Matching Items (14)
Description
Contemporary Christian American politicians have diverse identities when integrating their faith with their political ideology and have developed their worldviews and interpretive schemas and have defended, enacted, and given meaning to their positions, knowingly or unknowingly. There are two distinct theoretical clusters which are a result of an already existing dichotomy. This ideological divide happens along the philosophical notions of individualism or communitarianism, libertarianism or egalitarianism, capitalism or collectivism, literalism or hermeneutics, orthodoxy or praxis. One cluster, Institutional Christianity, exerts a dominating influence on the political and cultural landscape in the US, particularly during the last ten years, and could be considered a hegemonic discourse; while the other, Natural Christianity, serves as the counter-hegemony within a political landscape characterized by a two party system. This study explores the relationship of these dichotomous clusters with contemporary Arizona Christian politicians. Using a phenomenological, qualitative study, interviewing sixteen Arizona Christian politicians, this study yielded ten themes, and binary meaning units within each theme, that describe the essence of politicians' faith and political behavior as they intersect. Finally, this study found, as reported by each subject, what political perspectives generally created a sense of dissonance with one's faith and what perspective exhibited a unified sense of congruence with their faith and political behavior.
ContributorsAbleser, Edward (Author) / Gomez, Alan (Thesis advisor) / Oliverio, Annamaria (Committee member) / Herrera, Richard (Committee member) / Arizona State University (Publisher)
Created2014
Description
Baruch de Spinoza (1632-1677) is most often treated as a secular philosopher in the literature. But the critical-historical and textual analyses explored in this study suggest that Spinoza wrote the Ethics not as a secular project intended to supersede monotheism for those stoic enough to plumb its icy depths, but rather, and as is much less often assumed, as a genuinely Judeo-Christian theological discourse accounting for the changing scientific worldviews and political realities of his time. This paper draws upon scholarship documenting Spinoza's involvement with Christian sects such as the Collegiants and Quakers. After establishing the largely unappreciated importance of Spinoza's religious or theological thought, a close reading of the Ethics demonstrates that friendship is the theme that ties together Spinoza's ethical, theological, political, and scientific doctrines.
ContributorsBelcheff, David (Author) / Samuelson, Norbert (Thesis advisor) / Clay, Eugene (Thesis advisor) / Foley, Peter (Committee member) / Arizona State University (Publisher)
Created2014
Description
My project maps assets of welcome in the built environment in youth performing arts spaces. What signifiers reveal how a physical space conceptualizes the child, reflects professed theological claims, and cues youth to practice ownership and experience belonging? I explore the cultural capital that emerges from the sites and I assert theological implications of the findings. Through mixed qualitative, quantitative, and arts-based methods, I employ asset-based and cultural mapping tools to collect data. I parse theories of space, race, and capital. Half of the ten sites are faith-based; others make room for practices that participants bring to the table. Therefore, I discuss theologies and theories about racialized, religious, public, and arts spaces. My research shows that one ethnographic task for the arts groups is unearthing and embedding neighborhood legacy. I source fifty-six written youth questionnaires, forty youth in focus groups, staff questionnaires, parent interviews, and observations across fourteen months at ten sites. Interpreting the data required that I reconceive multiple terms, including “youth dedicated,” “partnership,” and art itself. The research codes spatial, relational, economic, temporal, and comfort-level assets. Observed assets include strategies for physical safety, gender inclusivity, literary agility, entrepreneurship, advocacy, and healing. Analyzing data showed the sites as conceptualizing the child in three change-making areas: the Child as Hungry, the Child as Village, and the Child as Visible. The Child as Hungry emerged because participants self-report myriad “feeding” physically, spiritually, and artistically at each site. Youth participants at each site maintain a Village presence, and each site offers a manner of gathering space that signifies Village responsibility. Each site carves space to witness the child, contrastingly with other spheres—so much so that being a Visible Child becomes a craft itself, added alongside the fine art. Child theology is the primary theoretical lens that I use to contribute to and intersect with performance studies theory, critical race theory, child drama, and childhood studies.
