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This project serves as an extra learning tool for students enrolled in HEB 101 (Hebrew) at Arizona State University. This tool was developed using Axure Prototyping Software and can be used by anyone. The tool follows the HEB 101 course curriculum which also works alongside the textbook for the class (Hebrew From Scratch part 1). The tool fully covers the seven units that students learn in HEB 101. Each unit follows a standard structure. There is a unit title page which lays out the major concepts covered in the unit (i.e. personal pronouns, question words, prepositions, etc.) and links to different pages within the unit. Each unit has seven to ten lesson pages which introduce Hebrew concepts and provide exercises and examples to help the students practice the material they learned both in class and in the tool. Each unit also has links to Quizlet pages that have the units' vocab set up in a flashcard format so that they can study for upcoming quizzes and exams in the class. The Quizlet page for each unit also provides a randomly generated vocab quiz for the students. There is also a unit quiz for every unit which tests the students on the major concepts of the unit. There are also unit vocab pages that provide all the vocab covered in the unit. This tool provides students with numerous ways of practicing and mastering the material covered in the lectures. The main benefit of this tool for students is that it provides audio files for each vocabulary word learned in HEB 101 which will allow them to have quick access to the pronunciation of the words they are learning. This tool will be used in future HEB 101 classes.
ContributorsOsuna, Esteban Rene (Author) / Shemer, Judith (Thesis director) / Mirguet, Francoise (Committee member) / Computing and Informatics Program (Contributor) / Computer Science and Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
What is it like to create your own language? This creative project is an amalgamation of several paper, visual, and online media and is divided into two sections. The first section is the creation of an original fantasy constructed language ("conlang") called Dieva, including setting and background, phonology, morphology, syntax, semantics, pragmatics, language rules, an alphabet and writing system, and vocabulary. The second section is an exercise in applied linguistics, wherein the conlang was shared with the public via media including an online Wikia.com webpage; figures including charts and a map; the development of classroom materials for a hypothetical Dieva language class such as introduction worksheets, practice worksheets, and quizzes on the alphabet and numbers; and a "linguistic challenge" logic puzzle. All materials were then shared with volunteers who gave feedback from a myriad of teaching and non-teaching as well as linguist and non-linguist points of view. Volunteers also attempted to take the quizzes and to solve the "linguistic challenge," and their feedback was integrated into the final versions of the language, worksheets, online webpages, and other work.
ContributorsLambert, Allison Mary (Author) / Van Gelderen, Elly (Thesis director) / Shinabarger, Amy (Committee member) / School of Politics and Global Studies (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
The following is a brief grammatical sketch of the Chechen language whose analysis largely follows that of the existing Ingush grammar by Johanna Nichols. All data was elicited virtually from native speakers via translation exercises. It presents the current orthography of the language as well as the transcription system used in Nichols and Vagapov's Chechen dictionary, and further discusses the morphology of the major parts of speech as well as a few syntactic characteristics of the language such as agreement, coordination, and subordination.
ContributorsSchrooten, Eric (Author) / Van Gelderen, Elly (Thesis director) / Peterson, Tyler (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2023-12
Description
The purpose of this thesis is to provide an in-depth examination of the syntactic rules and pragmatic structures that govern the construction of Thai nominal phrases. There is a current debate among linguistic researchers of the Thai language (and others within the Tai-Kadai family) contemplating whether the inherent syntactic structure of nominal phrases projects a Determiner Phrase [DP] or a Noun Phrase [NP] (Birmingham, 2020; Jenks, 2011; Piriyawiboon, 2010; and Singhapreecha, 2001). An examination of the grammatical and pragmatic features that dictate the formation of Thai nominals, as well as an investigation of the prevailing linguistic theories focused on nominal phrase construction supporting each structure, has been conducted and is presented within this thesis. This extensive research, performed to address the dilemma “Does the Thai language project a DP or an NP?”, has resulted in the conclusion that the Thai language, with its free word-order and its fascinating pragmatic structures, projects an underlying NP phrase structure that allows for an optional determiner, used to indicate specificity.
ContributorsBirmingham, Sabrina A (Author) / Van Gelderen, Elly (Thesis advisor) / Pruitt, Kathryn (Committee member) / Peterson, Tyler (Committee member) / Arizona State University (Publisher)
Created2021
Description
Gibberish seems to have a universal comedic appeal that transcends language barriers – Youtube sensation Crazy Frog goes “bing-ding,” stop-motion penguin Pingu goes “noot-noot,” and Chilean street clown Karcocha speaks in whistle. Clowns don’t need language to make people laugh – Charlie Chaplin did it silently – but what if their gibberish meant something? Intrigued, I sought to explore a species of clowns and how their naturalistic language could evolve the hoots and honks of clown gibberish through naturalistic processes of grammaticalization. First, I evolved a base language (which is not “clown-ish” in itself). Then, I modified the whistled register used by shepherds (not unlike Hmong and Silbo Gomero) into a clown register, which hides the true meaning of jokes in a series of whistles (to encode tone) and other sound effects (to encode consonants). Combined with a clownish subspecies of sapiens and a culture built around “facepaint as self” and humor as a leveling mechanism, this constructed language is vividly clownish. My ultimate intent is to demonstrate the limitless possibility of language change through a detailed, yet silly lens.
ContributorsSteiner, Reed (Author) / Van Gelderen, Elly (Thesis director) / Pruitt, Kathryn (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / Department of English (Contributor)
Created2022-05