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ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
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Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the

Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
ContributorsMayo, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsDominguez, Ramon (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-15
ContributorsWhite, Bill (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-03
Description

Susan (Clouse) Dolbert is a former ASU employee who at the time of this interview, was working at Rutgers University. Susan has a long history with ASU starting off as a student for her undergraduate degree in Political Science/Latin American Studies. After graduation she went on to work in different

Susan (Clouse) Dolbert is a former ASU employee who at the time of this interview, was working at Rutgers University. Susan has a long history with ASU starting off as a student for her undergraduate degree in Political Science/Latin American Studies. After graduation she went on to work in different positions within ASU, taking a brief break to work at Emory Riddle in Prescott. She returned to ASU and worked in Engineering before becoming the Director of Undergraduate Admissions. She completed her Masters degree in Communications with an emphasis on Organization Communications. She then went on to complete her PhD in Public Administration with an emphasis in Public Policy and Organizational Development. Her last position at ASU was as President and Director of the Alumni Association.

Susan left ASU to pursue a position as Head of Development at Mayo Clinic in Scottsdale. From there she became Head of Development at Fred Hutchinson Cancer Center in Seattle, WA and then on to lead Rutgers Bio-American Health Sciences. Even though she is no longer physically at ASU, her heart will always beat as a Sun Devil!

ContributorsSchell, Leon (Interviewer) / Arizona State University Retirees Association (Producer)
Created2015-05-29
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
ContributorsMiranda, Diego (Performer)
Created2018-04-06