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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
Description
This study evaluates five different hypotheses potentially accounting for the prehistoric movement of vesicular basalt during the Hohokam occupation of the Salt-Gila Basin (ca. A.D. 700-1450): 1) direct procurement; 2) direct exchange; 3) down-the-line exchange; 4) market exchange; and 5) elite-controlled exchange. The plausibility of each hypothesis is assessed by examining the relative frequency of different vesicular basalt source types at sites as related to the geographic distance from their source; intra-site variance in vesicular basalt source type diversity; inter-site variance in vesicular basalt source type diversity; and temporal specificity and continuity in source preference. The study sample is comprised of 484 vesicular basalt artifacts recovered from nine Hohokam sites: Casa Grande, Gila Crossing, the Hospital Site, La Plaza, Las Colinas, Los Hornos, Lower Santan, Pueblo Grande, and Upper Santan. Geographic provenance data for artifacts are generated by comparing their chemical composition to a geochemical reference database composed of more than 700 vesicular basalt raw material samples from 17 different source areas in the Salt-Gila Basin. Geochemical data for both artifact and raw material samples were collected using a portable X-ray fluorescence spectrometer and a newly developed sampling procedure that provides an efficient, reliable, and nondestructive means of analysis.
The results of the hypothesis testing found that direct procurement is a possible material provisioning practice for perhaps only a small number of households in the Salt-Gila Basin; specifically those located less than 10 km from a vesicular basalt outcrop. Direct exchange is also an unlikely explanation, though it cannot be rejected outright. The other exchange hypotheses, down-the-line, market, and elite-controlled exchange, as defined in this study, are all rejected as possible explanations. From these results, a new model of Hohokam vesicular basalt provisioning practices is developed for future testing. This model posits that vesicular basalt groundstone tools were produced by specialists in a handful of locations during both the Preclassic and Classic periods, and that finished tools were acquired through workshop procurement or local distributers. The implications of these findings for understanding the organization of Hohokam domestic and political economies are also discussed.
The results of the hypothesis testing found that direct procurement is a possible material provisioning practice for perhaps only a small number of households in the Salt-Gila Basin; specifically those located less than 10 km from a vesicular basalt outcrop. Direct exchange is also an unlikely explanation, though it cannot be rejected outright. The other exchange hypotheses, down-the-line, market, and elite-controlled exchange, as defined in this study, are all rejected as possible explanations. From these results, a new model of Hohokam vesicular basalt provisioning practices is developed for future testing. This model posits that vesicular basalt groundstone tools were produced by specialists in a handful of locations during both the Preclassic and Classic periods, and that finished tools were acquired through workshop procurement or local distributers. The implications of these findings for understanding the organization of Hohokam domestic and political economies are also discussed.
ContributorsFertelmes, Craig M (Author) / Abbott, David R. (Thesis advisor) / Simon, Arleyn W (Thesis advisor) / Darling, J Andrew (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
Over the last several years there has been increased enthusiasm surrounding local interests, particularly when it comes to the economic development of local communities (Esteves, Barclay, 2011). This study seeks to identify potential barriers to local sourcing that have not been previously identified in literature. By conducting interviews with organizations in the private and public sectors, this study was able to gain a broad perspective of the sourcing decision making process across these sectors. The study was able to determine three new barriers to local sourcing. First, in the private sector, the lack of personal commitment to local sourcing from the decision maker to source locally is a barrier. Second, in the public sector, the intention behind procurement policies are creating the barrier for local sourcing opportunities. Finally, both private and public sectors experience the same external barriers due to a mismatch of the local supply base and the needs of the organization.
ContributorsKolesar, Katherine Ann (Author) / Kull, Thomas (Thesis director) / Hillman, Amy (Committee member) / Lanning, Kimber (Committee member) / Department of Marketing (Contributor) / Department of Supply Chain Management (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13