT involved current injection synchronized to a spin-echo pulse sequence. Similarities and differences in the divergence of the vector field of ∇σ (∇2σ) among anisotropic samples subjected to two different current injection pairs were studied. DWI of anisotropic phantoms involved the application of diffusion-weighted magnetic field gradients with a spin-echo pulse sequence. Eigenvalues and eigenvectors of diffusion tensors were compared to characterize diffusion properties of anisotropic phantoms.

The orientation of current injection electrode pair and degree of anisotropy influence the spatial distribution of ∇2σ. Anisotropy in conductivity is preserved in ∇2σ subjected to non-symmetric electric fields. Non-symmetry in electric field is observed in current injections parallel and perpendicular to the orientation of gel layers. The principal eigenvalue and eigenvector in the phantom with maximum anisotropy display diffusion anisotropy.
ContributorsAshok Kumar, Neeta (Author) / Sadleir, Rosalind J (Thesis advisor) / Kodibagkar, Vikram (Committee member) / Muthuswamy, Jitendran (Committee member) / Arizona State University (Publisher)
Created2015