Matching Items (18)
Description
ABSTRACT This qualitative study examines how high school art teachers conceive of being a good art teacher. Motivated by my own experiences as an art teacher, I designed this study to add teachers' voices to the conversation surrounding quality in education. My research design included a narrative strand and an arts-based strand. In the narrative strand, I interviewed and observed 12 high school art educators from a major city in the southwest. I conducted an autoethnographic reflection exploring my connection to the research topic and research process. In the arts-based strand I used fiber-arts to further understand my topic. I wrote this dissertation using a narrative approach, blending the traditional research format, voices of participants, and my autoethnographic reflection. I included the results of my arts-based approach in the final chapter. Findings suggest that the teachers in this study conceptualize being a good art teacher as a process of identity construction. Each of the teachers understood what it meant to be a good art teacher in unique ways, connected to their personal experiences and backgrounds. As the teachers engaged in identity work to become the kind of art teacher they wanted to be, they engaged in a process of identity construction that consisted of four steps. I propose a model of identity construction in which the teachers chose teaching practices, evaluated those practices, identified challenges to their identities, and selected strategies to confirm, assert, or defend their desired identities. The findings have implications for teachers to become reflective practitioners; for teacher educators to prepare teachers to engage in reflective practices; and for administrators and policy makers to take into account the cyclical and personal nature of identity construction. This study also has implications for further research including the need to examine the dispositions of art teachers, teachers' evolving conceptions of what it means to be a good art teacher, and the effect labeling teachers' quality has on their identity construction.
ContributorsAndrelchik, Hillary (Author) / Erickson, Mary (Thesis advisor) / Young, Bernard (Committee member) / Margolis, Eric (Committee member) / Arizona State University (Publisher)
Created2014
Description
This ethnography outlines the live storytelling culture in Phoenix, Arizona, and what each of its sub-cultures contributes to the city's community. Phoenix's live storytelling events incorporate elements of an ancient art form into contemporary entertainment and sophisticated platforms for community building. These events are described and delineated by stylistic, structural, and content-based differences into the following categories: open-mic, curated, scripted, non-scripted, micro-culture, and marginalized groups. Research presented in this report was collected by reviewing scholarly materials about the social power of storytelling, attending live storytelling events across all categories, and interviewing event organizers and storytellers. My research developed toward an auto-ethnographic direction when I joined the community of storytellers in Phoenix, shifting the thesis to assume a voice of solidarity with the community. This resulted in a research project framed primarily as an ethnography that also includes my initial, personal experiences as a storyteller. The thesis concludes with the art form's macro-influences on Phoenix's rapidly-expanding community.
ContributorsNorton, Maeve (Author) / Dombrowski, Rosemarie (Thesis director) / McAdams, Charity (Committee member) / School of International Letters and Cultures (Contributor) / Department of Information Systems (Contributor) / Barrett, The Honors College (Contributor)
Created2017-12
Description
Privilege is unearned advantages, access, and power reserved for a select group of people. Those that benefit from privilege manifest their power consciously and sub-consciously so as to maintain their exclusive control of the opportunities privilege affords them. The reach and power of one’s privilege rises and falls as the different social identities that one possesses intersect. Ultimately, if a society built on justice and equity is to be achieved, those with privilege must take tangible steps to acknowledge their privilege and work to end the unequal advantages and oppression that are created in order to perpetuate privilege. This thesis unpacks privilege through an autoethnographic examination of the author’s history. Through the use of creative nonfiction, personal stories become launching points to explore characteristics of privilege manifest in the author’s life which are emblematic of larger social groups that share many of the author’s social identities. The following characteristics of privilege are explored: merit, oppression, normalization, economic value, neutrality, blindness, and silence.
ContributorsBlack, Luke (Author) / Swadener, Elizabeth (Thesis advisor) / de la Garza, Amira (Committee member) / Scott, Kimberly (Committee member) / Arizona State University (Publisher)
Created2015
Description
This dissertation is a visual and narrative-based autoethnography that narrates the lived educational experiences of the author from preschool through doctoral studies. The text portrays a story that explores issues of power, identity, and pedagogy in education. Told in narrative form, this project utilizes visual data, thematic coding, layering, and writing as a method of inquiry to investigate and more fully understand injustices found in the American education system. Findings show how the author’s identities of student, teacher, and researcher influence and impact one another, and lead to the development of a future vision of self.
