Matching Items (3)
Description
The goal of my thesis is to examine gender roles and their implications on mental illness in the short story of "The Yellow Wallpaper." The context of this thesis is historical, medical, and literary. The project includes five parts. The introduction is an analysis of the various literary criticisms associated with the short story. The second part is research on Charlotte Perkins Gilman and her journey with mental illness. The third part is research and background information on mental illness in the 19th century. The fourth part is research and analysis on the social, political, and economic context of the 19th century in the United States that affected the view of mental illness in the period, such as gender roles. The final part of the thesis is an analysis of Charlotte Perkins Gilman's "The Yellow Wallpaper." The analysis focuses on gender roles of the story and how these relate to the depiction of mental illness. This analysis takes into account the historical background and research when studying the context behind the story. In conclusion, the research and information in this thesis provides a new criticism for readers to consider when analyzing "The Yellow Wallpaper."
ContributorsFitzpatrick, Erin Elizabeth (Author) / Fette, Don (Thesis director) / Soares, Rebecca (Committee member) / School of Accountancy (Contributor) / Hugh Downs School of Human Communication (Contributor) / WPC Graduate Programs (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
Author Prof. Hjalmar Hjorth Boyesen's obituary from the St. Louis Daily is tipped in to this edition.
ContributorsBoyesen, Hjalmar Hjorth (Author) / Zarka, Emily (Contributor)
Created2017-04-19
Sublimity & The Bronte Men: An Exploration of Heathcliff & Rochester Through Edmund Burke's Sublime.
Description
The Brontë sisters, inadvertently, created two characters overwhelmingly offensive to the modern reader. However, I think it is time that we as readers diverge from the well-trodden path of literary analyses concerning Rochester and Heathcliff. By limiting these two characters to only their most surface-level qualities, and passing moral judgments on them as if they are somehow failing some expectation of moral behavior, these two characters are denigrated to the titles of “bad characters” or “bad men.” I propose a reading of Heathcliff and Rochester that transcends the confining rhetoric of good vs. bad and looks to Heathcliff and Rochester as agents of the sublime as defined by Edmund Burke in his foundational text A Philosophical Inquiry Into The Origin of Our Ideas of The Sublime and Beautiful.
ContributorsWeiland, Madeline (Author) / Soares, Rebecca (Thesis director) / Foy, Joseph (Committee member) / Barrett, The Honors College (Contributor) / Hugh Downs School of Human Communication (Contributor) / Department of English (Contributor)
Created2024-05