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ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
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Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the

Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
ContributorsMayo, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsDominguez, Ramon (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-15
ContributorsWhite, Bill (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-03
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
ContributorsMiranda, Diego (Performer)
Created2018-04-06
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Description
The purpose of this paper is to develop an understanding of Navajo students' perspectives on how engineering can be used to improve life in their own communities on the Navajo reservation. Branching off an existing study that aims to develop a culturally-contextualized engineering design curriculum for middle schools in the

The purpose of this paper is to develop an understanding of Navajo students' perspectives on how engineering can be used to improve life in their own communities on the Navajo reservation. Branching off an existing study that aims to develop a culturally-contextualized engineering design curriculum for middle schools in the Navajo Nation, this research focuses on a curriculum module entitled, "Future Chapter Presidents". This module is inspired by the Future City Competition where middle school students are tasked with imagining a better future. To make "Future Chapter Presidents" more culturally-relevant, students are instead tasked with proposing solutions that will improve life on the reservation. This module emphasizes engineering design alongside teaching Navajo Nation government standards by having students in the class run for a position in their local government. Students are prompted with creating a campaign poster that showcases their proposed solutions directed at their own communities. In order to analyze students' perspectives and understanding of how engineering can be used to improve life on the reservation, thematic analysis is used to study each individual poster. Meanwhile, because the researchers conducting this study are not Navajo, Tribal Critical Race Theory (Brayboy, 2006) was applied to ensure that the content of the posters are interpreted from an Indigenous lens. The results of this study can be used to inform future curriculum development for engineering design modules in the Navajo Nation and expand upon existing literature that provides understanding of how Navajo students experience and understand engineering in the context of their culture.
ContributorsPangan, Tyrine Jamella Duenas (Author) / Jordan, Shawn (Thesis director) / Foster, Christina (Committee member) / Software Engineering (Contributor) / Barrett, The Honors College (Contributor)
Created2018-12