By examining the author’s roles as a student, teacher, and researcher this study centers on conflicts and inconsistencies that arise at the intersections of self, community, institutions, and society. Included in the narrative’s analysis are issues related to positionality, visions of success, empowerment, resistance, neoliberalism, colonialism, psychological distance, and ideological purpose in teaching. The narrative concludes with the development of a personal vision of purposeful, empowering, liberating, and transformative pedagogy.
This study contributes its voice to conversations about inequity and inequality in education by asking the reader to examine conflicts, ask new questions, and critically engage with the dialogic text.
By examining the author’s roles as a student, teacher, and researcher this study centers on conflicts and inconsistencies that arise at the intersections of self, community, institutions, and society. Included in the narrative’s analysis are issues related to positionality, visions of success, empowerment, resistance, neoliberalism, colonialism, psychological distance, and ideological purpose in teaching. The narrative concludes with the development of a personal vision of purposeful, empowering, liberating, and transformative pedagogy.
This study contributes its voice to conversations about inequity and inequality in education by asking the reader to examine conflicts, ask new questions, and critically engage with the dialogic text.
ContributorsMazza, Bonnie Streff (Author) / Margolis, Eric (Thesis advisor) / Heineke Engebretson, Amy (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2016
Description
Emerging adulthood--a developmental point in the life span (usually between the ages of 18-25) during which children no longer see themselves as adolescents but would not yet consider themselves adults--is marked by identity exploration and discovering new life directions. When emerging adults find themselves serving as caregivers for their parent during a time when they would normally be establishing autonomy and exploring new directions, they may feel conflicted by their desire to both care for their parent and maintain a sense of independence. Thus, using a multiple-method research design that includes both an autoethnography and a qualitative content analysis of young adult caregivers' online posts, this study intends to uncover the dialectical tensions (the interplay of communicative tensions within a relationship) an emerging adult daughter experiences in her relationship with her mother as she serves as her caregiver, experiences her death, and grieves her passing by analyzing the author's personal narrative. To provide a deeper understanding of the dialectical nature of the emerging adult caregiver experience, the study was extended with an examination of other young caregivers' experiences, drawn from online forums, to explore how they encounter tensions within their own relationships with their parents. An analysis of the personal narrative revealed one primary dialectical tension, separation-connection, and three interrelated tensions--predictability-change, openness-closedness, and holding on-letting go--that seemed to influence this primary tension. Results of the qualitative content analysis revealed that other caregivers experienced one primary dialectical tension, sacrifice-reward, and two additional, interrelated tensions: independence-dependence and presence-absence. A comparison of the findings from each methodological approach revealed both similarities and differences in experiences of emerging adult caregivers.
ContributorsPiemonte, Nicole Marie (Author) / Fisher, Carla (Thesis advisor) / Kelley, Douglas (Committee member) / Waldron, Vincent (Committee member) / Wolf, Bianca (Committee member) / Arizona State University (Publisher)
Created2010
Description
Conducting an auto-ethnographic power analysis of a Service Industry Union (SIU) I use a feminist methodology to examine the ways women of color workers are accounted for, empowered, erased, silenced, or disempowered within advocacy organizations. As I examine the micro and macro structures of power between the SIU and the grocery store, janitorial, slaughterhouse, and union workers who compose this institution, I write with the goal of amplifying the voices silenced and lost in the translation of power in our everyday lives. Critical to this analysis are notions of advocacy, home, voice, and empowerment.
In “Voices: Power and Powerlessness in Experiences of the Self,” I write about my authoethnographic journey and the complicated sense of power I had within this organization, which often became a source of penalty. Throughout my work, I play on the etymology of advocacy—to give voice to another—and the idea of advocacy groups as “voices” for the seemingly disempowered. Concepts of voice and voiceless-ness, who can give voice to another, how, and if we should even be a voice for others, are a constant theme. In “Shadowing: Blurring the lines between Empowerment and Disempowerment Roles,” I explore moments where my translator role as a bilingual, among other roles, became imperative to my understanding of my own actions and those of others within the SIU’s advocacy. Lastly in “Speaking and Speaking Over: Getting tangled in the Web of the Relations of Power,” and in “Erasure and Representation: the Silences between the lines,” I capture a few of the ways the voices of others and myself were either amplified, spoken for, or erased whilst the Union attempted to advocate (“give voice to,” “call forth”) for workers using what I perceived to be a classic business-unionism model.
