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The Good, the Bad, and the Deadly: Gendered Moral Teachings in American Murder Ballads

Description
Once planted firmly in America, murder ballads old and new sparked the Southern imagination, and familiar motifs and formulas were sung with a distinct American twist. The moral standards and beliefs of Christianity, specifically those of Baptist and Methodist denominations, are weaved through a majority of Southern murder ballads, which…

Once planted firmly in America, murder ballads old and new sparked the Southern imagination, and familiar motifs and formulas were sung with a distinct American twist. The moral standards and beliefs of Christianity, specifically those of Baptist and Methodist denominations, are weaved through a majority of Southern murder ballads, which reflects the impact of the Second Great Awakening, a religious revival founded in the South during the 1790s and early 1800s. Murder ballads found in the American South from 1800 to 1950 follow a structure that reinforces southern expectations for men and women, emphasizing moral and immoral traits in a way that encourages the listener to adhere to strict gender roles. The question of who the villain is and who the victim is must be confronted while examining American murder ballads, because the answer is not as clear cut as one would assume. Virginal women and sinful women, hapless men and cold-blooded men, each play a role in these ballads and the way in which they are perceived shifts the moral weight of the song. Heterosexuality and gender norms are heavily enforced in murder ballads from the South, and any deviations from these norms leads to murder, execution, or eternal damnation.
ContributorsDonalson, Rachel (Author) / Soares, Rebecca (Thesis director) / Ellis, Larry (Committee member) / Department of Supply Chain Management (Contributor) / School of Sustainability (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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Sleep Paralysis: The Original Nightmare and How it Became a Medical Phenomenon

Description
Sleep paralysis is when a person finds themselves in a state of conscious paralysis as they are falling asleep or waking up. It is often accompanied by shallowing breathing, visual and auditory hallucinations, and a sense of terror. Sleep paralysis has a rich folklore consisting of sleep demons,…

Sleep paralysis is when a person finds themselves in a state of conscious paralysis as they are falling asleep or waking up. It is often accompanied by shallowing breathing, visual and auditory hallucinations, and a sense of terror. Sleep paralysis has a rich folklore consisting of sleep demons, spirits, and curses some of which are still told to children today. This thesis will explore a timeline of this folklore that involves modern day sleep paralysis, a history of sleep science, and how they collided resulting in the official diagnosis of sleep paralysis as a sleep disorder.
ContributorsBusselle, Olivia (Author) / Boyce-Jacino, Katherine (Thesis director) / Petrov, Megan (Committee member) / Barrett, The Honors College (Contributor) / Chemical Engineering Program (Contributor)
Created2022-05
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The influence of folk music in guitar compositions by Manuel Ponce

DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014