Matching Items (468)
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- All Subjects: Guitar music
ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
ContributorsMayo, Joshua (Contributor) / Betts, Sarah (Performer) / Cericola, Marco (Performer) / Gonzalez, Nikolas (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-28
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
ContributorsMayo, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
Description
This paper explores how US Cold War nuclear testing in the Pacific Islands has been approached in three different regions \u2014affected Pacific Islands, the US, and Japan. Because the US has failed to adequately address its nuclear past in the Pacific Islands, and Pacific Islander narratives struggle to reach the international community on their own, my study considers the possibility of Pacific Islanders finding greater outlet for their perspectives within dominant Japanese narratives, which also feature nuclear memory. Whereas the US government has remained largely evasive and aloof about the consequences of its nuclear testing in the Pacific, Japan encourages active, anti-nuclear war memory that could be congruent with Pacific Islander interests. After examining historical events, surrounding context, and prevailing sentiments surrounding this issue in each region however, my study finds that even within Japanese narratives, Pacific Islander narratives can only go so far because of Japan's own nuclear power industry, its hierarchical relationship with the Pacific Islands, and Japan's strong ties to the US in what can be interpreted as enduring Cold War politics.
ContributorsHinze, Rie Victoria (Author) / Benkert, Volker (Thesis director) / Moore, Aaron (Committee member) / School of International Letters and Cultures (Contributor) / Computer Science and Engineering Program (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2015-12
ContributorsDominguez, Ramon (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-15
ContributorsWhite, Bill (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-03
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13