ContributorsTrent, Tiffany (Author) / Etheridge Woodson, Stephani (Thesis advisor) / Gomez, Alan E (Committee member) / Ellis Davis, Sharon (Committee member) / Carnes, Natalie (Committee member) / Arizona State University (Publisher)
Created2018
Description
During the time when contemporary feminism was gaining ground in the West, the Magisterium of the Roman Catholic Church promulgated the encyclical Mulieris Dignitatem (1988), articulating the Church's understanding of women to a culture in crisis. More than twenty-five years post-promulgation of the document, complex questions still linger on the international stage in the realm of femininity, motherhood, and the vocations of women in the world today. While several voices compete to answer these questions, the Catholic Church offers her expert understanding of woman \u2014 indeed, of the human person \u2014 rooted in over 2,000 years of Scripture and tradition \u2014 a comprehensive, life-giving anthropology at the service of Jesus Christ and humanity. In the face of a radically relativistic, ever-evolving culture that continuously presents new challenges and questions, we have the responsibility to assimilate St. John Paul II's teaching in Mulieris Dignitatem in order to cross new thresholds, to further a theology of femininity and "feminism" that all persons can embrace. This thesis examines these crucial issues through the lens of the Church's expertise, the example of the Blessed Virgin Mary, as well as the strengths and challenges of the encyclical, arriving at the conclusion that women bear the greater part in redeeming culture through a renewal of authentic femininity.
ContributorsOtlewski, Maggie Elizabeth (Author) / Strafaci, Christina (Thesis director) / Barker, David (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2015-05
Description
Eighteen late medieval central Italian paintings featuring the figure of Eve reclining on the ground beneath the enthroned Virgin have been the center of a decades-long debate among scholars. The dispute centers on whether the imagery depicts Mary as Eve's counterpart in the role of virgin mother or intercessor as the Second Eve. I argue that these two possibilities are not mutually exclusive and instead support one another. I maintain that Eve and Mary appear as opposites according to their contrasting sexual statuses because their antithesis lies at the center of the theology of the Second Eve and the heart of the signification of these paintings. Though frequently overlooked, my exploration of this imagery begins with the attributes used to identify Eve: the woman-headed serpent, the fig, and clothing. Specifically, I analyze the relationship between the particular attributes employed and the theological interpretation of the Fall as a result of concupiscent sexual intercourse. My study then turns to the individual imagery of the central figure of Mary and its reference to church teachings. Appearing amidst allusions to the Annunciation and with emblems of her roles as mother and queen, the Marian imagery in these eighteen paintings specifically reiterates the dogma of her perpetual virginity. I conclude my investigation with a discussion of how the attributes and imagery examined in the first two chapters relate to the theology of the Second Eve and provide a fundamental meaning for all medieval audiences. In light of the references to these women's sexual statuses, the imagery of the Second Eve suggests that Mary is the special advocate of men and women, religious and lay.
ContributorsBache, Colleen (Author) / Schleif, Corine (Thesis advisor) / Derbes, Anne (Committee member) / Baldasso, Renzo (Committee member) / Arizona State University (Publisher)
Created2015
Description
This thesis examines the theological significance and use of chant in the Divine Liturgy of Saint Chrysostom, in both Eastern Orthodoxy and Eastern Catholicism. An overview of the Liturgy and its chant is given while examining contemporary and historical practices. Finally, this paper also offers an overview of trends and practices used by Eastern Christian faithful in the United States.