From my observations of the relations between workers and the union employees, I argue that the SIU operated within systems of power, and was often on par with corporations in terms of power. Then, I theorize that what is needed is a third-world feminist approach to unity and unions that seeks to dismantle all systems of oppression and reorganize the systems of power to end all kinds of oppression—not just class-based, worker versus corporation, oppression. This would be a solution to the problems of speaking for, silencing, and erasure that the union encountered. As I use a full-force combination of theory and activism in my “Praxis” chapter to make such claim, I delve into feminist of color ideals of solidarity. In a feminist solidarity, individuals are united by their differences, not by homogeneous experience or identity. I advocate for a third-world feminist approach to unionism through feminist solidarity, and I emphasize love and friendship as the backbone of such an endeavor.
In “Voices: Power and Powerlessness in Experiences of the Self,” I write about my authoethnographic journey and the complicated sense of power I had within this organization, which often became a source of penalty. Throughout my work, I play on the etymology of advocacy—to give voice to another—and the idea of advocacy groups as “voices” for the seemingly disempowered. Concepts of voice and voiceless-ness, who can give voice to another, how, and if we should even be a voice for others, are a constant theme. In “Shadowing: Blurring the lines between Empowerment and Disempowerment Roles,” I explore moments where my translator role as a bilingual, among other roles, became imperative to my understanding of my own actions and those of others within the SIU’s advocacy. Lastly in “Speaking and Speaking Over: Getting tangled in the Web of the Relations of Power,” and in “Erasure and Representation: the Silences between the lines,” I capture a few of the ways the voices of others and myself were either amplified, spoken for, or erased whilst the Union attempted to advocate (“give voice to,” “call forth”) for workers using what I perceived to be a classic business-unionism model.
From my observations of the relations between workers and the union employees, I argue that the SIU operated within systems of power, and was often on par with corporations in terms of power. Then, I theorize that what is needed is a third-world feminist approach to unity and unions that seeks to dismantle all systems of oppression and reorganize the systems of power to end all kinds of oppression—not just class-based, worker versus corporation, oppression. This would be a solution to the problems of speaking for, silencing, and erasure that the union encountered. As I use a full-force combination of theory and activism in my “Praxis” chapter to make such claim, I delve into feminist of color ideals of solidarity. In a feminist solidarity, individuals are united by their differences, not by homogeneous experience or identity. I advocate for a third-world feminist approach to unionism through feminist solidarity, and I emphasize love and friendship as the backbone of such an endeavor.
ContributorsHernandez, Carolina Renne (Author) / Behl, Natasha (Thesis director) / Watrous, Lisa (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
Description
During the summer of June 2014, the researcher, a non-traditional student, studied abroad in Fiji with Arizona State University's School of Human Evolution and Social Change leaving behind a family and financial responsibilities. The program was part of a growing trend as a short-term study abroad experience lasting only eight days. A service-learning project was completed at Votua Village on the Coral Coast which included a homestay and planting on the farm. An autoethnographical approach was used to describe this experience using a personal narrative written in first-person to evoke an emotional response. As a non-traditional student, the experience was probably profoundly different than it may have been for a majority of the class. The motivations, fears, and challenges associated with being a non-traditional student are discussed as well as the mother's guilt that many women experience when working outside of the home towards a personal achievement. The benefits of study abroad to non-traditional students is explained, as is the need for further research regarding their inclusion into these programs. Possible expansions of the study abroad program to include more of the non- traditional demographic within the student body at ASU are discussed. Several recommendations follow the narrative that may help to increase equitable access to study abroad for all students at the tertiary level. This work is a reflection on the researcher's experience as part of a diverse yet mostly traditional group of 35 students that made the trip to Fiji from a non-traditional student perspective and includes photographs as a visual autoethnography from the adventure to enhance and supplement the narrative.
