Matching Items (4)
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- All Subjects: Epistemology
- Creators: Creath, Richard
- Creators: Tompkins, Cynthia
Description
The comparative study of the poetics of landscape of the Argentinian poet Diana Bellessi in Sur (1998) and the U.S. poet Mary Oliver in What Do We Know (2002) reveal how each writer acknowledges discourse and perception as means to bridge the nature/culture dichotomy and to unsettle the American landscape from cultural and epistemological assumptions that perpetuate the disconnection with matter. While Bellessi re–signifies the historical and cultural landscape drawn by European colonization in order to establish a dialogue with the voices of the past related to a present–day quest to reconnect with nature, Oliver articulates an ontological and phenomenological expression to reformulate prevailing notions of cognizing materiality aiming to overcome the culture
ature divide. I therefore examine the interrelationship between perception, language and nature in Bellessi’s and Oliver’s poetic works by deploying Maurice Merleau-Ponty’s phenomenological theory of perception into material feminist theoretical works by Karen Barad and Susan Hekman. In so doing, I demonstrate how both poets act on language to forge a non–dualistic expression that, in allowing matter as an agentic force that relates with humans in dynamics of mutual impact and intra–activity, entails a phenomenological and onto–epistemological approach to ground language in materiality and produce ethical discursive practices to relate with nature. I argue that Bellessi’s and Oliver’s approach toward nature proves as necessary in the articulation of efforts leading to overcome the nature/culture dichotomy and thus, to address ecological and environmental concerns.
ature divide. I therefore examine the interrelationship between perception, language and nature in Bellessi’s and Oliver’s poetic works by deploying Maurice Merleau-Ponty’s phenomenological theory of perception into material feminist theoretical works by Karen Barad and Susan Hekman. In so doing, I demonstrate how both poets act on language to forge a non–dualistic expression that, in allowing matter as an agentic force that relates with humans in dynamics of mutual impact and intra–activity, entails a phenomenological and onto–epistemological approach to ground language in materiality and produce ethical discursive practices to relate with nature. I argue that Bellessi’s and Oliver’s approach toward nature proves as necessary in the articulation of efforts leading to overcome the nature/culture dichotomy and thus, to address ecological and environmental concerns.
ContributorsSan Martín Vásquez, Angela (Author) / Horan, Elizabeth (Thesis advisor) / Tompkins, Cynthia (Committee member) / Hernández-G, Manuel (Committee member) / Arizona State University (Publisher)
Created2011
Description
The study of wasp societies (family Vespidae) has played a central role in advancing our knowledge of why social life evolves and how it functions. This dissertation asks: How have scientists generated and evaluated new concepts and theories about social life and its evolution by investigating wasp societies? It addresses this question both from a narrative/historical and from a reflective/epistemological perspective. The historical narratives reconstruct the investigative pathways of the Italian entomologist Leo Pardi (1915-1990) and the British evolutionary biologist William D. Hamilton (1936-2000). The works of these two scientists represent respectively the beginning of our current understanding of immediate and evolutionary causes of social life. Chapter 1 shows how Pardi, in the 1940s, generated a conceptual framework to explain how wasp colonies function in terms of social and reproductive dominance. Chapter 2 shows how Hamilton, in the 1960s, attempted to evaluate his own theory of inclusive fitness by investigating social wasps. The epistemological reflections revolve around the idea of investigative framework for theory evaluation. Chapter 3 draws on the analysis of important studies on social wasps from the 1960s and 1970s and provides an account of theory evaluation in the form of an investigative framework. The framework shows how inferences from empirical data (bottom-up) and inferences from the theory (top-down) inform one another in the generation of hypotheses, predictions and statements about phenomena of social evolution. It provides an alternative to existing philosophical accounts of scientific inquiry and theory evaluation, which keep a strong, hierarchical distinction between inferences from the theory and inferences from the data. The historical narratives in this dissertation show that important scientists have advanced our knowledge of complex biological phenomena by constantly interweaving empirical, conceptual, and theoretical work. The epistemological reflections argue that we need holistic frameworks that account for how multiple scientific practices synergistically contribute to advance our knowledge of complex phenomena. Both narratives and reflections aim to inspire and inform future work in social evolution capitalizing on lessons learnt from the past.
