Matching Items (655)
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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
Splicing of digital images is a powerful form of tampering which transports regions of an image to create a composite image. When used as an artistic tool, this practice is harmless but when these composite images can be used to create political associations or are submitted as evidence in the judicial system they become more impactful. In these cases, distinction between an authentic image and a tampered image can become important.
Many proposed approaches to image splicing detection follow the model of extracting features from an authentic and tampered dataset and then classifying them using machine learning with the goal of optimizing classification accuracy. This thesis approaches splicing detection from a slightly different perspective by choosing a modern splicing detection framework and examining a variety of preprocessing techniques along with their effect on classification accuracy. Preprocessing techniques explored include Joint Picture Experts Group (JPEG) file type block line blurring, image level blurring, and image level sharpening. Attention is also paid to preprocessing images adaptively based on the amount of higher frequency content they contain.
This thesis also recognizes an identified problem with using a popular tampering evaluation dataset where a mismatch in the number of JPEG processing iterations between the authentic and tampered set creates an unfair statistical bias, leading to higher detection rates. Many modern approaches do not acknowledge this issue but this thesis applies a quality factor equalization technique to reduce this bias. Additionally, this thesis artificially inserts a mismatch in JPEG processing iterations by varying amounts to determine its effect on detection rates.
Many proposed approaches to image splicing detection follow the model of extracting features from an authentic and tampered dataset and then classifying them using machine learning with the goal of optimizing classification accuracy. This thesis approaches splicing detection from a slightly different perspective by choosing a modern splicing detection framework and examining a variety of preprocessing techniques along with their effect on classification accuracy. Preprocessing techniques explored include Joint Picture Experts Group (JPEG) file type block line blurring, image level blurring, and image level sharpening. Attention is also paid to preprocessing images adaptively based on the amount of higher frequency content they contain.
This thesis also recognizes an identified problem with using a popular tampering evaluation dataset where a mismatch in the number of JPEG processing iterations between the authentic and tampered set creates an unfair statistical bias, leading to higher detection rates. Many modern approaches do not acknowledge this issue but this thesis applies a quality factor equalization technique to reduce this bias. Additionally, this thesis artificially inserts a mismatch in JPEG processing iterations by varying amounts to determine its effect on detection rates.
ContributorsGubrud, Aaron (Author) / Li, Baoxin (Thesis advisor) / Candan, Kasim (Committee member) / Kadi, Zafer (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
ContributorsBan, Banlingyu (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-10