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- All Subjects: Guitar music
ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
ContributorsMayo, Joshua (Contributor) / Betts, Sarah (Performer) / Cericola, Marco (Performer) / Gonzalez, Nikolas (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-28
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
ContributorsMayo, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-29
ContributorsDominguez, Ramon (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-15
ContributorsWhite, Bill (Performer) / ASU Library. Music Library (Publisher)
Created2021-04-03
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
Description
In 2015, the Law and Justice Party [Prawo I Sprawiedliwość, PiS] won the majority of seats in parliament and took control of Poland. PiS has a populist platform that has led to undemocratic practices, especially in the judicial branch, that are being questioned by the EU. This study evaluates the role that globalization, a concept that has been linked to other European countries’ citizens' appeal to right-wing populist groups, has in Poland’s rise of PiS. Two Polish websites, Przeglad and Wprost were analyzed to observe the change in positive and negative language before and after PiS’s rise to power and to observe how it has impacted party polarization. Articles that had one or more of eight key terms associated with globalization were analyzed for the negativity and positivity. Additionally, when observing sentiment over time, the term “globalization” has converged between the two websites, while “WTO” has remained consistent. Overall, the results showed that language has shifted towards neutrality, with a movement from strong positive or strong negative, to weak positive and weak negative; however, with only a few key terms being statistically significant there is a need for further research into more key terms and additional websites.
ContributorsMitina, Maria (Author) / Thomson, Henry (Thesis director) / Cichopek-Gajraj, Anna (Committee member) / Department of Economics (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05