ContributorsCaniglia, Guido (Author) / Laubichler, Manfred (Thesis advisor) / Maienschein, Jane (Thesis advisor) / Creath, Richard (Committee member) / Mitchell, Sandra (Committee member) / Arizona State University (Publisher)
Created2016
Description
This thesis is concerned with the methodological role of intuitions in metaphysics. It is divided into two main parts. Part I argues that an academic field can only employ a method of gathering evidence if it has established some agreed-upon standards regarding how to evaluate uses of this method. Existing meta-philosophical disputes take the nature of intuitions to be their starting point. This is a mistake. My concern is not the epistemic status of intuitions, but rather how metaphysicians appeal to intuitions as a form of evidence. In order for intuitions to play a viable role in research they must be subject to certain constraints, regardless of whether they allow individual researchers to know that their theories are true. Metaphysicians are not permitted to use intuitions as arbitrarily having different evidential status in different circumstances, nor should they continue to use intuitions as evidence in certain disputes when there is disagreement amongst disputants about whether intuitions should have this evidential status.
Part II is dedicated to showing that metaphysicians currently use intuitions in precisely the sort of inconsistent manner that was shown to be impermissible in Part I. I first consider several competing theories of how intuitions function as evidence and argue that they all fail. As they are currently used in metaphysics, intuitions are analogous to instruments in the sciences in that they are taken to be a substantial non-inferential source of evidence for theories. I then analyze several major metaphysical disputes and show that the source of controversy in these disputes boils down to inconsistencies in how the different parties treat intuitions as evidence. I conclude that metaphysicians must abandon appeals to intuition as evidence--at least until the field can agree upon some general standards that can resolve these inconsistencies.
Part II is dedicated to showing that metaphysicians currently use intuitions in precisely the sort of inconsistent manner that was shown to be impermissible in Part I. I first consider several competing theories of how intuitions function as evidence and argue that they all fail. As they are currently used in metaphysics, intuitions are analogous to instruments in the sciences in that they are taken to be a substantial non-inferential source of evidence for theories. I then analyze several major metaphysical disputes and show that the source of controversy in these disputes boils down to inconsistencies in how the different parties treat intuitions as evidence. I conclude that metaphysicians must abandon appeals to intuition as evidence--at least until the field can agree upon some general standards that can resolve these inconsistencies.
ContributorsMusgrave, Shea (Author) / Creath, Richard (Thesis advisor) / Pinillos, Nestor A. (Committee member) / Kobes, Bernard W. (Committee member) / Arizona State University (Publisher)
Created2014
Description
This dissertation focuses on the study of Western esotericism in European culture and forms a method of discovering esoteric topics in cultural artifacts. Using the definition as a corpus of knowledge historically divided between esoteric, reserved for the intellectual and power elite, and exoteric, available for everybody, I argue that esotericism represents the knowledge that always accompanied the cultural production of the Mediterranean zone, adding a spiritual meaning to any visual or written work of art. The contemporary novels of the past decade by the Spanish author Javier Sierra are fully based on a historical investigation, in which esotericism appears as a nuclear topic, revealing the great interest of the public in the mysteries of the past. Through the postmodern cultural theories, together with sociological and historical methods, the dissertation explores the cultural processes that lead to the shift of esoteric knowledge in the 20th century from secretive to publically available. The study defines the purpose of recreating the European past and investigates the secrets of European cultural formation. Through an insider-outsider perspective, it analyzes the cultural artifacts, that appear in the novels in the form of reference or as a nuclear part of the plot. It presents the scope of esoteric currents, that are divided between the discipline of religion, science, and philosophy, which form the tetrahedron of knowledge as a theoretic model for this study. The constructed model reveals the interaction of the three disciplines throughout the history and examines the reasons for the religious disenchantment of the 20th century, proven through Digital Humanities’ research as the predominance of science over the Catholic Church, which allowed the esoteric knowledge to reappear. The study explores the affiliation of esotericism with science through the scientific-cultural inquiries between the ancient myths and reality, by showing that man’s consciousness had always been dependent on the scientific perception of the world. It explores the pagan symbolism that is mixed with Christian traditions and reveals the stories, hidden behind the representation of the greatest works of art, by combining and analyzing the wisdom of the past and the contemporary spiritual inquiries in their philosophical meaning.
ContributorsCordan, Elena (Author) / Urioste Azcorra, Carmen (Thesis advisor) / Tompkins, Cynthia (Committee member) / Gil-Osle, Juan Pablo (Committee member) / Arizona State University (Publisher)
Created2017