ContributorsBell, Bridget Anne (Author) / Goodman, Rebekka (Thesis director) / Timothy, Dallen (Committee member) / School of Sustainability (Contributor) / School of Human Evolution and Social Change (Contributor) / School of Community Resources and Development (Contributor) / Barrett, The Honors College (Contributor)
Created2015-12
Description
Good food, or food that is good for people and planet, demands a different worldview and approach than the current industrial food system. As an ecofeminist researcher who values reciprocity, justice, and a holistic approach, my research investigates varying good food perspectives by integrating scientific evidence and practical experience. Specifically, I explore the opportunities climatic change have created for innovative and solutions-oriented small-scale food systems techniques in arid regions to define, identify, regulate and communicate good food and its related practices. A significant gap exists between current small-scale good food practices and how they can fit and be valorized into a wider food system. This dissertation combines social science and arts-based methodologies with the intention of digging deeper to understand what is required to support a food system that produces good food. This dissertation is broken down into three deliverables, bound by this introduction and a conclusion: (1) a theoretical research framework for regenerative food systems, grounded in biomimicry and traditional ecological knowledge (TEK) defining and identifying good food and the systems that produce it, (2) a research paper that follows three traditional fermented foods in Arizona to contextualize their socio-cultural aspects within a regulatory framework and propose a way to make food governance more inclusive, and (3) an analytical autoethnographic exploration of the normative aspect of sustainability, and how it can be more regenerative. The narrative is an exploration through the author's past, present, and future in finding ways to instill more regenerative practices in their life in Arizona, as well as amplify the voices of others using podcasts. The dissertation aims to expand the field of food system sustainability to be more inclusive of diverse knowledge systems and arts-based methods in creating an understanding of good food in arid regions.
ContributorsAly El-Sayed, Sara (Author) / Cloutier, Scott (Thesis advisor) / Spackman, Christy (Thesis advisor) / Adamson, Joni (Committee member) / Baumeister, Dayna (Committee member) / Arizona State University (Publisher)
Created2021
Description
This dissertation develops a heuristic—one I call the iterative narrative reflection framework—for rhetorically engaged, data-driven teacherly theory building using Kenneth Burke’s frames of acceptance and rejection. Teacher-scholars regularly develop curricula and lesson plans informed by theory and prior experience, but the daily practice of teaching and learning with students rarely plays out as expected. In many cases, institutional constraints and the unpredictable lives of students interact with teachers’ plans in surprising and sometimes confounding ways. Teachers typically make sense of such challenges by constructing post-hoc narratives about what happened and why, attributing motives and agencies to other participants in ways that suggest how to respond, move forward, and get back on track. Whether such narratives are part of a deliberate practice of reflection or an informal and largely unnoticed mental process, they are rarely thought of as constructed accounts and therefore as rhetorical acts that can be subjected to serious review, criticism, and revision. Yet these stories are shaped by familiar genre conventions that influence interpretations of events and motives in ways that may or may not serve well as teachers consider how best to respond to unfolding events. Using the iterative narrative reflection framework to guide my analysis of my own teacherly narratives through multiple layers of reflection and criticism, I demonstrate across the dissertation’s three cases how such deliberate, methodical analysis can reveal tacit assumptions and additional interpretive possibilities. Ultimately, such a process of iterative reflection enables the teacher-scholar to choose from among a wider range of available means of persuasion and pedagogical possibilities.
ContributorsRobinson, Rebecca Joanna (Author) / Long, Elenore (Thesis advisor) / Rose, Shirley K. (Thesis advisor) / Miller, Keith D. (Committee member) / Arizona State University (Publisher)
Created2019
Description
This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete understanding of the ways in which the practices of the Church of Jesus Christ of Latter-Day Saints blur the lines between public and private and asks how women, most centrally the author, navigate contradictions in the doctrine and the institution of the Church of Jesus Christ of Latter-Day Saints. Finally, this paper examines the tension between critical thought from a feminist perspective and being a devout member in the eyes of the church.Data was collected and presented using interpretivist methodology, ethnography and autoethnography. The author draws upon her experience as a member of the Church of Jesus Christ of Latter-Day Saints and examines the ways power is layered and instrumental to the patriarchal teachings which are often contradictory and in tension with women developing full personhood.
ContributorsLunt, Sue (Author) / Colbern, Allan (Thesis advisor) / Goksel, Nisa (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2021