ContributorsEslava, Martin Hans (Author) / Fossum, David (Thesis director) / Bruhn, Karen (Committee member) / School of Life Sciences (Contributor) / School of Music, Dance and Theatre (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
Many recent hot topic news headlines claim that attacks are being made on the separation of Church and state in the United States. These articles specifically list the Catholic Church as a chief culprit due to the religious beliefs of the governmental officials in question. An in-depth understanding of each institution's position on the doctrine of separation of Church and state is developed along with the foundational motivations of each position to better understand the general subject matter, where afterwards the validity of the claims can be determined. The historical American perspective on Church-state separation is developed from the combined thought of James Madison, George Washington, and Thomas Jefferson, where their thoughts are shown to have originated from John Locke. Next, the viewpoint of the Catholic Church is developed from a brief summary of historical Church-state relations and topical Papal encyclicals. Finally, each institutions’ position is motivated by their respective underlying foundations in the nature of man.
ContributorsCrespo, Joseph (Author) / Seagrave, Adam (Thesis director) / Fraher, Larry (Committee member) / Pons, Romain (Committee member) / Barrett, The Honors College (Contributor) / School of Earth and Space Exploration (Contributor) / Mechanical and Aerospace Engineering Program (Contributor)
Created2023-05
Description
Why do some local religious organizations, particularly Christian foreign mission groups, send missionaries to culturally and politically risky states where they face personal high risks and political entanglements? I argue that local religious groups’ goals and motivations are driven by their involvement in international religious networks, which is a key factor in dispatching missionaries to high-risk countries. These religious activities are driven by constituted identities and expected behaviors from the international networks. I utilized a qualitative analysis of documented sources from domestic and international religious networks and 37 semistructured interview records with South Korean Protestant missionaries and church leaders to probe international influence on local actors’ motivations of religious activities. I also used quantitative data of the number of Korean missionaries collected from the Korea World Missions Association and the Korea Research Institute for Mission to assess several hypotheses describing the influence of global religious discourse on local actors’ motivations and practices. I built a framework of an interaction pattern of local actors and international religious networks and depicted how the shared idea of reaching high-risk countries among global religious actors influenced national actors. The study findings indicate that motivations of religious actors risking their lives in high-risk countries are connected to the power of discourse of “unreached people groups” shaped among global actors, and such discourse is actively constructed by global, national, and local actors.
ContributorsJung, Jihye (Author) / Thomas, George (Thesis advisor) / Warner, Carolyn (Committee member) / Kittilson, Miki (Committee member) / Bruner, Jason (Committee member) / Arizona State University (Publisher)
Created2023
Description
In a Mirror Dimly… is an autobiographical work that follows my mental development from my teen years into my mid-20s and offers a way forward into the future. First comes legalism: a canon, which represents a rule-based thought process. Next is freedom and individuality: indeterminate methods and textures. Finally, the piece concludes with unity and wholeness, using quoted and composed hymns in chorale settings. The conceptual content is taken from Hermann Hesse’s Siddhartha, a story of a Hindu man’s life through the development of his own ideology into Buddhism. He begins by following the rules of his faith obsessively, then he decides that the rules themselves don’t matter as much as the spirit behind them, and finally he begins to see the interconnectedness of nature through the flow of a river and gains a fuller picture of all that is. I have also included an anxiety motif which begins as an interruption or nuisance; it then takes over in the form of a panic attack but is quelled by a hymn: “Be Still My Soul,” with text written by Katharina von Schlegel set to the tune of Sibelius’ Finlandia. Finally, the anxiety is contained and molded to help the overall texture rather than disrupting it. The anxiety is never truly eradicated, but it is transformed.
ContributorsChesney, Jacob Andrew (Author) / Temple, Alex (Thesis advisor) / Bolanos, Gabriel (Committee member) / Rockmaker, Jody (Committee member) / Arizona State University (Publisher)
Created2022
ContributorsMones, M (Author) / Karimi, Robert Farid (Thesis director) / Sprowls, Jared (Committee member) / Wasserman, Michael (Committee member) / Barrett, The Honors College (Contributor) / School of Music, Dance and Theatre (Contributor) / Dean, Herberger Institute for Design and the Arts (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2024-05