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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
This dissertation focuses on a quasi-governmental committee formed in November, 1932 during the interim Mexican presidency of Abelardo L. Rodríguez. “El Comité Nacional de Repatriación” (The National Repatriation Committee) brought together Mexican businessmen, politicians, social-aid administrators and government officials to deal with the U.S. repatriations of “ethnic Mexicans” (Mexican nationals and Mexican Americans). The Comité attempted to raise half a million pesos (“La Campaña de Medio Millón”) for the repatriates to cultivate Mexico’s hinterlands in agricultural communities (“colonias”). However, the Comité’s promised delivery of farm equipment, tools, livestock and guaranteed wages came too slowly for the still destitute and starving repatriados who sometimes reacted with threats of violence against local and state officials. Cloaked in political rhetoric, the Comité failed to meet the expectations of the repatriate population and the Mexican public. The ambitious plans of the Comité became mired in confusion and scandal. Finally, bowing to pressure from Mexican labor unions and the Mexican press, President Rodríguez dissolved the Comité on June 14, 1934.
In addition, this work addresses Mexican immigration settlement through the early 1930s, Mexican immigration theory, the administration of President Herbert Hoover and the conational exodus. The hardships faced by the repatriates are covered as well as unemployment issues, nativism, and U.S. immigration policies through the early years of the Great Depression. The conclusions reached confirm that the general Mexican public welcomed the Campaña de Medio Millón and the work initiated by the National Repatriation Committee. However, the negative publicity regarding the failure of the two principal resettlement colonies in Oaxaca and Guerrero convinced President Rodríguez to disband both the Comité and the Campaña de Medio Millón.
In addition, this work addresses Mexican immigration settlement through the early 1930s, Mexican immigration theory, the administration of President Herbert Hoover and the conational exodus. The hardships faced by the repatriates are covered as well as unemployment issues, nativism, and U.S. immigration policies through the early years of the Great Depression. The conclusions reached confirm that the general Mexican public welcomed the Campaña de Medio Millón and the work initiated by the National Repatriation Committee. However, the negative publicity regarding the failure of the two principal resettlement colonies in Oaxaca and Guerrero convinced President Rodríguez to disband both the Comité and the Campaña de Medio Millón.
ContributorsBridgewater, Devon (Author) / Avina, Alexander (Thesis advisor) / Longley, Rodney (Committee member) / Garcia, Matthew (Committee member) / Magaña, Lisa (Committee member) / Arizona State University (Publisher)
Created2018
Description
Since her debut in 1930, Nancy Drew has been an extremely popular character and icon for adolescent girls. Created by Edward Stratemeyer and developed by Mildred Wirt Benson and Harriet Stratemeyer Adams, Nancy Drew continues to influence and inspire generations of readers. Readers are drawn to Nancy Drew's character and her ability to escape into the world of River Heights, away from the tumultuous climate of the Great Depression and ensuing wars. Significantly, Nancy Drew's enduring power and influence stems from five cultural and social paradoxes: child v. adult, masculine v. feminine, independent v. dependent, single v. couple, and classic v. modern. This thesis explores how throughout the series, Nancy embodies each extreme of these dualities, which gives her the power to be everything to everyone. Nancy derives power from these five paradoxes, which by definition are contradictory, but afford her special privileges in her fictional world. In embodying these binaries, Nancy Drew provides adolescent readers with an escape from and a role model for adolescence and future adulthood.
ContributorsPetersen, Monica Leigh (Author) / Blasingame, James (Thesis director) / McGibbney-Vlahoulis, Michelle (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor) / W. P. Carey School of Business (Contributor)
Created2014-12
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13